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Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly.
Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly.
Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly.
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Accessories that are recommended by CVP
The Arri ALEXA 35 Xtreme Premium - Production Set (19mm) is designed for high-end narrative productions, offering frame rates up to 660 fps, ARRICORE, ARRIRAW and ProRes recording, and various recording formats. It includes an ALEXA 35 Xtreme camera with a Premium license, LPL Mount, PL-to-LPL Adapter, MVF-2 viewfinder, and production accessories. The camera is fully compatible with most rental packages and can be used with 15 mm or 19 mm studio rods.
The ALEXA 35 Xtreme introduces powerful new hardware, higher speeds for slow-motion images, and the efficient ARRICORE codec. It offers an upgrade path for existing ALEXA 35 cameras, transforms high-speed cinematography by eliminating the need for a separate camera, and features Sensor Overdrive mode for extreme slow-motion shots. The camera also includes ARRICORE, a next-generation RGB codec that reduces data rates while maintaining image quality, and consumes 10% less power than its predecessor, the ALEXA 35.
1x ALEXA 35 Xtreme with Premium License KK.0055023
1x ARRI LPL Lens Mount (LBUS) K2.0018983
1x ARRI PL-to-LPL-Adapter K2.0016936
1x Balance Utility Dovetail BUD-1 K2.0034180
1x B-Mount Battery Adapter K2.0023751
1x Multi Viewfinder MVF-2 K2.0020916
2x Cable VF Right Angle (0.5m/1.5ft) K2.0042857
1x Power Cable Straight KC-50 2m K2.75007.0
1x Power Distribution Module PDM-1 K2.0024101
1x Production Support Set - Top KK.0041533
1x Production Support Set - Side KK.0041534
1x Production Support Set - Bottom (19mm) KK.0041535
Arri ALEXA 35 Xtreme Premium - Production Set (19mm)
Designed to suit the workflow of a traditional camera department
Include an ALEXA 35 Xtreme camera with a Premium license (frame rates up to 660 fps, ARRICORE, ARRIRAW and ProRes recording, all Open Gate-width and anamorphic recording formats, in-camera anamorphic de-squeeze, pre-recording, and look [ARRI Textures, ARRI Look Library, and Custom Color Management]), LPL Mount (LBUS), PL-to-LPL Adapter, MVF-2 viewfinder, production accessories, and Power Distribution Module PDM-1
Fully compatible with most rental packages for high-end narrative productions
Optionally for 15 mm or 19 mm studio rods
More speed. Less data.
The ALEXA 35 Xtreme is a major revision of the industry’s trusted workhorse—ALEXA 35, known for its superior image quality, ease of use, and reliable operation. Building on its predecessor’s solid foundation, ALEXA 35 Xtreme introduces powerful new hardware, higher speeds for breathtaking slow-motion images, and the efficient ARRICORE codec.
High speed up to 660 fps
ALEXA 35 Xtreme continues a long tradition at ARRI of high-speed motion picture cameras. New hardware allows frame rates up to 330 fps while maintaining full dynamic range, and a new codec and Sensor Overdrive mode double the limit to 660 fps.
New codec ARRICORE
ARRI’s next-generation RGB codec makes the highest image quality more affordable by using cutting-edge image science to reduce data rates. The file sizes might be smaller, but maximum creative flexibility in postproduction remains.
Upgrade path
ARRI is offering an upgrade that transforms any previously sold ALEXA 35 into an ALEXA 35 Xtreme. This extends the product life and the return on investment for customers, giving them access to future enhancements enabled by the state-of-the-art new processing unit.
Slow motion cinematography
ALEXA 35 Xtreme removes the need to carry a separate high-speed camera on most shoots. This streamlines production workflows, saves time and money, and ensures that high-speed footage matches seamlessly with standard-speed shots in post. These benefits are enabled by the new main processor, equipped with more and faster on-board memory. Frame rates up to 330 fps retain the camera’s full 17 stops of dynamic range, while a Sensor Overdrive mode allows frame rates up to 660 fps at a dynamic range of 11 stops.
