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ARRI

Arri ALEXA 35 Xtreme Premium - Production Set (19mm)

Arri ALEXA 35 Xtreme Premium - Production Set (19mm) (p/n K0.0055012)

arri-alexa-35-xtreme-premium-production-set-19mm / K0.0055012

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Warranty:
1 Year Standard Warranty


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Product Details


Arri ALEXA 35 Xtreme Premium - Production Set (19mm)
Overview

The Arri ALEXA 35 Xtreme Premium - Production Set (19mm) is designed for high-end narrative productions, offering frame rates up to 660 fps, ARRICORE, ARRIRAW and ProRes recording, and various recording formats. It includes an ALEXA 35 Xtreme camera with a Premium license, LPL Mount, PL-to-LPL Adapter, MVF-2 viewfinder, and production accessories. The camera is fully compatible with most rental packages and can be used with 15 mm or 19 mm studio rods.

The ALEXA 35 Xtreme introduces powerful new hardware, higher speeds for slow-motion images, and the efficient ARRICORE codec. It offers an upgrade path for existing ALEXA 35 cameras, transforms high-speed cinematography by eliminating the need for a separate camera, and features Sensor Overdrive mode for extreme slow-motion shots. The camera also includes ARRICORE, a next-generation RGB codec that reduces data rates while maintaining image quality, and consumes 10% less power than its predecessor, the ALEXA 35.

This text is summarised by AI
Arri, ALEXA, 35, Xtreme, Premium, Production, Set, K0.0055012, ARRI ALEXA 35, ARRI ALEXA35, alexa 35, alexa 35 arri,base entry set, LPL mount, CCM?1 camera control monitor, Compact Drive Express, ProRes recording, 4.6K Super35,
Included in box

1x ALEXA 35 Xtreme with Premium License KK.0055023 

1x ARRI LPL Lens Mount (LBUS) K2.0018983 

1x ARRI PL-to-LPL-Adapter K2.0016936 

1x Balance Utility Dovetail BUD-1 K2.0034180 

1x B-Mount Battery Adapter K2.0023751 

1x Multi Viewfinder MVF-2 K2.0020916 

2x Cable VF Right Angle (0.5m/1.5ft) K2.0042857 

1x Power Cable Straight KC-50 2m K2.75007.0 

1x Power Distribution Module PDM-1 K2.0024101 

1x Production Support Set - Top KK.0041533 

1x Production Support Set - Side KK.0041534 

1x Production Support Set - Bottom (19mm) KK.0041535 

About the Arri ALEXA 35 Xtreme Premium - Production Set (19mm)

Arri ALEXA 35 Xtreme Premium - Production Set (19mm)

Designed to suit the workflow of a traditional camera department

Include an ALEXA 35 Xtreme camera with a Premium license (frame rates up to 660 fps, ARRICORE, ARRIRAW and ProRes recording, all Open Gate-width and anamorphic recording formats, in-camera anamorphic de-squeeze, pre-recording, and look [ARRI Textures, ARRI Look Library, and Custom Color Management]), LPL Mount (LBUS), PL-to-LPL Adapter, MVF-2 viewfinder, production accessories, and Power Distribution Module PDM-1

Fully compatible with most rental packages for high-end narrative productions

Optionally for 15 mm or 19 mm studio rods

More speed. Less data.

The ALEXA 35 Xtreme is a major revision of the industry’s trusted workhorse—ALEXA 35, known for its superior image quality, ease of use, and reliable operation. Building on its predecessor’s solid foundation, ALEXA 35 Xtreme introduces powerful new hardware, higher speeds for breathtaking slow-motion images, and the efficient ARRICORE codec.

High speed up to 660 fps

ALEXA 35 Xtreme continues a long tradition at ARRI of high-speed motion picture cameras. New hardware allows frame rates up to 330 fps while maintaining full dynamic range, and a new codec and Sensor Overdrive mode double the limit to 660 fps.

New codec ARRICORE

ARRI’s next-generation RGB codec makes the highest image quality more affordable by using cutting-edge image science to reduce data rates. The file sizes might be smaller, but maximum creative flexibility in postproduction remains.

