Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly.
Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly. We pledge to match the price on most products offered by UK based dealers that are selling officially imported or manufactured UK stock, with full manufacturer warranty and is authorised to do so by the relevant manufacturer.
Prior to the point of sale CVP will endeavour to match the price on most products subject (but not limited) to the following criteria:
For further details please call us on 02083807400.
Details of where you have found the cheaper item.
The prices shown are an estimate based on the purchase of a single item with nothing else in your basket. The prices and options do not include shipping regulations and duties which will be checked in the checkout process.
At CVP we always strive to get your order to you as quickly as possible, but in the interest of clarity please note that next day is defined as the next working day (ie: excluding weekends, UK bank holidays and public holidays).
Orders placed and security cleared before 14:00GMT where all items are in stock will normally be dispatched on the same business day for ultimate delivery according to the shipping method selected.
Where an item is not physically in stock, the actual delivery time will be extended by the lead time for the product in question. Shipping to the Channel Islands, Northern Ireland, Republic of Ireland and some remote UK postcodes are not next day but 2 working days.
All transactions are subject to CVP security checks which are for our mutual protection against identity theft and fraud. In the event that additional checks are required you will be informed and dispatch time will be extended by the time taken to resolve any queries raised. We apologise for any inconvenience this may cause.
*Due to unforseen circumstances, on some occasions same day dispatch may not be possible. In this event we will always do our utmost to keep you fully informed of any delay imposed.
The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.
The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.
Stunning Imaging Performance
An 8.3MP Super35mm CMOS sensor, designed and manufactured by Canon specifically for video capture, combines with DIGIC DV 4 and a new video processing system to deliver superb high-resolution images with high sensitivity, low noise, reduced rolling shutter artefacts and beautifully shallow depth-of-field.
Advanced AF System
The EOS C100 Mark II features Dual Pixel CMOS Autofocus, which enables continuous AF with over 100 compatible EF lenses. This sensor-based, phase-detection autofocus (AF) technology is designed to provide smooth, high-performance continuous focus in movies. It is a unique, Canon-developed technology, ideal for fast and accurate autofocus, that helps filmmakers to create stunning footage which maximises the creative options offered by fast lenses and shallow depth-of-field.
The EOS C300 camera with Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF Mode, phase detection autofocus helps to ensure non-blurred images and smooth focus transitions even when the subjects and/or camera are moving. This feature places a high priority on maintaining sharp focus while, providing a natural, smooth autofocus movement with selected Canon EF lenses that offer even smoother and quieter operation.
Also available on the EOS C100 Mark II is Face Detection AF*, which is offered in two modes: Face Priority AF and Face Only AF. To allow for maximum coverage of the image that can use this facility when Face AF modes are activated, Dual Pixel CMOS Autofocus is switched off and instead the camera uses Contrast AF to achieve sharp focus.
* Face Detection AF available with Canon EF-S STM lenses.
High Sensitivity, Low Noise
The EOS C100 Mark II offers high sensitivity recording with an impressive ISO range from 320 right up to ISO 102,400. These extended ISO capabilities allow users to record images more brightly with low noise in extreme low-light shooting environments.
Dual Format Recording at up to 1080/60P
The EOS C100 Mark II allows users to record footage onto both memory cards, choosing between relay recording – where the recording card automatically switches to the other when full – or simultaneous recording where both cards record the same material, providing an automatic backup.
In addition, the camera further extends this capability by allowing Dual Format Recording. This feature allows operators to simultaneously record at up to 1080/60p, storing AVCHD files to one SD card while the second SD card records MP4 files. Operators can even capture AVCHD footage in HD whilst recording MP4 files in SD resolution for maximum workflow flexibility and quick turn-around.
The camera also features a selectable continuous recording option. This function continues to record regardless of the Start/Stop button setting and is available in AVCHD mode only.
Ease Of Use & Handling
The EOS C100 Mark II is designed for effortless, single-operator filmmaking. Thanks to feedback from users and industry professionals, the EOS C100 Mark II has been fine-tuned to incorporate further advancements to help the needs of the lone operator. An improved EVF is now larger (at 1.1cm) and can be tilted to any angle up to 68 degrees to suit the operator and shooting conditions, while a new, 8.8cm, 1.23 million pixel OLED display is articulated and can be tilted and adjusted to suit a wide variety of shooting applications.