Sensor Overdrive
The new Sensor Overdrive mode unlocks higher maximum frame rates by reducing sensor read-out times. It is designed for situations where extreme slow-motion is required, prioritizing frame rate by making trade-offs with other image parameters: the camera’s dynamic range decreases by six stops in the highlights and its base sensitivity increases to EI 1600. Sensor Overdrive mode requires careful consideration of exposure settings and should only be used in controlled lighting environments.
ARRICORE
Complementing ALEXA 35 Xtreme and included with both the Base and Premium models is ARRICORE, ARRI’s next-generation RGB codec. Designed to deliver the camera’s exceptional image quality at a more accessible cost by reducing data rates, ARRICORE also provides flexibility in post, since sensitivity, white balance, and tint are not baked in.
Switching to ARRICORE is easy because on-set and post workflows remain consistent with existing ALEXA 35 codecs and drives. The ALF4 ARRI Look File, ARRI Textures, metadata, audio, and the MXF wrapper will all behave in a familiar way. ARRICORE is launching in beta to actively engage users and drive rapid enhancement of its capabilities through direct feedback. Most third-party tools that already support the current ALEXA 35 codecs will also support ARRICORE.
Powerful new hardware
ALEXA 35 Xtreme looks the same as ALEXA 35 on the outside, but inside there are some comprehensive hardware upgrades. A powerful new main processing board enables faster data processing and quicker access to the increased on-chip memory, while the redesigned cooling system ensures stable performance, even during continuous high-load operation.
5x longer pre-recording
Pre-recording times are five times longer, reaching up to five minutes, depending on the recording format. This simplifies high-speed capture for everyone and is essential for documentary filmmakers.
10% lower power consumption
As a result of its hardware and processing upgrades, the ALEXA 35 Xtreme consumes 10% less power than the ALEXA 35. Whether you're on location or in the studio, this improvement means more efficiency, less heat, and extended battery life—without compromising performance.
Evolving technology, unchanging excellence
While the Xtreme upgrade significantly expands the capabilities of the ALEXA 35 camera system, its core strengths remain unchanged: industry-leading image quality from the 4.6K Super 35 sensor, robust build, intuitive workflows, and trusted reliability. ALEXA 35 electronic and mechanical accessories, CODEX Compact Drive media, and the Live Production System LPS-1 all remain compatible with ALEXA 35 Xtreme.
Incredible dynamic range
Capturing an impressive 17 stops of dynamic range, the camera renders exceptionally filmic highlight roll-off and deep shadow detail. Built to handle any lighting situation with ease, it is the ultimate acquisition tool for HDR workflows and future-proof content, providing unparalleled flexibility in postproduction.
Enhanced sensitivity
As a high-sensitivity camera, ALEXA 35 Xtreme offers sensitivity settings from EI 160 to EI 6400 while maintaining low noise and exceptional colour accuracy across all exposure levels. The Enhanced Sensitivity mode ensures even cleaner images in low-light environments and is an especially powerful tool when combined with in-camera Shadow ARRI Textures.
True-to-life colours
ARRI’s REVEAL Colour Science renders skin tones naturally and beautifully, capturing the subtlest of tonal variations to enhance emotional depth and visual immersion. Despite its state-of-the-art innovations, the REVEAL workflow is simple and efficient, delivering stunning, worry-free results.
On-set creative control
ARRI Textures offer an evolving menu of in-camera looks that allow cinematographers to fine-tune the grain in the image and the amount of contrast at different levels of detail—almost like choosing a film stock. With textures, users can make decisions on set about how ALEXA 35 Xtreme “sees” the world.
Fast and easy operation
ALEXA 35 Xtreme is a compact, lightweight, and fully featured production camera, packing impressive functionality and processing power into a Mini-sized body. User-friendly operation is assured through numerous refinements, a simple and intuitive menu structure, and streamlined recording formats across three different codecs that cover all your needs while maximizing efficiency. ALEXA 35 Xtreme is the best A-camera, B-camera, action camera, and high-speed camera on the market, all rolled into one.
