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GY-LS300CHE and Ninja Inferno Bundle

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JVC GYLS300NJAIN1 (GYLS300-NJAIN1) GY-LS300CHE Camcorder, Atomos Ninja Inferno and Accessory Kit Bundle

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GY-LS300CHE and Ninja Inferno Bundle

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JVC GYLS300NJAIN1 (GYLS300-NJAIN1) GY-LS300CHE Camcorder, Atomos Ninja Inferno and Accessory Kit Bundle

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£3,349
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Swit S-8I50 Battery

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Swit Electronics S-8I50 (S8I50) Battery for the JVC GY-HM600 and 650 Video Cameras (47wh)

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Essentials

Product Details

Overview
Please Note: Image not to scale. For illustration purposes only.
Please Note: The free AtomOS 8.4 firmware upgrade is now available.
Designed for cinematographers, documentarians and broadcast production departments, the GY-LS300 features JVC’s 4K Super 35CMOS sensor and an industry-standard Micro Four Thirds (MFT) lens mount. This new bundle contains the GY-LS300 camcorder together with the Atomos Ninja Inferno, which enables the camera to deliver 4K/UHD recording at 50/60p via its HDMI 2.0b port. Through JVC’s partnership with Atomos, the GY-LS300 operates seamlessly with the new Ninja Inferno and Shogun Inferno monitor recorders, triggering recording from the camera’s start/stop operation. In addition, when the camera is set to J-Log1 gamma recording mode, the Atomos units will record the HDR footage and display it on their integrated, seven-inch monitors.
JVC GY-LS300CHE:
Latest Firmware Update Feb 2016:
The latest free...
Summary
Aspect Ratio: 16:9
Camera Type: Professional Camcorder
CODEC: MPEG-4
Form Factor: Handheld
HDMI Output: Yes
Inputs: HDMI
Lens/Mount: MFT
Maximum Video Resolution (recorded): 3840 x 2160
Monitor Location: Field
Outputs: HDMI
Recording Media: SD card
Resolution: 1920 x 1080
Screen Size: 7 Inch
SDI Output: Yes
Sensor Resolution (Mega Pixels): 13.5MP
Sensor Size: S 35mm
Sensor Type: CMOS
Video Resolution: 4K
Weight: 2-5kg
XLR Audio Input: Yes
Included in box
  • 1x JVC GY-LS300E
  • 1x Battery (SSL-JVC50)
  • 1x AC Adapter
  • 1x Shotgun Microphone
  • 1x Handle Unit
  • 1x Atomos Ninja Inferno
  • 1x Robust Carry Case
  • 1x Control Cable
  • 1x USB3 Docking Station
  • 1x DC to DTap Cable
  • 4x Master Caddy
  • 1x High Speed Charger
  • 2x 5200 mAh Batteries
  • 1x Sun Hood

About the GY-LS300CHE and Ninja Inferno Bundle

Please Note: Image not to scale. For illustration purposes only.

Please Note: The free AtomOS 8.4 firmware upgrade is now available.

Designed for cinematographers, documentarians and broadcast production departments, the GY-LS300 features JVC’s 4K Super 35CMOS sensor and an industry-standard Micro Four Thirds (MFT) lens mount. This new bundle contains the GY-LS300 camcorder together with the Atomos Ninja Inferno, which enables the camera to deliver 4K/UHD recording at 50/60p via its HDMI 2.0b port. Through JVC’s partnership with Atomos, the GY-LS300 operates seamlessly with the new Ninja Inferno and Shogun Inferno monitor recorders, triggering recording from the camera’s start/stop operation. In addition, when the camera is set to J-Log1 gamma recording mode, the Atomos units will record the HDR footage and display it on their integrated, seven-inch monitors.

JVC GY-LS300CHE:

Latest Firmware Update Feb 2016:

The latest free firmware upgrade adds a ‘JVC Log’ mode that practically duplicates the look of film, plus new Cinema 4K and Cinema 2K recording modes and a unique Prime Zoom feature that uses the camera’s innovative technology to allow zoom capabilities when using prime lenses. There's now a 70-bit mode to enable 4K recording on standard Class 10 SDXC cards, a histogram, new zebra indication and a variety of live streaming changes, plus the ability to trigger recordings via HDMI/SDI and JVC LUT support via the Atomos Shogun or Ninja Assassin external recorders.

Create hours of pristine recordings on SDHC media in a variety of image formats including 4K Ultra HD, full HD with 4:2:2 sampling, SD and web friendly proxy formats. Conventional DSLR cameras simply can't match the high reliability, long recording time and ergonomics provided by JVC's GY-LS300CHE. Its dual codec design allows you to make two copies of your programme simultaneously. You can even stream live HD over the internet to content delivery networks such as USTREAM while recording full HD. No other removable lens video camera offers this much flexibility in such a compact, easy-to-handle form factor.

