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Canon C100 Mark II & Atomos Ninja Bundle

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Canon EOS C100 Mark II Super 35mm Digital Cinematography Camcorder with EF lens mount and Atomos Ninja Blade Bundle
160923
Catalogue No:
canon_eos-c100-mark-ii / 0202C041AA

£3,249
€3,079.61

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Canon EOS C100 Mark II Super 35mm Digital Cinematography Camcorder with EF lens mount and Atomos Ninja Blade Bundle
Canon C100 Mark II & Atomos Ninja Bundle
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Product Details

Overview
C100:
The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features...
Summary
Camera Type: Large Sensor
CODEC: MPEG-4
Form Factor: Shoulder Mount
HDMI Output: Yes
Lens/Mount: Canon EF
Maximum Video Resolution (recorded): 1920x1080
Recording Media: SD card
SDI Output: No
Sensor Resolution (Mega Pixels): 9.84MP
Sensor Size: S 35mm
Sensor Type: CMOS
Type: Cine
Video Resolution: HD 1080
XLR Audio Input: Yes
Included in box
  • 1x Eyecup
  • 1x Handle Unit
  • 1x Thumb Rest
  • 1x Tripod Base
  • 1x Shoulder Strap (SS-1200)
  • 1x Battery Pack (BP-955)
  • 1x Compact Power Adaptor (CA-941)
  • 1x Battery Charger (CG-940)
  • 1x DC Cable (for CA-930)
  • 1x AC Cable
  • 1x Data Import Utility Disc
  • 1x Atomos Ninja Blade

About the Canon C100 Mark II & Atomos Ninja Bundle

C100:

The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.

The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.

Stunning Imaging Performance
An 8.3MP Super35mm CMOS sensor, designed and manufactured by Canon specifically for video capture, combines with DIGIC DV 4 and a new video processing system to deliver superb high-resolution images with high sensitivity, low noise, reduced rolling shutter artefacts and beautifully shallow depth-of-field.

Advanced AF System
The EOS C100 Mark II features Dual Pixel CMOS Autofocus, which enables continuous AF with over 100 compatible EF lenses. This sensor-based, phase-detection autofocus (AF) technology is designed to provide smooth, high-performance continuous focus in movies. It is a unique, Canon-developed technology, ideal for fast and accurate autofocus, that helps filmmakers to create stunning footage which maximises the creative options offered by fast lenses and shallow depth-of-field.

The EOS C300 camera with Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF Mode, phase detection autofocus helps to ensure non-blurred images and smooth focus transitions even when the subjects and/or camera are moving. This feature places a high priority on maintaining sharp focus while, providing a natural, smooth autofocus movement with selected Canon EF lenses that offer even smoother and quieter operation.

Also available on the EOS C100 Mark II is Face Detection AF*, which is offered in two modes: Face Priority AF and Face Only AF. To allow for maximum coverage of the image that can use this facility when Face AF modes are activated, Dual Pixel CMOS Autofocus is switched off and instead the camera uses Contrast AF to achieve sharp focus.
* Face Detection AF available with Canon EF-S STM lenses.

High Sensitivity, Low Noise
The EOS C100 Mark II offers high sensitivity recording with an impressive ISO range from 320 right up to ISO 102,400. These extended ISO capabilities allow users to record images more brightly with low noise in extreme low-light shooting environments.

Dual Format Recording at up to 1080/60P
The EOS C100 Mark II allows users to record footage onto both memory cards, choosing between relay recording – where the recording card automatically switches to the other when full – or simultaneous recording where both cards record the same material, providing an automatic backup.

In addition, the camera further extends this capability by allowing Dual Format Recording. This feature allows operators to simultaneously record at up to 1080/60p, storing AVCHD files to one SD card while the second SD card records MP4 files. Operators can even capture AVCHD footage in HD whilst recording MP4 files in SD resolution for maximum workflow flexibility and quick turn-around.

The camera also features a selectable continuous recording option. This function continues to record regardless of the Start/Stop button setting and is available in AVCHD mode only.

Ease Of Use & Handling
The EOS C100 Mark II is designed for effortless, single-operator filmmaking. Thanks to feedback from users and industry professionals, the EOS C100 Mark II has been fine-tuned to incorporate further advancements to help the needs of the lone operator. An improved EVF is now larger (at 1.1cm) and can be tilted to any angle up to 68 degrees to suit the operator and shooting conditions, while a new, 8.8cm, 1.23 million pixel OLED display is articulated and can be tilted and adjusted to suit a wide variety of shooting applications.

The EOS C100 Mark II’s lightweight, ergonomic design makes it easy to pack and comfortable to hold and use – even in tight shooting situations. A robust, splash-resistant body with magnesium alloy components provides the durability needed to go wherever a story takes you.