MVF-2 viewfinder and CCM-1 monitor
Full camera control, menu access, and high-quality monitoring through the familiar, HDR-capable MVF-2 viewfinder and the daylight-viewable 7" Camera Control Monitor CCM-1. Both can now be operated by touch. Learn more about the CCM-1 here.
Side display
Read status, change settings, or play back clips without a viewfinder via the camera left-side display. Great for TRINITY, Steadicam, Easyrig, drones, and cranes.
Designed for flexibility
Five interchangeable lens mounts, two scratch mics, and internal FSND filters make ALEXA 35 Xtreme ideal for changing shooting requirements. ACs will love the body-mounted LBUS connector, built-in serial port for distance measuring devices, and hot-pluggable viewfinder.
Integrated electronic modules
The Power Distribution Module PDM-1 offers seven extra power accessory outputs, while the Audio Extension Module AEM-1 provides two incredibly clean microphone preamp channels for onboard audio recording, as well as extra power outputs.
Media bay for Compact Drive
Use the Codex Compact Drive 1TB or 2TB for ARRIRAW, ProRes, and ARRICORE recording, or if you only need ProRes, you can save costs with the Compact Drive Express 1TB
New WiFi antennas
Among the improvements to the ALEXA 35 Xtreme are new WiFi capabilities like WiFi 5 GHz band, WiFi roaming in a mesh network, and auto-reconnect to previously known networks, and two new antennas that improve WiFi performance in the 2.4 GHz and 5 GHz bands
Versatile connectivity
ALEXA 35 Xtreme offers a host of inputs and outputs for all your accessories. Highlights include two completely independent 12G SDI outputs, an ethernet connector for real-time streaming metadata, and regulated 12 V and 24 V accessory power outputs.
Extended features when you need them
The same feature licenses available for the ALEXA 35 Base can also be used to add specialist features to the ALEXA 35 Xtreme Base on a weekly, monthly, yearly, or permanent basis. They allow users to add specific functionality for a short-form job, a longer-term project, or a new career direction.
High Speed
With the High Speed License installed, users get access to the maximum frame rates possible for all recording formats that are enabled in the camera.
ARRIRAW
The ARRIRAW License allows uncompressed, unencrypted ARRIRAW recording for all recording formats installed on the camera, providing maximum image flexibility in post.
OG / Anamorphic
For the ALEXA 35 Xtreme and ALEXA 35 Base models, and ALEXA 35 Live, the Open Gate/Anamorphic license enables all Open Gate recording formats as well as the anamorphic 3.3K 6:5 recording format and anamorphic de-squeeze for monitor paths. For the latter two cameras it also enables the 3K 1:1 and 2.7K 8:9 recording formats.
Look
The Look License provides access to all ARRI Textures in the camera and on the ARRI website, the ARRI Look Library with 87 unique looks, and Custom Colour Management for full control of the image processing path.
Pre-recording
The Pre-record License equips the camera with a buffer that continually stores up to five minutes of images (with ALEXA 35 Xtreme), which are then added to the start of a clip once recording begins, allowing unpredictable events to be captured.
Premium
The Premium License is a bundle package that includes all five of the individual feature licenses detailed above:High Speed, ARRIRAW, Open Gate/Anamorphic, Look, and Pre-recording.
Upgrade your ALEXA 35 to ALEXA 35 Xtreme
The ALEXA 35 Xtreme is available either as a brand-new camera or as an upgrade for existing ALEXA 35 models, which will retain their installed licenses. Upgrades are carried out at selected ARRI Service Centers.