Compact, convenient and ultra high definition. The GY-LS300E is equipped with a 4K Super 35mm CMOS sensor and accommodates a wide range of cinema and photographic lenses and adapters for dazzling cinematic effects. Create hours of pristine recordings on SDHC media in a variety of image formats including 4K Ultra HD, full HD with 4:2:2 sampling, SD and web friendly proxy formats. Conventional DSLR cameras simply can't match the high reliability, long recording time and ergonomics provided by JVC's GY-LS300. Its dual codec design allows you to make two copies of your programme simultaneously. You can even stream live HD over the internet to content delivery networks such as USTREAM while recording full HD. No other removable lens video camera offers this much flexibility in such a compact, easy-to-handle form factor.

Super 35mm CMOS 4K Image Sensor
The GY-LS300 features a JVCKENWOOD AltaSens 4K CMOS Super 35mm image sensor uniquely combined with an industry standard Micro Four Thirds (MFT) lens mount. Super 35mm Cinema lenses may be used and will retain their native angle of view (appropriate adapter required). When the camera is used with MFT, Super 16 and other size lenses, JVC's proprietary Variable Scan Mapping feature will maintain the lens's native angle of view. This gives filmmakers the flexibility of using widely available MFT lenses as well as high end cinema lenses. The unique combination of the MFT mount, the larger Super 35mm image sensor and Variable Scan Mapping give the camera nearly limitless lens options.

Ultra HD Recording at 150Mbps and Live Output
Working with 4K has never been easier! Insert an SDHC or SDXC (UHS-I Speed class3) memory card and record hours of 4K Ultra HD (3840 x 2160) material. Recordings are made using the Quicktime (.MOV) file format and are compatible with many popular editing systems. Connect a 4K Ultra HD monitor with a single HDMI cable, and view the camera's live 4K signal. You can also play back recorded files directly from the camera. The GY-LS300 also downconverts UHD signals to standard HD for output through the built-in SDI or HDMI connectors. 

4:2:2 Full HD recording at 50Mbps
The GY-LS300 records 4:2:2 HD signals up to 60p at 50Mbps making it an ideal camera for general HD production work. 50Mbps files are stored in the Quicktime (.MOV) format for easy editing. Conventional AVCHD (4:2:0) recording is also possible, providing wide editing compatibility in an array of standard HD and SD formats. 

Dual SDHC/SDXC Card Slots
Dual SDHC/SDXC card slots make the GY-LS300 a truly versatile camcorder, offering such benefits as simultaneous recording and relay recording. In relay recording mode, you can shoot continuously and seamlessly over multiple cards. When one card is full, the camcorder switches seamlessly and automatically to the other card. And because cards are hot swappable, there is in effect no limit to the continuous shooting time in any mode, even with lower capacity cards.

Advanced IP Network Communication and Streaming
The GY-LS300 features JVC's latest IP communications engine giving you remote control and monitoring of vital camera functions from a tablet, smartphone, or computer anywhere in the world. Live streaming is possible in HD or lower resolutions, depending on available bandwidth. JVC's Advanced Streaming Technology (AST) includes Zixi powered Forward Error Correction with ARQ, delivering high quality streams even under challenging conditions. And now RTMP protocol makes it easier than ever to deliver your live streams to content delivery networks such as USTREAM and YouTube. Just press one button and you're streaming to the world.

 

Atomos Ninja Inferno:

Unleash the full cinematic potential of your camera with the Ninja Inferno – the HDR / daylight-viewable 4K recorder and monitor that’s easy and intuitive to use yet brings the broadcast-standard quality that professionals expect.

The Ninja Inferno is the secret ingredient to unlock the professional capability of 4K 60p cameras like the Panasonic GH5. Bypass the internal recording limitations and take full advantage of the sensor by recording to the camera's maximum colour accuracy, colour resolution and dynamic range with 4:2:2 10-bit V-Log-L recorded as full I-frame's to high bitrate Apple ProRes or Avid DNxHR. The 10-bit calibrated HDR panel takes the guesswork out of exposing for V-Log-L and is backed up by a suite of professional scopes that can be used even in direct sunlight thanks to the 1500nit panel brightness.