With even more customisable options – including 17 assignable function buttons and extensive Custom Picture options – the C100 Mark II allows the user to fully optimise the camera to their own personal preferences.

Canon LOG & Wide DR Gamma
For the widest possible latitude in footage, and where total control is necessary, Canon Log Gamma provides 12 stops of latitude (800% dynamic range) for maximum flexibility in post-production. It enables detailed adjustment for highlight and shadow and broadens the range of colour grading.

The EOS C100 Mark II features an additional Wide Dynamic Range (Wide DR) Gamma feature that produces smooth changes in brightness, seamless gradations, and reproduces clear skin tones with uniform colours; thus delivering footage that can be used without colour grading.

External Recording Possibilities
For productions where image quality is absolutely paramount the EOS C100 Mark II is a compact powerhouse that offers clean, uncompressed HDMI output which can be used for high bit rate recording with compatible external devices. Timecode and 2:3 pull-down markers can be embedded in the output signal as required.

Comprehensive Lens Compatibility & Built-In Filters
Expand your creative options with a huge range of interchangeable lenses. The EF mount on the EOS C100 Mark II is compatible with the full range of Canon EF lenses, including the acclaimed Canon 4K EF Cinema lens line-up. This wide-ranging lens compatibility provides a wealth of creative possibilities, with the EF lens range spanning focal lengths from 8mm to 800mm specialist options such as Macro, Tilt-Shift and Fisheye optics. Three built-in ND filters with manual control increase shooting versatility.

Professional Audio
The EOS C100 Mark II is equipped with multiple options for audio capture. Aside from the stereo microphone found on the detachable handle, the camera has two XLR input sockets on the top handle with a 3.5mm jack on the main camera body. A small monoaural microphone is also located on the front of the camera that is ideal for continuity recording, voice annotations and ambient sound capture.

To ensure that audio quality matches the high-quality images produced by the camera Linear PCM recording is available.

CPS Video Support
Owners of the EOS C100 Mark II can take advantage of the CPS Video service – Canon’s support programme for professional videographers. CPS Video offers exclusive access to a range of benefits including CPS support at major events, a priority repair service and local CPS support in selected countries. 

DIGIC DV4 Processor
New to the Cinema EOS range of Digital Cinema Cameras is the DIGIC DV4 processor, which provides enhanced image reproduction, supplementing the strengths of the DIGIC DV family – such as smooth gradation and faithful colour reproduction – with support for recording at higher data rates. The sensor and processor work together with the same 2K RGB processing system as found on the larger EOS C500 Digital Cinema Camera. This ensures reduction in both moiré and aliasing, resulting in cleaner, sharper images.

DUAL Pixel CMOS AF
Dual Pixel CMOS AF technology is a groundbreaking innovation from Canon. The sensor in the EOS C100 Mark II is composed of two separate photodiodes for each pixel in order to achieve high-speed readout. With full rein given to these characteristics the sensor is capable of detecting two image signals from each pixel. The pioneering Dual Pixel CMOS AF function offers fast, smooth and accurate focusing when used with a huge range of EF lenses.

Super 35mm CMOS Sensor
Canon develops and manufactures its own sensors and has incorporated an 8.3MP Super35mm CMOS sensor in the EOS C100 Mark II. This sensor has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The camera uses a system developed for Canon’s flagship EOS C500 Digital Cinema Camera, which processes the native 8.3MP readout to produce the very best HD image quality.

Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted.

Atomos Ninja Blade:

The Ultimate Portable HDMI Recorder-Monitor for Film Makers

The new Ninja Blade has a stunning 1280 x 720 5” SuperAtom IPS touchscreen, at 325ppi 179-degree viewing, 400nit brightness and multi-frequency (48/50/60Hz) operation, you can expect crisp, super smooth monitoring and playback.

The capacitive touch panel gives lightning-quick response times and gesture capability. Controlling AtomOS 5.1 on Ninja Blade is silky smooth.

The Ninja Blade is the world’s most advanced smart production recorder, monitor and playback deck. Every part of its physical and operational design has been carefully crafted to deliver the ultimate in simple operation and mission critical reliability. The Blade combines multiple devices – external monitor, capture card, playback deck and cut edit suite – into a single affordable tool. It’s lightweight, tough and robust for operation in the field.

NEW! Ninja Blade Firmware Updates available from: https://www.atomos.com/support/

IMPORTANT WARRANTY NOTE - LCD MONITORS

For LCD monitors, "dead" pixels that are within the central region of the screen are usually repaired under warranty, however if pixels are around the outer edges of the screen, this is usually classified by manufacturers as a paid repair.

3+ pixels or edge bleed may be covered under the first year warranty, In most cases dead pixels and not covered under warranty by LCD manufacturers.