| SENSOR. | |
| Sensor Type. | Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array |
| Maximum Photosites. | 4608 x 3164 |
| Sensor Size. | 27.99 x 19.22 mm / 1.102 x 0.757" |
| Image Circle. | Ø 33.96 mm / 1.337" |
| Photosite Pitch. | 6.075 μm |
| Dynamic Range. | 17 stops |
| Shutter. | Electronic shutter, 1.0°–356° or 1s– 1/8000s |
| Exposure Index. | Adjustable from EI 160– 6400 in 1/3 stops |
| White Balance. | Manual and auto, adjustable 2000K–11000K in 10K steps |
| Colour Correction. | Adjustable from -16 to +16 CC |
| SENSOR MODES (PIXELS). | |
| 4.6K 3:2 Open Gate. | 4608 x 3164 |
| 4.6K 16:9. | 4608 x 2592 |
| 4K 16:9. | 4096 x 2304 |
| 3.8K 16:9. | 3840 x 2160 |
| 3.8K 2.39:1. | 3840 x 1608 |
| 3.3K 6:5. | 3328 x 2790 |
| 2K 16:9 S16. | 2048 x 1152 |
| HD 16:9 S16. | 1920 x 1080 |
| SENSOR MODES (DIMENSIONS). | |
| 4.6K 3:2 Open Gate. | 28.0 x 19.2 mm / 1.102 x 0.756" |
| 4.6K 16:9. | 28.0 x 15.7 mm / 1.102 x 0.618" |
| 4K 16:9. | 24.9 x 14.0 mm / 0.980 x 0.551" |
| 3.8K 16:9. | 23.3 x 13.1 mm / 0.918 x 0.516" |
| 3.8K 2.39:1. | 23.3 x 9.8 mm / 0.918 x 0.386" |
| 3.3K 6:5. | 20.22 x 16.95 mm / 0.796 x 0.693" |
| 2K 16:9 S16. | 12.4 x 7.0 mm / 0.490 x 0.276" |
| HD 16:9 S16. | 11.7 x 6.6 mm / 0.461 x 0.260" |
| RECORDING FORMATS. | |
| Container. | MXF/ARRIRAW*, MXF/ARRICORE, MXF/Apple ProRes 4444 XQ / 4444 / 422 HQ |
| File Image Content. | Matches recording container size |
| Recording Modes. | Standard, Pre-recording* |
| RECORDING RESOLUTIONS. | |
| 4.6K 3:2. | 4608 x 3164 |
| 4.6K 16:9. | 4608 x 2592 |
| 4K 16:9. | 4096 x 2304 |
| 3.8K 16:9. | 3840 x 2160 |
| 3.8K 2.39:1. | 3840 x 1608 |
| 3.3K 6:5. | 3328 x 2790 or 4096 x 1716 |
| 2K 16:9 S16. | 2048 x 1152 |
| HD 16:9 S16. | 1920 x 1080 |
| RECORDING MEDIA. | |
| Media Types. | Codex Compact Drive 1TB / 2TB, Express 1TB |
| RECORDING FRAME RATES (fps). | |
| ARRIRAW 4.6K 3:2. | 35 / 80 |
| ARRIRAW 4.6K 16:9. | 45 / 95 |
| ARRIRAW 4K 16:9. | 55 / 125 |
| ARRIRAW 3.8K 16:9. | 65 / 140 |
| ARRIRAW 3.8K 2.39:1. | 85 / 190 |
| ARRIRAW 3.3K 6:5. | 55 / 120 |
| ARRIRAW 2K 16:9 S16. | 230 / 330 |
| ARRIRAW HD 16:9 S16. | 260 / 330 |
| ARRICORE 4.6K 3:2. | 80 / 120 / 165* |
| ARRICORE 4.6K 16:9. | 100 / 150 / 200* |
| ARRICORE 4K 16:9. | 125 / 150 / 210* |
| ARRICORE 3.8K 16:9. | 145 / 150 / 240* |
| ARRICORE 3.8K 2.39:1. | 195 / 240 |
| ARRICORE 3.3K 6:5. | 120 / 120 / 210* |
| ARRICORE 2K / HD 16:9 S16. | 330 / 330 / 660* |
| Apple ProRes 4444 4.6K 3:2. | 90 / 120 |
| Apple ProRes 4444 4.6K 16:9. | 110 / 150 |
| Apple ProRes 4444 4K 16:9. | 135 / 150 |
| Apple ProRes 4444 3.8K 16:9. | 150 / 150 |
| Apple ProRes 4444 3.8K 2.39:1. | 210 / 240 |
| Apple ProRes 4444 3.3K 6:5. | 120 / 120 |
| Apple ProRes 4444 2K / HD S16. | 330 / 330 |
| VIEWFINDER. | |