Upgrade path

ARRI is offering an upgrade that transforms any previously sold ALEXA 35 into an ALEXA 35 Xtreme. This extends the product life and the return on investment for customers, giving them access to future enhancements enabled by the state-of-the-art new processing unit.

Slow motion cinematography

ALEXA 35 Xtreme removes the need to carry a separate high-speed camera on most shoots. This streamlines production workflows, saves time and money, and ensures that high-speed footage matches seamlessly with standard-speed shots in post. These benefits are enabled by the new main processor, equipped with more and faster on-board memory. Frame rates up to 330 fps retain the camera’s full 17 stops of dynamic range, while a Sensor Overdrive mode allows frame rates up to 660 fps at a dynamic range of 11 stops.

Sensor Overdrive

The new Sensor Overdrive mode unlocks higher maximum frame rates by reducing sensor read-out times. It is designed for situations where extreme slow-motion is required, prioritizing frame rate by making trade-offs with other image parameters: the camera’s dynamic range decreases by six stops in the highlights and its base sensitivity increases to EI 1600. Sensor Overdrive mode requires careful consideration of exposure settings and should only be used in controlled lighting environments.

ARRICORE

Complementing ALEXA 35 Xtreme and included with both the Base and Premium models is ARRICORE, ARRI’s next-generation RGB codec. Designed to deliver the camera’s exceptional image quality at a more accessible cost by reducing data rates, ARRICORE also provides flexibility in post, since sensitivity, white balance, and tint are not baked in.
Switching to ARRICORE is easy because on-set and post workflows remain consistent with existing ALEXA 35 codecs and drives. The ALF4 ARRI Look File, ARRI Textures, metadata, audio, and the MXF wrapper will all behave in a familiar way. ARRICORE is launching in beta to actively engage users and drive rapid enhancement of its capabilities through direct feedback. Most third-party tools that already support the current ALEXA 35 codecs will also support ARRICORE.

Powerful new hardware

ALEXA 35 Xtreme looks the same as ALEXA 35 on the outside, but inside there are some comprehensive hardware upgrades. A powerful new main processing board enables faster data processing and quicker access to the increased on-chip memory, while the redesigned cooling system ensures stable performance, even during continuous high-load operation.

5x longer pre-recording

Pre-recording times are five times longer, reaching up to five minutes, depending on the recording format. This simplifies high-speed capture for everyone and is essential for documentary filmmakers.

10% lower power consumption

As a result of its hardware and processing upgrades, the ALEXA 35 Xtreme consumes 10% less power than the ALEXA 35. Whether you're on location or in the studio, this improvement means more efficiency, less heat, and extended battery life—without compromising performance.

Evolving technology, unchanging excellence

While the Xtreme upgrade significantly expands the capabilities of the ALEXA 35 camera system, its core strengths remain unchanged: industry-leading image quality from the 4.6K Super 35 sensor, robust build, intuitive workflows, and trusted reliability. ALEXA 35 electronic and mechanical accessories, CODEX Compact Drive media, and the Live Production System LPS-1 all remain compatible with ALEXA 35 Xtreme.

Incredible dynamic range

Capturing an impressive 17 stops of dynamic range, the camera renders exceptionally filmic highlight roll-off and deep shadow detail. Built to handle any lighting situation with ease, it is the ultimate acquisition tool for HDR workflows and future-proof content, providing unparalleled flexibility in postproduction.

Enhanced sensitivity

As a high-sensitivity camera, ALEXA 35 Xtreme offers sensitivity settings from EI 160 to EI 6400 while maintaining low noise and exceptional colour accuracy across all exposure levels. The Enhanced Sensitivity mode ensures even cleaner images in low-light environments and is an especially powerful tool when combined with in-camera Shadow ARRI Textures. 

True-to-life colours

ARRI’s REVEAL Colour Science renders skin tones naturally and beautifully, capturing the subtlest of tonal variations to enhance emotional depth and visual immersion. Despite its state-of-the-art innovations, the REVEAL workflow is simple and efficient, delivering stunning, worry-free results.