The EOS C100 Mark II’s lightweight, ergonomic design makes it easy to pack and comfortable to hold and use – even in tight shooting situations. A robust, splash-resistant body with magnesium alloy components provides the durability needed to go wherever a story takes you.
With even more customisable options – including 17 assignable function buttons and extensive Custom Picture options – the C100 Mark II allows the user to fully optimise the camera to their own personal preferences.
Canon LOG & Wide DR Gamma
For the widest possible latitude in footage, and where total control is necessary, Canon Log Gamma provides 12 stops of latitude (800% dynamic range) for maximum flexibility in post-production. It enables detailed adjustment for highlight and shadow and broadens the range of colour grading.
The EOS C100 Mark II features an additional Wide Dynamic Range (Wide DR) Gamma feature that produces smooth changes in brightness, seamless gradations, and reproduces clear skin tones with uniform colours; thus delivering footage that can be used without colour grading.
External Recording Possibilities
For productions where image quality is absolutely paramount the EOS C100 Mark II is a compact powerhouse that offers clean, uncompressed HDMI output which can be used for high bit rate recording with compatible external devices. Timecode and 2:3 pull-down markers can be embedded in the output signal as required.
Comprehensive Lens Compatibility & Built-In Filters
Expand your creative options with a huge range of interchangeable lenses. The EF mount on the EOS C100 Mark II is compatible with the full range of Canon EF lenses, including the acclaimed Canon 4K EF Cinema lens line-up. This wide-ranging lens compatibility provides a wealth of creative possibilities, with the EF lens range spanning focal lengths from 8mm to 800mm specialist options such as Macro, Tilt-Shift and Fisheye optics. Three built-in ND filters with manual control increase shooting versatility.
The EOS C100 Mark II is equipped with multiple options for audio capture. Aside from the stereo microphone found on the detachable handle, the camera has two XLR input sockets on the top handle with a 3.5mm jack on the main camera body. A small monoaural microphone is also located on the front of the camera that is ideal for continuity recording, voice annotations and ambient sound capture.
To ensure that audio quality matches the high-quality images produced by the camera Linear PCM recording is available.
CPS Video Support
Owners of the EOS C100 Mark II can take advantage of the CPS Video service – Canon’s support programme for professional videographers. CPS Video offers exclusive access to a range of benefits including CPS support at major events, a priority repair service and local CPS support in selected countries.
DIGIC DV4 Processor
New to the Cinema EOS range of Digital Cinema Cameras is the DIGIC DV4 processor, which provides enhanced image reproduction, supplementing the strengths of the DIGIC DV family – such as smooth gradation and faithful colour reproduction – with support for recording at higher data rates. The sensor and processor work together with the same 2K RGB processing system as found on the larger EOS C500 Digital Cinema Camera. This ensures reduction in both moiré and aliasing, resulting in cleaner, sharper images.
DUAL Pixel CMOS AF
Dual Pixel CMOS AF technology is a groundbreaking innovation from Canon. The sensor in the EOS C100 Mark II is composed of two separate photodiodes for each pixel in order to achieve high-speed readout. With full rein given to these characteristics the sensor is capable of detecting two image signals from each pixel. The pioneering Dual Pixel CMOS AF function offers fast, smooth and accurate focusing when used with a huge range of EF lenses.
Super 35mm CMOS Sensor
Canon develops and manufactures its own sensors and has incorporated an 8.3MP Super35mm CMOS sensor in the EOS C100 Mark II. This sensor has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The camera uses a system developed for Canon’s flagship EOS C500 Digital Cinema Camera, which processes the native 8.3MP readout to produce the very best HD image quality.
Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted.
Atomos Ninja Blade:
The Ultimate Portable HDMI Recorder-Monitor for Film Makers
The new Ninja Blade has a stunning 1280 x 720 5” SuperAtom IPS touchscreen, at 325ppi 179-degree viewing, 400nit brightness and multi-frequency (48/50/60Hz) operation, you can expect crisp, super smooth monitoring and playback.
