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Zeiss CP.3 25mm T/2.1 - Nikon F

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Zeiss CP.3 25mm T/2.1 Compact Prime Cine Lens - F Mount | Available in Feet or Metre Scale (2181-405 / 2181-400)

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Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly.

160864
Catalogue:
zeiss_2181-405_cp.3_25mm_t2.1_f_feet / 2181-405

Price Pledge

Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly.


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£3,125
€3,469.27

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Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly. We pledge to match the price on most products offered by UK based dealers that are selling officially imported or manufactured UK stock, with full manufacturer warranty and is authorised to do so by the relevant manufacturer.

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Zeiss CP.3 25mm T/2.1 Compact Prime Cine Lens - F Mount | Available in Feet or Metre Scale (2181-405 / 2181-400)
Zeiss CP.3 25mm T/2.1 - Nikon F
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Product Details

Overview
Zeiss CP.3 25mm T/2.1 Compact Prime Cine Lens - F Mount | Available in Feet or Metre Scale (2181-405 / 2181-400). Please note: Also available in EF, Sony E, PL and MFT Mounts and all mounts also available in metre focus scales. PL Mount shown for illustration purposes.
Ranging from 15 mm to 135 mm, the ten focal lengths available in the Zeiss Compact Prime CP.3 or CP.3 XD series cover all applications from wide-angle to telephoto. The Zeiss CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colours.The Zeiss CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life.The compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that...
Summary
Lens Format: APS-C, Full Frame, Micro Four Thirds, Super 35
Focal Length: 25mm
Lens Mount: Nikon
Lens Type: Wide
Max Aperture: T/2.1
Type: Cine
Included in box
  • 1x 25mm T2.1 CP.3 Lens

About the Zeiss CP.3 25mm T/2.1 - Nikon F

Please note: Also available in EF, Sony E, PL and MFT Mounts and all mounts also available in metre focus scales. PL Mount shown for illustration purposes.

Ranging from 15 mm to 135 mm, the ten focal lengths available in the Zeiss Compact Prime CP.3 or CP.3 XD series cover all applications from wide-angle to telephoto. The Zeiss CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colours.The Zeiss CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life.The compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots.

True cine look
ZEISS Compact Prime CP.3 and CP.3 XD Lenses
Ranging from 15 mm to 135 mm, the ten focal lengths available in the ZEISS Compact Prime CP.3 or CP.3 XD series cover all applications from wide-angle to telephoto. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colours.

  • Clean and crisp ZEISS look which matches perfectly with other ZEISS cinema lenses
  • Colour matching and covering full frame across the full range of focal lengths from 15 to 135 mm
  • Special lens coatings support high-dynamic range projects


New ZEISS eXtended Data technology
ZEISS Compact Prime CP.3 and CP.3 XD Lenses
The ZEISS eXtended Data technology adds new opportunities to simplify and increase the accuracy of the image capture and processing workflow. ZEISS eXtended Data unifies two data sets: key lens data based on the open /i Technology standard and supported by a wide range of cameras and accessories, plus ZEISS specific lens data that contains precise lens characteristics.

  • A unique technology that provides information about the lens’ distortion and shading characteristics in real time to speed-up the workflow on set and in post-production
  • Lens settings are digitally captured on every frame, avoiding the need to manually record the lens settings for every shot
  • Documentation of the lens’ characteristics enhances creativity by allowing more complex shots to be handled in post-production


Ultimate cine ergonomics
ZEISS Compact Prime CP.3 and CP.3 XD Lenses
The ZEISS CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life.

  • Standardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on set
  • Extraordinarily smooth focus rotation even in extreme temperature conditions thanks to a new, sophisticated construction design
  • Consistent T-stops simplifies lighting on set and exposure compensations (T2.9 for 15 to 21 mm and T2.1 for 25 to 135 mm)


Compactness redefined
ZEISS Compact Prime CP.3 and CP.3 XD Lenses
The compact and light-weight design enables you to use different stabilising systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots.

  • The compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications
  • Consistent size and weight across most of the focal lengths enables quick change of lenses when used on drones and gimbals
  • The ultra-smooth focus rotation allows use of small focus motors
ApertureT2.1 to T22
Close Focus0.26m (10")
Length83.7mm (3.3")
Front Diameter95mm (3.7")
Weight0.82kg (1.8lbs)
Horizontal Angle of View:
Fullframe72 deg
APS-H62 deg
Super 3553 deg
Normal 3547 deg
APS-C48 deg
MFT 38 deg
  • Clean and crisp ZEISS look which matches perfectly with other ZEISS cinema lenses
  • Colour matching and covering full frame across the full range of focal lengths from 15 to 135 mm
  • Special lens coatings support high-dynamic range projects
  • Standardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on set
  • Extraordinarily smooth focus rotation even in extreme temperature conditions thanks to a new, sophisticated construction design
  • Consistent T-stops simplifies lighting on set and exposure compensations (T2.9 for 15 to 21 mm and T2.1 for 25 to 135 mm)
  • The compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications
  • Consistent size and weight across most of the focal lengths enables quick change of lenses when used on drones and gimbals
  • The ultra-smooth focus rotation allows use of small focus motors

Camera Operator / Camera Assistants:

  • Real-time display of T-stop, focus distance and depth-of-field supported on lens control systems, cameras and monitors
  • Automatic detection of the lens, which enables the focus scale without calibration on a lens control system


Script Continuity:

  • Lens settings can be viewed at a glance on a monitor for continuity log sheets or transferred wirelessly to supported device apps


Data Wrangler / Digital Imaging Technician:

  • Classification and search functions for specific shots (e.g. correct lens settings for a re-shoot)
  • Automatic options for quality check procedure (e.g. pre-selection of critical shots for visual check in real-time)
  • Statistical analysis of lenses used in the production and the lens’ settings


Director of Photography:

  • Lens settings at a glance on monitor or viewfinder
  • Defining the final look by previsualizing colour grading, shading and distortion and transferring it to post-production


Video Engineer:

  • Pre-visualization of corrected images in live grading or VFX previews (e.g. live-key
  • Distortion corrected pre-visualization of CGI Live-Rendering

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