On-set creative control

ARRI Textures offer an evolving menu of in-camera looks that allow cinematographers to fine-tune the grain in the image and the amount of contrast at different levels of detail—almost like choosing a film stock. With textures, users can make decisions on set about how ALEXA 35 Xtreme “sees” the world.

Fast and easy operation

ALEXA 35 Xtreme is a compact, lightweight, and fully featured production camera, packing impressive functionality and processing power into a Mini-sized body. User-friendly operation is assured through numerous refinements, a simple and intuitive menu structure, and streamlined recording formats across three different codecs that cover all your needs while maximizing efficiency. ALEXA 35 Xtreme is the best A-camera, B-camera, action camera, and high-speed camera on the market, all rolled into one.

MVF-2 viewfinder and CCM-1 monitor

Full camera control, menu access, and high-quality monitoring through the familiar, HDR-capable MVF-2 viewfinder and the daylight-viewable 7" Camera Control Monitor CCM-1. Both can now be operated by touch. Learn more about the CCM-1 here. 

Side display

Read status, change settings, or play back clips without a viewfinder via the camera left-side display. Great for TRINITY, Steadicam, Easyrig, drones, and cranes.

Designed for flexibility 


Five interchangeable lens mounts, two scratch mics, and internal FSND filters make ALEXA 35 Xtreme ideal for changing shooting requirements. ACs will love the body-mounted LBUS connector, built-in serial port for distance measuring devices, and hot-pluggable viewfinder.

Integrated electronic modules

The Power Distribution Module PDM-1 offers seven extra power accessory outputs, while the Audio Extension Module AEM-1 provides two incredibly clean microphone preamp channels for onboard audio recording, as well as extra power outputs.

Media bay for Compact Drive

Use the Codex Compact Drive 1TB or 2TB for ARRIRAW, ProRes, and ARRICORE recording, or if you only need ProRes, you can save costs with the Compact Drive Express 1TB

New WiFi antennas

Among the improvements to the ALEXA 35 Xtreme are new WiFi capabilities like WiFi 5 GHz band, WiFi roaming in a mesh network, and auto-reconnect to previously known networks, and two new antennas that improve WiFi performance in the 2.4 GHz and 5 GHz bands

Versatile connectivity

ALEXA 35 Xtreme offers a host of inputs and outputs for all your accessories. Highlights include two completely independent 12G SDI outputs, an ethernet connector for real-time streaming metadata, and regulated 12 V and 24 V accessory power outputs.

Extended features when you need them

The same feature licenses available for the ALEXA 35 Base can also be used to add specialist features to the ALEXA 35 Xtreme Base on a weekly, monthly, yearly, or permanent basis. They allow users to add specific functionality for a short-form job, a longer-term project, or a new career direction.

High Speed

With the High Speed License installed, users get access to the maximum frame rates possible for all recording formats that are enabled in the camera.

ARRIRAW

The ARRIRAW License allows uncompressed, unencrypted ARRIRAW recording for all recording formats installed on the camera, providing maximum image flexibility in post.

OG / Anamorphic

For the ALEXA 35 Xtreme and ALEXA 35 Base models, and ALEXA 35 Live, the Open Gate/Anamorphic license enables all Open Gate recording formats as well as the anamorphic 3.3K 6:5 recording format and anamorphic de-squeeze for monitor paths. For the latter two cameras it also enables the 3K 1:1 and 2.7K 8:9 recording formats.

Look

The Look License provides access to all ARRI Textures in the camera and on the ARRI website, the ARRI Look Library with 87 unique looks, and Custom Colour Management for full control of the image processing path.

Pre-recording

The Pre-record License equips the camera with a buffer that continually stores up to five minutes of images (with ALEXA 35 Xtreme), which are then added to the start of a clip once recording begins, allowing unpredictable events to be captured.

Premium

The Premium License is a bundle package that includes all five of the individual feature licenses detailed above:High Speed, ARRIRAW, Open Gate/Anamorphic, Look, and Pre-recording.