The capacitive touch panel gives lightning-quick response times and gesture capability. Controlling AtomOS 5.1 on Ninja Blade is silky smooth.
The Ninja Blade is the world’s most advanced smart production recorder, monitor and playback deck. Every part of its physical and operational design has been carefully crafted to deliver the ultimate in simple operation and mission critical reliability. The Blade combines multiple devices – external monitor, capture card, playback deck and cut edit suite – into a single affordable tool. It’s lightweight, tough and robust for operation in the field.
NEW! Ninja Blade Firmware Updates available from: https://www.atomos.com/support/
IMPORTANT WARRANTY NOTE - LCD MONITORS
For LCD monitors, "dead" pixels that are within the central region of the screen are usually repaired under warranty, however if pixels are around the outer edges of the screen, this is usually classified by manufacturers as a paid repair.
3+ pixels or edge bleed may be covered under the first year warranty, In most cases dead pixels and not covered under warranty by LCD manufacturers.
|Effective Pixels||3840 x 2160 pixels; Approx. 8.29 megapixels|
|Total Pixels||4206 x 2340 pixels; Approx. 9.84 megapixels|
|Sensor Size||Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm|
|Number of Sensors||1|
|Filter||RGB Primary Colour Filter (Bayer Array)|
|Imaging Processor||Digic DV 4|
|Lens System||Interchangeable Lens System|
|EF-mount for compatibility with EF, EF-S and EOS EF Cinema lens systems.|
|Zoom/Focus Preset||Not Available|
|Shockless Zoom||Not Available|
|Digital Teleconverter||Not Available|
|ND Filter||Mechanical ND filter system with option of clear, 2, 4, and 6 stops|
|Iris Dial||Manual setting in 1/2-step increments, 1/3-step increments or fine|
|Push Auto Iris Control|
|Auto Iris Control|
|Peripheral Illumination Correction||Available|
|Exposure and Metering|
|Push Auto Iris Control|
|Auto Iris Control (STM lenses)|
|Metering Modes||Available (Standard Center Weighted, Spotlight, Backlight)|
|Gain||Normal Setting -6dB to 30 dB (-6 dB to 42 dB with Sensitivity Expansion ON)|
|ISO||3200 to 80,000 in 1/3 stop increments|
|Auto Gain Control (AGC)||Not Available|
|Shockless Gain||Not Available|
|Exposure Compensation/AE Shift||Available|
|Shutter Modes||3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan|
|Speed setting can be set in 1/2 or 1/3 stop increments|
|Shutter Speed Range||59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz|
|PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz|
|23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz|
|50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz|
|PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz|
|Shutter Angle Settings||59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25|
|PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25|
|23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25|
|50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25|
|PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25|
|Iris (Aperture) Range||Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop|
|increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.|
|Focus Settings||Manual, One-Shot AF, Continuous AF|
|Autofocus System||Available; AF is dependent on interchangeable lenses|
|(a) Dual Pixel CMOS AF (screen center)|
|(b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected|
|AF Modes||One-Shot AF, Continuous AF|
|Signal System||NTSC and PAL|
|Compression||MPEG-4 AVC / H.264|
|Maximum Bit rate||AVCHD: 28 Mbps|
|MP4: 35 Mbps|
|28 Mbps 1920 x1080 59.94P 50P|
|24 Mbps 1920 x1080 59.94i/PF29.97/23.98P 50i/PF25|
|17 Mbps 1920 x1080 59.94i/PF29.97/23.98P 50i/PF25|