JVC GY-LS300 General Specifications:
PowerDC 12V (AC adaptor), DC 7.4V (Battery)
WeightTBC
Dimensions135(W) x 190(H) x 263(D)mm                
Operation temperature0℃ to 40℃  (32°F to 104°F)
Storage temperature-20℃ to 50℃ ( 14°F to 122°F)
Operating humidity30% to 80%
Storage humidityunder 85%
Camera:
Image SensorSuper 35mm 13.5 M pixels progressive scan CMOS
SynchronizingInternal synchronization
Lens mountMicro Four thirds system mount
Shutter speed1/4 ~ 1/10000
Gain0, 3, 6, 9, 12, 15, 18, 21, 24dB, LoLux (30, 36dB), AGC
ND filternone, 1/4, 1/16, 1/64
LCD display3.5-inch 920 k pixels, 16:9
Viewfinder0.24-inch 1.56 M pixel, 16:9
Video/Audio Recording:
Recording media2x SDHC/SDXC memory card (4K:UHS-1 U3 HD:50Mbps Class10,
MOV HDClass 6 AVCHD Class4)
Video recordingVideo codec: MPEG-4 AVC/H.264 (4K/HD) ,AVCHD(HD/SD)
File format : MOV(H.264), MTS(AVCHD)
4K(H.264)NTSC setting: 3840 x 2160/29.97p, 23.98p
PAL setting: 3840 x 2160/25p
HD(H.264)NTSC setting:
XHQ 422 mode:1920 x1080/59.94p.29.97p,23.98p(50Mbps),
XHQ mode:1920x1080/59.94p,29.97p,23.98p(50Mbps),1920x1080/59.94i,
29.97p, 23.98p(35Mbps) 1280x720/59.94p(35Mbps)
PAL setting: XHQ mode:1920 x 1080/50p(50Mbps)
XHQ mode:1920x1080/50p,50i,25p(50Mbps),1920x1080/50i,25p(35Mbps),
1280x720/50p(35Mbps)
AVCHDNTSC setting: Progressive mode(Max 28Mbps):1920 x 1080/59.94p,
HQ mode(24Mbps):1920 x 1080/59.94i, SP mode(17Mbps):1920 x1080/59.94i
LP mode(9Mbps):1440 x 1080/59.94i, EP mode(5Mbps):1440 x1080/59.94i
PAL setting: Progressive mode(Max 28Mbps):1920 x 1080/50p,
HQ mode(24Mbps):1920 x 1080/50i, SP mode(17Mbps):1920 x1080/50i
LP mode(9Mbps):1440 x 1080/50i, EP mode(5Mbps):1440 x1080/50i
SD(AVCHD)NTSC setting: 720 x 480/59.94i
SD(H.264)
NTSC setting: 720 x 480/59.94i
Proxy(H.264)NTSC setting: HQ mode(3Mbps):960 x 540/29.97p, 23.98p, LP
mode(1.2Mbps):480 x 270/29.97p, 23.98p
PAL setting: HQ mode(3Mbps):960 x 540/25p, LP mode(1.2Mbps):480 x 270/25p
Audio recordingLPCM 2ch, 48kHz/16-bit(4k/HD/SD MOV)), AC3 2ch(AVCHD), μlow 2ch(Proxy)
Interface:
Video outputAV output (3.5mm mini jack x1)
SDI output (BNC x1)
HDMI output x1
Audio inputXLR x2 (MIC,+48V/LINE), 3.5mm mini jack x1
Audio outputAV output (3.5mm mini jack x1)
Headphone3.5mm mini jack x1
Remote2.5mm mini jack x1
USBHOST x1(Network Connection) , DEVICEx1(Mass storage)
Atomos Ninja Inferno:
WeightWithout batteries & media 709g (25.0oz)
With batteries & media 1153g (40.7oz)
Dimensions (W x H x D mm)214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armour protection
PowerOperating power 10 - 24W
Compatible batteries NP series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) 5200mAh - up to 1.5hrs (monitor & record 4K)
7800mAh - up to 2.2hrs (monitor & record 4K)
DC In 1 x DC in (6.2 - 16.8V)
Continuous power * Patent pending Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
Touch Screen
Size 7.1”
Resolution 1920 x 1200
Brightness 1500NITS / cdm2
PPI 325
Aspect ratio 16:9 native
Colour gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube file format)
Frame Guides 4:3, 16:9, 2.40,2.35,1.9, 1.85, Cross hair, action/title safe areas
Anamorphic De-Squeeze 2x 4:3, 2x, 1.5x and 1.33x
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
Calibration Calibration in factory InField Calibration with Optional Calibrator
Free Calibration Software download provided
HDR
AtomHDRYes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Fuji F Log,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
HDR input (PQ/HLG) Yes / Yes
HDR output (PQ/HLG) Yes / Yes
Video Input
HDMI 1 x HDMI (2.0a)
Signal Uncompressed true 10-bit or 8-bit to 10 bit 422 sampling (camera dependent)
Video output (play out)
HDMI 1 x HDMI (2.0a)
Signal Uncompressed true 10-bit or 8-bit to 10 bit 422 sampling (camera dependent)
Supported loop out formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*, 4KUHD 24/25/30/50/60, 4KDCI 24/25/30/50/60
Supported formats (Record & Playback)
4K DCI 4KDCI 24/25/30/50/60
4K UHD 4KUHD 24/25/30/50/60
HD - high frame rate 1080p120, 1080p60/50
HD 1080i60, 1080i50, 1080p30, 1080p25, 1080p24, 1080pSF24, 1080pSF25, 1080pSF30, 720p60, 720p50
4K UHD downscale for HD monitoring Yes - loop-out & playback
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Realtime hardware encoding
4K-DCI 4096x2160 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