Upgrade your ALEXA 35 to ALEXA 35 Xtreme

The ALEXA 35 Xtreme is available either as a brand-new camera or as an upgrade for existing ALEXA 35 models, which will retain their installed licenses. Upgrades are carried out at selected ARRI Service Centers.

SENSOR.
Sensor Type. Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array
Maximum Photosites. 4608 x 3164
Sensor Size. 27.99 x 19.22 mm / 1.102 x 0.757"
Image Circle. Ø 33.96 mm / 1.337"
Photosite Pitch. 6.075 μm
Dynamic Range. 17 stops
Shutter. Electronic shutter, 1.0°–356° or 1s– 1/8000s
Exposure Index. Adjustable from EI 160– 6400 in 1/3 stops
White Balance. Manual and auto, adjustable 2000K–11000K in 10K steps
Colour Correction. Adjustable from -16 to +16 CC
SENSOR MODES (PIXELS).
4.6K 3:2 Open Gate. 4608 x 3164
4.6K 16:9. 4608 x 2592
4K 16:9. 4096 x 2304
3.8K 16:9. 3840 x 2160
3.8K 2.39:1. 3840 x 1608
3.3K 6:5. 3328 x 2790
2K 16:9 S16. 2048 x 1152
HD 16:9 S16. 1920 x 1080
SENSOR MODES (DIMENSIONS).
4.6K 3:2 Open Gate. 28.0 x 19.2 mm / 1.102 x 0.756"
4.6K 16:9. 28.0 x 15.7 mm / 1.102 x 0.618"
4K 16:9. 24.9 x 14.0 mm / 0.980 x 0.551"
3.8K 16:9. 23.3 x 13.1 mm / 0.918 x 0.516"
3.8K 2.39:1. 23.3 x 9.8 mm / 0.918 x 0.386"
3.3K 6:5. 20.22 x 16.95 mm / 0.796 x 0.693"
2K 16:9 S16. 12.4 x 7.0 mm / 0.490 x 0.276"
HD 16:9 S16. 11.7 x 6.6 mm / 0.461 x 0.260"
RECORDING FORMATS.
Container. MXF/ARRIRAW*, MXF/ARRICORE, MXF/Apple ProRes 4444 XQ / 4444 / 422 HQ
File Image Content. Matches recording container size
Recording Modes. Standard, Pre-recording*
RECORDING RESOLUTIONS.
4.6K 3:2. 4608 x 3164
4.6K 16:9. 4608 x 2592
4K 16:9. 4096 x 2304
3.8K 16:9. 3840 x 2160
3.8K 2.39:1. 3840 x 1608
3.3K 6:5. 3328 x 2790 or 4096 x 1716
2K 16:9 S16. 2048 x 1152
HD 16:9 S16. 1920 x 1080
RECORDING MEDIA.
Media Types. Codex Compact Drive 1TB / 2TB, Express 1TB
RECORDING FRAME RATES (fps).
ARRIRAW 4.6K 3:2. 35 / 80
ARRIRAW 4.6K 16:9. 45 / 95
ARRIRAW 4K 16:9. 55 / 125
ARRIRAW 3.8K 16:9. 65 / 140
ARRIRAW 3.8K 2.39:1. 85 / 190
ARRIRAW 3.3K 6:5. 55 / 120
ARRIRAW 2K 16:9 S16. 230 / 330
ARRIRAW HD 16:9 S16. 260 / 330
ARRICORE 4.6K 3:2. 80 / 120 / 165*
ARRICORE 4.6K 16:9. 100 / 150 / 200*
ARRICORE 4K 16:9. 125 / 150 / 210*
ARRICORE 3.8K 16:9. 145 / 150 / 240*
ARRICORE 3.8K 2.39:1. 195 / 240
ARRICORE 3.3K 6:5. 120 / 120 / 210*
ARRICORE 2K / HD 16:9 S16. 330 / 330 / 660*
Apple ProRes 4444 4.6K 3:2. 90 / 120
Apple ProRes 4444 4.6K 16:9. 110 / 150
Apple ProRes 4444 4K 16:9. 135 / 150
Apple ProRes 4444 3.8K 16:9. 150 / 150
Apple ProRes 4444 3.8K 2.39:1. 210 / 240