|7 Mbps 1440 x1080 59.94i/PF29.97/23.98P 50i/PF25|
|35 Mbps 1920 x1080 59.94P 50P|
|24 Mbps 1920 x1080 29.97P/23.98P 25P|
|17 Mbps 1920 x1080 29.97P/23.98P 25P|
|4 Mbps 1280 x 720 29.97P/23.98P 25P|
|3 Mbps 640 x 360 29.97P/23.98P 25P|
|Recording Time||AVCHD 128 GB SD Card|
|1920 x 1080 28 Mbps 10 hours 10 minutes|
|1920 x 1080 24 Mbps 11 hours 55 minutes|
|1440 x 1080 17 Mbps 16 hours 45 minutes|
|1440 x 1080 7 Mbps 38 hours 25 minutes|
|MP4 128 GB SD Card|
|1920 x 1080 35 Mbps 8 hours 00 minutes|
|1920 x 1080 24 Mbps 11 hours 55 minutes|
|1920 x 1080 17 Mbps 16 hours 45 minutes|
|1280 x 720 4 Mbps 69 hours 30 minutes|
|640 x 360 3 Mbps 91 hours 55 minutes|
|*Recording will automatically stop when it has continued for 12 hours in AVCHD and MP4|
|Recording Media||SD Card x2 (Video, Still Images (JPEG), Custom picture Settings [20 files],|
|Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported|
|File System||FAT 32|
|Maximum Clip Number||999 (per media)|
|28 Mbps & 24 Mbps Modes: Linear PCM; 2-Channel; 16-Bit; 48 kHz|
|All Other Modes: Dolby Digital 2ch|
|MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz|
|35-17 Mbps: 256 kbps|
|Less than 4 Mbps: 128 kbps|
|Built-in Microphone||Monaural Microphone in Camera Body|
|Stereo Microphone in Handle Unit|
|External Audio Inputs||2 - XLR inputs (Auto and Manual level settings)|
|External microphone terminal:||(3.5 mm diameter)|
|Recording Channel Selection||This is used to set the allocation of the audio channels:|
|CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.|
|CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.|
|CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.|
|ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.|
|XLR Mic Trimming||Available; -12dB, -6 dB, 0dB, +6dB or +12 dB|
|Recording Level Adjustment Range||- Infinity to +18dB, Automatic|
|Separate controls for internal and externally connected microphones.|
|Phantom Power||Available; +48V|
|Headphone Adjustment||16 Settings; Volume is muted at lowest setting|
|Built-in Speaker||Yes; 16 level settings|
|1KHz Tone||Available; Off, -12, -18, or -20 dB|
|Features and Performance|
|Playback||(1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.|
|Fast Forward: 5x Speed>15x speed>60x speed>5x speed...|
|Fast Reverse: 5x speed>15x speed>60x speed>5x speed...|
|Frame Forward: 1-frame increments|
|Frame Reverse: In 0.5 second increments (1-GOP increments)|
|Skip Playback: The first image located according to the number of|
|times the skip button has been pressed is output, and played back. In temporary stop mode, the display moves to the start of the clip|
|Rec. Review: Rec review is executed by pressing the rec review|
|button while in camera mode. By selecting whether the play back from the start of the last clip on the selected media or play back the|
|last 4 seconds of that clip. When continuous recording has been|
|performed so that the recording extends from one care onto the other, only the images on the|
|card in the current slot are played.|
|Slow Playback: None|
|Slow and Fast Motion Recording|
|Available in MP4 Mode Only. This function achieves a fast or slow|
|motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be|
|selected using the camera's video quality and frame rate settings. No|
|sound is recorded.|
|59.94 Hz mode (MP4)||Video Quality/playback frame rate|
|[Playback speed] Recording bit rate Speed class of memory cards|
|35 Mbps/59.94P 29.97P [Fast x2] 17.5 Mbps Class 4|
|23.98P [Fast x2.5] 14 Mbps Class 4|
|24 Mbps/29.97P 59.94P [Slow x0.5] 48 Mbps Class 10|
|23.98P [Fast x1.25] 19.2 Mbps Class 4|
|24 Mbps/23.98P 59.94P [Slow x0.4] 60 Mbps Class 10|