DNxHR:HQX, HQ, SQ, LB
4K-UHD 3840x2160 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
DNxHR:HQX, HQ, SQ, LB
1920x1080 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
DNxHD: 220x, 220, 145, 36
Onboard processing
Pulldown removal 1080pSF 24/25/30pSF > 24/25/30p (2:2 pulldown) 1080i 60 > 24p (3:2 pulldown)
4K DCI to UHD convert On HDMI Loop out REC & Playout
4K UHD to HD down convert On HDMI Loop out REC & Playout
Audio in/out (48kHz PCM audio)
HDMI 2 or 8ch 24-bit, camera dependent
Analog Audio in 2 x Channel via Optional XLR break out cable Line in / Mic in
Analog Audio out 2 x Channel via Optional XLR break out cable / Headphone out 2ch 48kHz 24-bit
Remote start/stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
Atomos Open TriggerStandard supported by Panasonic, Ikegami, JVC, Samsung
Other LANC control - Slave
Timecode
HDMI Embedded Timecode from Camera or video device
Supported Protocols - Canon, Sony, Atomos Open Standard
Atomos Open TriggerStandard supported by Panasonic, JVC, Samsung
Playback
Playlist Yes (custom selection, Favourites with subclip creation or Both)
Playback options Loop in & out markers
Recording
Pre Roll record Yes (HD 8s, 4K 2s frame rate dependant)
Custom time lapse Yes
Keyframable up to 10 video and single frame Intervals, Can be triggered from internal clock.
Meta data tagging Yes (10 internal tags available)
Favourite, Reject, Talent 1, Talent 2, Over Exposed, Colour Correct, Bad Audio, Cut Away, Close up, Wide Shot
Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0 (optional accessory)
up to 450MB/s Read/Write
Supported applications Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
XML supportFCPX XML native, FCP7 supported with conversion (Adobe compatible)
  • Newly developed 4K Super 35mm CMOS image sensor
  • Micro Four Thirds System Lens Mount
  • Variable Scan Mapping maintains native angle of view for a variety of lenses including Super 35, MFT and Super 16.
  • Adapters available for PL and EF mount lenses
  • 4K Ultra HD recording (150 Mbps, 24p/30p) to SDXC(UHS-I Speed class3) card
  • 4:2:2 Full HD recording at 50Mbps (24p-60p)
  • 3 position ND filter (1/4, 1/16 and 1/64)
  • HD-SDI (3G) and HDMI outputs (4K output via HDMI only)
  • 2-channel XLR audio inputs with phantom power
  • Shotgun microphone included
  • Dual SDHC/SDXC slots enable Dual, Backup and Continuous recording
  • Advanced JVC streaming engine compatible with USTREAM, Zixi and Wowza Streaming Engine
  • IP Network Remote Control, Remote Viewing, Metadata editing, FTP clips (requires appropriate network connection and adapter)
  • 3.5-inch colour LCD display (920K pixel) with smart focus assist function
  • 0.24-inch colour viewfinder (1.56M pixel) with smart focus assist function
  • Wired remote control supported
  • 10 user button assignable functions
  • Includes handle unit, SSL-JVC50 7.4V battery, AC Adapter and shotgun microphone
  • 4k60p 10 bit - Achieve the most from your GH5 without the need to wait for any firmware update so you can get the most out of your camera from day 1
  • Increased Video Quality - Bypass the internal camera compression to achieve increased colour accuracy and Professional Hollywood Codecs.
  • 1500 Nits Daylight viewable - See you images clearly in any situation, even without a Sun hood.  The Class leading Colour accurate monitor with over six times the average viewing area of a DSLR
  • Hollywood Quality - Visually lossless compression in a format that is designed to be edited
  • Video Tools - Visualise the dynamic range, protect high / low lights with the LUMA waveform and Vector scope for monitoring colour hue
  • No record time limit - Recording externally to the camera puts an end to the traditional 30min recording barrier
  • Focus Assist - Focus and Exposure assist tools with 1:1 and 2:1 Zoom for 4K
  • 4k to HD Down-convert - Record you clips in 4k and play then out in HD for use on existing equipment such as TVs, Monitors and Projectors
  • 7” SuperATOM IPS Monitor - Class leading Colour accurate monitor with over six times the average viewing area of a DSLR.
  • Apply & Preview LUT - Preview and apply 3D LUTs for more creative shooting and simple grades or Film Stock looks.
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