Apple ProRes 4444 3.3K 6:5. 120 / 120
Apple ProRes 4444 2K / HD S16. 330 / 330
VIEWFINDER.
Type. MVF-2 with 4" flip-out touchscreen
Technology. OLED + LCD
Resolution. 1920 x 1080
Diopter. Adjustable from -5 to +5
COLOUR MANAGEMENT.
Display Renders. Rec.709, Rec.2020, Rec.2100 PQ, Rec.2100 HLG
Log Output. LogC4
Look Control. ARRI Look File ALF-4 (custom 3D LUT, CDL parameters, Look Library, Textures)
IMAGE PROCESSING.
ND Filters. 4-position motorised: Clear, 0.6, 1.2, 1.8
Other Filters. Optical low-pass, UV, IR
OUTPUTS.
VF Out. 2x VF CoaXPress
SDI. 2x 12G-SDI (BNC): 1.5G HD, 3G HD, 6G UHD, 12G UHD; 422 and 444
LENS.
Mounts. ARRI LPL (LBUS), PL-to-LPL, PL (LBUS & Hirose), EF (LBUS), Leitz M for ARRI
Flange Depth. LPL: 44 mm; PL: 52 mm
EXPOSURE & FOCUS TOOLS.
. False Colour, Zoom, Aperture & Colour Peaking
AUDIO.
Inputs. 1x LEMO 6-pin (balanced stereo, +24 dBu), 2x built-in mics
Outputs. SDI embedded, 3.5mm headphone (MVF-2)
Recording. 4-channel Linear PCM, 24-bit 48 kHz
With AEM-1. +3x TA3 (MIC/Line, +48V, AES)
With FCA-1. +2x TA3 (MIC/Line, +48V, AES)
REMOTE CONTROL.
Options. MVF-2, CCM-1, App, ECS, Ethernet/WiFi Web UI, GPIO, Skaarhoj, CAP API
INTERFACES.
1x LBUS. LEMO 4-pin
1x SERIAL. LEMO 4-pin
1x TC. LEMO 5-pin
1x ETH. LEMO 10-pin
1x SYNC IN. BNC
1x RET IN. BNC
1x USB-C.
1x Rear Interface. 18-pin Pogo
WIRELESS.
WiFi. IEEE 802.11a/ac/b/g/n/k/r/v
Radio. White Radio for ECS
POWER.
Input. 1x LEMO 8-pin, 1x BAT (rear interface)
Voltage. 20.5 – 33.6 V DC
Consumption. ~81 W (camera + MVF-2)
Outputs.
RS (3-pin). 24V + trigger
LEMO 2-pin. 12V
LBUS. 24V lens power
AUDIO (LEMO 6-pin). 12V
ETH (LEMO 10-pin). 24V
With PDM-1. +4x 24V, 2x 12V, 1x D-Tap
With LPS-1. +1x 24V, 3x 12V
PHYSICAL.
Dimensions. 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0"
Weight. ∼3.0 kg / 6.6 lbs
Operating Temp. -20°C to +45°C (general), -20°C to +40°C at >120 fps
Storage Temp. -30°C to +70°C
Sound Level. < 20 dB(A) at 30fps, 4K 16:9 ProRes 4444 XQ, ≤ 30°C ambient
SOFTWARE LICENCES.
Included. ALEXA 35 Xtreme Premium, Look, ARRIRAW, Open Gate / Anamorphic, Highspeed, Pre-record
Optional. Multicam
Note. *Licensing required, not included in Base Licence

Main Features:
  • ALEXA 35 with a new, faster processor and more memory
    Replaces ALEXA 35
    Includes most ALEXA 35 features, plus
  • High speed up to 660 fps
  • New ARRICORE codec
  • 5x longer pre-recording
  • 10% lower power consumption
  • Improved WiFi
  • Streamlined recording formats
  • Backwards compatibility with ALEXA 35 accessories
  • Support for ALEXA 35 Xtreme