|29.97P [Slow x0.5] 30 Mbps Class 4|
|17 Mbps/29.97P 59.94P [Slow x0.5] 34 Mbps Class 6|
|23.98P [Fast x1.25] 13.6 Mbps Class 4|
|17 Mbps/23.98P 59.94P [Slow x0.4] 42.5 Mbps Class 6|
|29.97P [Slow x0.8] 21.3 Mbps Class 4|
|50.00 Hz mode (MP4)||Video Quality/playback frame rate S&F motion|
|[Playback speed] Recording bit rate Speed class of memory cards|
|35 Mbps/50.00P 25.00P [Fast x2] 17.5 Mbps Class 4|
|24 Mbps/25.00P 50.00P [Slow x0.5] 48 Mbps Class 10|
|17 Mbps/25.00P 50.00P [Slow x0.5] 34 Mbps Class 6|
|Special Recording Functions||Relay Recording; Double-Slot Recording; Continuous Recording|
|Photo Recording Mode||Available; Images captured to SD Card; Images can be captured in Camera and Media modes.|
|Waveform Monitor||Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr)|
|Vectorscope||Available; 2 Modes (Spot/Normal)|
|Exposure/Focus Aids||Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode|
|Interval Record||Not Available|
|Frame Record||Not Available|
|Pre-Record||Yes, 3 seconds cache (Audio and Video)|
|Scan Reverse||Available (Horizontal, vertical or both can be selected)|
|Time code||Drop Frame (DF)* or Non-Drop Frame (NDF)|
|*59.94(i/P>/29.97P mode in 59.94 Hz mode only|
|Time Code Modes||Regen, Record Run, Free Run|
|Auto White Balance (AWB)||Available (BT.709/Wide DR)|
|White Balance Presets||AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B|
|Custom Functions||Available, 8 total functions|
|Custom Display||Available; Total of 33 displays including audio level and remaining battery can be turned on and off|
|Assign Buttons||17; Can be assigned functions as desired|
|Colour Bars||Available; Color bars compliant with SMPTE, ARIB|
|(59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)|
|Minimum Subject Illumination||59.94 Hz Mode: 0.3|
|Lux||(f/1.2 lens, 24 dB, PF29.27, 1/30s) 50.00 Hz Mode: 0.25|
|Lux||(f/1.2 lens, 24 dB, PF25.00, 1/25s)|
|Sensitivity||59.94 Hz mode:|
|F9||[1920x1080/59.94i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]50.00 Hz mode:|
|F10||[1920x1080/50.00i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]|
|59.94 Hz Mode: 54db (Typical)||[1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]|
|50.00 Hz Mode: 54dB (Typical)||[1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]|
|Dynamic Range||During Normal Shooting: 300%|
|*With Canon Log Gamma or Wide DR Gamma: 800%|
|*ISO 850 or above - gain 2.5dB or above|
|Viewing Angle Adjustment||28.2-degrees|
|Diopter Adjustment Range||+2.0 to -5.5|
|EVF Adjustments||Brightness, Contrast, Color, Sharpness, and Backlight|
|Type||Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body|
|Display Adjustments||Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)|
|Time code In/Out||Yes; through HDMI (Output Only)|
|HDMI||Yes (Type A); Video and Audio Output|
|Audio Input Terminal||2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit|
|3.5mm Microphone terminal on main body|
|Headphone Jack||Available; 3.5mm stereo mini-jack|
|Remote Terminals||Available, 2.5mm stereo mini jack|
|Power Terminal||Battery Pack: 7.4 V|
|DC in: 8.4V|
|Battery||BP-9 Series (BP-955 Supplied)|
|Compact Power Adapter||CA-940 N (Supplied)|
|Tripod Adapter||Canon TA-100|
|Tripod Adapter Base||Canon TB-1|
|Zoom Remote Controller||Canon RC-V100|
|Dimensions||C100 Mark II (Body plus Thumb Rest (without eyecup)):|
|Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)|
|C100 (Body plus Grip plus Eyecup):|
|Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)|
|C100 (Body plus Thumb Rest plus Handle Unit & Eyecup):|
|Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)|
|Main Unit Weight||TBD|
|Total Equipped Weight||TBD|