| Type. | MVF-2 with 4" flip-out touchscreen |
| Technology. | OLED + LCD |
| Resolution. | 1920 x 1080 |
| Diopter. | Adjustable from -5 to +5 |
| COLOUR MANAGEMENT. | |
| Display Renders. | Rec.709, Rec.2020, Rec.2100 PQ, Rec.2100 HLG |
| Log Output. | LogC4 |
| Look Control. | ARRI Look File ALF-4 (custom 3D LUT, CDL parameters, Look Library, Textures) |
| IMAGE PROCESSING. | |
| ND Filters. | 4-position motorised: Clear, 0.6, 1.2, 1.8 |
| Other Filters. | Optical low-pass, UV, IR |
| OUTPUTS. | |
| VF Out. | 2x VF CoaXPress |
| SDI. | 2x 12G-SDI (BNC): 1.5G HD, 3G HD, 6G UHD, 12G UHD; 422 and 444 |
| LENS. | |
| Mounts. | ARRI LPL (LBUS), PL-to-LPL, PL (LBUS & Hirose), EF (LBUS), Leitz M for ARRI |
| Flange Depth. | LPL: 44 mm; PL: 52 mm |
| EXPOSURE & FOCUS TOOLS. | |
| . | False Colour, Zoom, Aperture & Colour Peaking |
| AUDIO. | |
| Inputs. | 1x LEMO 6-pin (balanced stereo, +24 dBu), 2x built-in mics |
| Outputs. | SDI embedded, 3.5mm headphone (MVF-2) |
| Recording. | 4-channel Linear PCM, 24-bit 48 kHz |
| With AEM-1. | +3x TA3 (MIC/Line, +48V, AES) |
| With FCA-1. | +2x TA3 (MIC/Line, +48V, AES) |
| REMOTE CONTROL. | |
| Options. | MVF-2, CCM-1, App, ECS, Ethernet/WiFi Web UI, GPIO, Skaarhoj, CAP API |
| INTERFACES. | |
| 1x LBUS. | LEMO 4-pin |
| 1x SERIAL. | LEMO 4-pin |
| 1x TC. | LEMO 5-pin |
| 1x ETH. | LEMO 10-pin |
| 1x SYNC IN. | BNC |
| 1x RET IN. | BNC |
| 1x USB-C. | |
| 1x Rear Interface. | 18-pin Pogo |
| WIRELESS. | |
| WiFi. | IEEE 802.11a/ac/b/g/n/k/r/v |
| Radio. | White Radio for ECS |
| POWER. | |
| Input. | 1x LEMO 8-pin, 1x BAT (rear interface) |
| Voltage. | 20.5 – 33.6 V DC |
| Consumption. | ~81 W (camera + MVF-2) |
| Outputs. | |
| RS (3-pin). | 24V + trigger |
| LEMO 2-pin. | 12V |
| LBUS. | 24V lens power |
| AUDIO (LEMO 6-pin). | 12V |
| ETH (LEMO 10-pin). | 24V |
| With PDM-1. | +4x 24V, 2x 12V, 1x D-Tap |
| With LPS-1. | +1x 24V, 3x 12V |
| PHYSICAL. | |
| Dimensions. | 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0" |
| Weight. | ∼3.0 kg / 6.6 lbs |
| Operating Temp. | -20°C to +45°C (general), -20°C to +40°C at >120 fps |
| Storage Temp. | -30°C to +70°C |
| Sound Level. | < 20 dB(A) at 30fps, 4K 16:9 ProRes 4444 XQ, ≤ 30°C ambient |
| SOFTWARE LICENCES. | |
| Included. | ALEXA 35 Xtreme Premium, Look, ARRIRAW, Open Gate / Anamorphic, Highspeed, Pre-record |
| Optional. | Multicam |
| Note. | *Licensing required, not included in Base Licence |
Sensor overdrive:
Sensor overdrive – shooting recommendations
Exposure for 11 stops of dynamic range is critical
Use False Color
ARRICORE
Codec Overview
Your Choice!
5x Longer Pre-Recording
* with audio off
Power and WIFI
Streamlined Recording Formats
Future Updates and Compatibility
Backwards compatibility
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