 

New and improved features for ALEXA 35 Xtreme, ALEXA 35 and ALEXA 35 Live
  • WiFi - Known Networks List and Auto Reconnect
  • Camera stores connected networks (including credentials) in a list and can optionally automatically re-connect
  • WiFi - Mesh Network Roaming
  • Seamless roaming in wireless mesh networks (802.11k, 802.11r, 802.11v), automatically choosing the best available signal
  • WiFi - Enhanced Channel Selecting
  • In client mode, the camera now also allows manual selection of channels 12 and 13, provided regional regulations allow their use. These channels are typically available in Europe, Asia, Australia, and parts of South America.
  • User Button - VF De-squeeze
  • Toggles anamorphic de-squeeze on the viewfinder outputs (VF1 and VF2)
  • User Button - LPM-1 Return In
  • Once the Live Production Monitor LPM-1 is available, this button switches between the live image and an external return signal attached to the monitor
  • Extended Shutter Angle Range
  • Minimum adjustable shutter angle is now 1° instead of 5º
  • Integrated LDA Lens Tables for Ensō Primes
  • The full Ensō Prime lens series is now supported via integrated lens data tables

 

Sensor overdrive:

  • Reduced sensor read-out time
  • Highest maximum frame rate
  • Only available in ARRICORE
  • Native EI 1600

 

Trade-offs:
  • Exposure Index: 800 to 6400
  • Maximum shutter = 340º
  • Enhanced Sensitivity off
  • 11 stops of dynamic range

 

Sensor overdrive – shooting recommendations

  • Highest Frame Rates
  • Same REVEAL Color Science

 

Exposure for 11 stops of dynamic range is critical
  • 6 stops fewer in highlights
  • Not enough light -> noise
  • Too much light -> clipping
  • Best in controlled lighting situations
  • If the desired frame rate is also available without Sensor Overdrive, use that

 

To extend highlights and avoid artefacts, shoot at EI 1600 to 3200
  • Don't be afraid of grain, it can be fixed in post. Clipping cannot be fixed

Use False Color

  • It works the same way with Sensor Overdrive as without
  • Keep a close eye on clipping levels
  • Always shoot tests!


ARRICORE

Next-generation RGB codec developed by ARRI
  • Superb image quality with post-flexibility at a low data rate
Superb image quality
  • ALEXA 35 Image Quality

 

Maximum post flexibility
  • Sensitivity, white balance and tint are not baked in
  • Fast proxy generation
  • Decoder improvements (SDK) will further refine image fidelity
Low data rate
  • Use fewer Compact Drives (lower cost)
  • Double recording time
  • Faster download speeds

 

Easy Switch
  • Same on-set and post workflow as with existing ALEXA 35 codecs
  • ARRI Look File ALF4, ARRI Textures, metadata, MXF-wrapper and audio all behave in a familiar way
  • Compatible with existing Compact Drive 1TB and 2TB, not Compact Drive Express 1TB (ProRes only)
  • ARRI Reference Tool GUI 1.8.0 and ARRI Reference Tool CMD 0.4.0 support ARRICORE and are available now
  • Most third-party tools that support current ALEXA 35 codecs will also support ARRICORE

 

Availability
  • Available only in ALEXA 35 Xtreme, not in other ARRI digital cameras
  • Available in every ALEXA 35 Xtreme
  • Base up to 60 fps & Premium up to 660 fps
  • Currently in beta stage for last optimizations

 

Codec Overview

Your Choice!