|(Weight includes the Grip, hook, Handle Unit, BP-955, 2x SD Cards.)|
|(Weight includes the Grip, hook, BP-955, 2x SD cards.)|
|Temperature and Humidity||Performance requirements: 0°C to 40°C, 85% (relative humidity)|
|Operating requirements: -5°C to 45°C, 60% (relative humidity)|
|Language Support||German, English, Spanish, French, Italian,|
|Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese|
|Time and Date||Automatic Calendar range January 1st, 2014|
|through December 31, 2030 selectable in American, Japanese and European Date formats.|
|World Clock||World Clock support - UTC time setting: Setting range|
|from -12:00 to +14:00|
|Without batteries & media||311g / 11oz|
|With batteries & media||662g / 23oz|
|Dimensions (W x H x D mm)||136 x 87 x 48mm, 5.4 x 3.4 x 1.9”|
|Construction||Aircraft-grade Aluminium for durability & portability|
|Operating power||3.3W (monitoring only) / 6.8W (Rec, Mon, Play)|
|Compatible batteries||NP-F series, D-Tap and supporting accessories|
|Input voltage (battery)||6.2V to 16.8V|
|Battery time (based on 7.4V)||2600mAh - up to 4hrs|
|5200mAh - up to 8hrs|
|7800mAh - up to 12hrs|
|Continuous power||Primary-secondary battery system|
|* Patent pending||Change batteries without losing power|
|Loop batteries continuously|
|Resolution||1280 x 720|
|Aspect ratio||16:9 native / 4:3 Letterbox|
|Colour standard||REC709 HDTV|
|Look up table (LUT) support||1D LUT|
|Technology||SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit|
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,|
|Panasonic Vlog, JVC JLog, Red LogFilmSupported Gamuts||Native gamut (no conversion)|
|PQ in/out||No / No|
|In = Post Out = Monitor|
|Video Input/Loop Out|
|HDMI||1 x HDMI (1.4)|
|Signal||Uncompressed true 10-bit or 8-bit 422|
|Video Output (Play Out)|
|HDMI||1 x HDMI (1.4)|
|Signal||Uncompressed true 10-bit or 8-bit 422|
|(playback file dependent)|
|Supported Loop Out Formats|
|HDMI to HDMI||SD 480i, 576i|
|1280 x 720p 50/60|
|1920 x 1080i 50/60|
|1920 x 1080p 24/25/30|
|SDI to SDI||-|
|Video Signal Conversion|
|HDMI to SDI||-|
|SDI to HDMI||-|
|Supported Codecs & Frame Rates (Record & Playback)|
|Raw to CDNG (Record only)*||N/A|
|Raw to ProRes / DNxHR||N/A|
|Video to ProRes / DNxHR||Codecs Apple ProRes HQ, 422, LT|
|AVID DNxHD 220x, 220, 145, 36|
|Frame rates 1080p; 24/SF24/25/SF25/30/SF30|
|SD 480i, 576i|
|Pulldown removal||24/25/30pSF Greater than 24/25/30p (2:2 pulldown)|
|60i Greater than 24p (3:2 pulldown)|
|4K UHD downscale for HD monitoring||-|
|Audio In/Out (48kHz PCM Audio)|
|HDMI||2ch 48kHz 16-bit|
|Audio||Line in / Headphone out 2ch 48kHz 16-bit|
|HDMI||Auto HDMI Trigger|
|Supported Protocols - Canon, Sony, Atomos Open Standard|
|Other||LANC control - Slave|
|Genlock / LTC||-|
|Meta data tagging||Yes (Favorite, Reject)|
|Supported media||SSD 2.5”|
|(Approved List at atomos.com/drives)||HDD (5,400 to 7,200rpm)|
|Master caddy case||Master Caddy 1 (included)|
|75mm x 105mm x 12mm|
|Master caddy dock||2.5” SATA to USB 2.0/3.0|
|Supported applications||Supported Applications FCPX/FCP7+|
|Media Composer 5.0+|
|Vegas Pro 10+|
|Autodesk Smoke 2015|
|XML support||FCPX XML native, FCP7 supported with conversion|
|Accessories included||Ninja Blade unit, Universal battery charger 110-240V,|
|AC adapter & car charger, docking station & leads,|
|2 x master caddy cases, 1 x Atomos 2600mAh battery,|
|Rugged carry case, Canon & Nikon adapter plates,|
|2.5mm “Y” adapter cable for LANC|
|Optional extras||5 x Master caddy cases, Sunhood,|
|D-Tap adapter, Carry cases,|
|Connect H2S converter, Connect S2H converter,|
Amazing camera at an amazing price. Excellent for run and gun situations and if you love your canon glass.
Conor Conlon on 2017-10-09