ARRIRAW
  • Highest image quality, uncompressed and unencrypted
  • Sensitivity, white balance and tint can be adjusted in post
  • The standard choice on the largest productions in the world
ARRICORE
  • Superb image quality at significantly lower data rates
  • Sensitivity, white balance and tint can be adjusted in post
  • Enables the most Xtreme frame rates
Apple ProRes
  • Excellent image quality
  • Sensitivity, white balance and tint are baked in on set
  • Option of different profiles for even lower data rates
  • The most universally accepted codec in the business

 

5x Longer Pre-Recording

5x times longer pre-recording*
  • Simplifies high-speed capture
  • Essential for nature documentaries
  • Longest pre-recording time in any cine camera
  • 30 seconds in ProRes 4444 Open Gate at 24 fps
  • 5 minutes in ProRes 422 HQ HD at 24 fps

 

*  with audio off

  • Shorter with audio on, but still longer than ALEXA 35
  • Longer time with audio on planned for a future SUP

 

Power and WIFI

10% lower Power consumption
  • More efficiency, less heat, extended battery life
Improved WiFi
  • 5 GHz client mode
  • New dual-band WiFi antennas (white & blue bands)
  • Best performance for 2.4 & 5 GHz
  • WiFi roaming for mesh network
  • List of previously known WiFi networks and optional auto-reconnect

 

Streamlined Recording Formats

Streamlined & simplified
  • Based on an analysis of logfiles
  • Removed seldomly used sensor formats and added two new ones
  • For ALEXA 35 Xtreme, Sensor Mode = Recording Resolution
  • The same recording formats are available for ARRIRAW, ARRICORE and Apple ProRes

 

Future Updates and Compatibility

Maximum processing power
  • Faster FPGA, more memory and extra processing acceleration board
  • Room for future software upgrades

Backwards compatibility

  • Same compact housing, connectors and mechanical interfaces
  • Compatible with ARRI's vast ecosystem of electronic and mechanical accessories
  • This includes lens mounts, brackets, handles, the Audio Extension Module AEM-1, Power Distribution Module PDM-1, Camera Companion App, and Live Production System LPS-1, as well as the CODEX Compact Drive 2TB, 1TB, and Express 1TB
  • Hi-5 and Camera Control Monitor CCM-1 partially compatible, update planned

 

Streamlined Recording Formats

Eight sensor modes, the same for ARRIRAW, ARRICORE and Apple ProRes
  • 4.6K 3:2 Open Gate - Maximum image quality, maximum resolution and maximum flexibility in post for shooting with spherical and anamorphic lenses. The image area is larger than traditional Super 35 film, so not all Super 35 lenses cover. The sensor mode with the highest data rate. 
  • 4.6K 16:9 - Full sensor width in a 16:9 format that suits many spherical Super 35 and all large format lenses, with extra room for flexibility in post. Lower data rate than 4.6K 3.2 Open Gate.
  • 4K 16:9 - For projects using spherical lenses for a 16:9 or 1.85:1 deliverable with a 4K Cine resolution (4096 horizontal pixels). Also useful for spherical 16:9 or 1.85:1 projects with a UHD deliverable that want a little extra area for resizing, repositioning, stabilizing, or tracking in post. The sensor area is close to the traditional spherical Super 35 film format for compatibility with a wide range of Super 35 lenses. 
  • 3.8K 16:9 (UHD) - For projects using spherical lenses for a 16:9 UHD deliverable. This is the 4K recording format with the lowest data rate for lowest cost and with the smallest image circle for maximum compatibility with spherical Super 35 lenses. 
  • 3.8K 2.39:1 - For projects using spherical lenses for a 2.39:1 deliverable. Also, the highest maximum frame rate of any 3.8K sensor mode. 
  • 3.3K 6:5 - For projects using 2x anamorphic Super 35 lenses for a 2.39:1 deliverable. Negates the necessity of cropping Open Gate footage and fulfills 4K mandates.
  • 2K 16:9 S16 - For maximum frame rates with Sensor Overdrive on and off. Sometimes used to have extra padding around an HD deliverable. Close to the traditional Super 16 film format and therefore most Super 16 lenses cover. 
  • HD 16:9 S16 - Same maximum frame rate as 2K 16:9 but native HD. For shooting HD without any cropping/resizing in post. Also used for live applications. Close to the traditional Super 16 film format and therefore most Super 16 lenses cover. 

 

 

 

 

 

 

 


Frequently asked questions

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