Imaging Sensor
Effective Pixels 3840 x 2160 pixels; Approx. 8.29 megapixels
Total Pixels 4206 x 2340 pixels; Approx. 9.84 megapixels
Sensor Type CMOS
Sensor Size Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm
cell pitch
Scanning System Progressive
Number of Sensors 1
Filter RGB Primary Colour Filter (Bayer Array)
Imaging Processor Digic DV 4
Lens System Interchangeable Lens System
EF-mount for compatibility with EF, EF-S and EOS EF Cinema lens systems.
Zoom/Focus Preset Not Available
Shockless Zoom Not Available
Digital Teleconverter Not Available
ND Filter Mechanical ND filter system with option of clear, 2, 4, and 6 stops
Iris Dial Manual setting in 1/2-step increments, 1/3-step increments or fine
Push Auto Iris Control
Auto Iris Control
Peripheral Illumination Correction Available
Exposure and Metering
Exposure Modes Manual
Push Auto Iris Control
Auto Iris Control (STM lenses)
Metering Modes Available (Standard Center Weighted, Spotlight, Backlight)
Gain Normal Setting -6dB to 30 dB (-6 dB to 42 dB with Sensitivity Expansion ON)
ISO 3200 to 80,000 in 1/3 stop increments
Auto Gain Control (AGC) Not Available
Shockless Gain Not Available
Exposure Compensation/AE Shift Available
Shutter Modes 3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
Speed setting can be set in 1/2 or 1/3 stop increments
Shutter Speed Range 59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz
PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz
23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
Shutter Angle Settings 59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
Iris (Aperture) Range Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop
increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.
Focus
Focus Settings Manual, One-Shot AF, Continuous AF
Autofocus System Available; AF is dependent on interchangeable lenses
(a) Dual Pixel CMOS AF (screen center)
(b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected
AF Modes One-Shot AF, Continuous AF
Recording/Codec
Signal System NTSC and PAL
Compression MPEG-4 AVC / H.264
Colour Space Available
Maximum Bit rate AVCHD: 28 Mbps
MP4: 35 Mbps
Recording Options AVCHD:
28 Mbps 1920 x1080 59.94P 50P
24 Mbps 1920 x1080 59.94i/PF29.97/23.98P 50i/PF25
17 Mbps 1920 x1080 59.94i/PF29.97/23.98P 50i/PF25
7 Mbps 1440 x1080 59.94i/PF29.97/23.98P 50i/PF25
MP4:
35 Mbps 1920 x1080 59.94P 50P
24 Mbps 1920 x1080 29.97P/23.98P 25P
17 Mbps 1920 x1080 29.97P/23.98P 25P
4 Mbps 1280 x 720 29.97P/23.98P 25P
3 Mbps 640 x 360 29.97P/23.98P 25P
Recording Time AVCHD 128 GB SD Card
1920 x 1080 28 Mbps 10 hours 10 minutes
1920 x 1080 24 Mbps 11 hours 55 minutes
1440 x 1080 17 Mbps 16 hours 45 minutes
1440 x 1080 7 Mbps 38 hours 25 minutes
MP4 128 GB SD Card
1920 x 1080 35 Mbps 8 hours 00 minutes
1920 x 1080 24 Mbps 11 hours 55 minutes
1920 x 1080 17 Mbps 16 hours 45 minutes
1280 x 720 4 Mbps 69 hours 30 minutes
640 x 360 3 Mbps 91 hours 55 minutes
*Recording will automatically stop when it has continued for 12 hours in AVCHD and MP4
Recording Media SD Card x2 (Video, Still Images (JPEG), Custom picture Settings [20 files],
Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported
File Format AVCHD
MP4
File System FAT 32
Maximum Clip Number 999 (per media)
Audio
Recording Format AVCHD:
28 Mbps & 24 Mbps Modes: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All Other Modes: Dolby Digital 2ch
MP4:
MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz
35-17 Mbps: 256 kbps
Less than 4 Mbps: 128 kbps
Built-in Microphone Monaural Microphone in Camera Body
Stereo Microphone in Handle Unit
External Audio Inputs 2 - XLR inputs (Auto and Manual level settings)
External microphone terminal: (3.5 mm diameter)
Recording Channel Selection This is used to set the allocation of the audio channels:
CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.
CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.
XLR Mic Trimming Available; -12dB, -6 dB, 0dB, +6dB or +12 dB
Limiter Available
Recording Level Adjustment Range - Infinity to +18dB, Automatic
Separate controls for internal and externally connected microphones.
Phantom Power Available; +48V
Headphone Adjustment 16 Settings; Volume is muted at lowest setting
Built-in Speaker Yes; 16 level settings
1KHz Tone Available; Off, -12, -18, or -20 dB
Features and Performance
Playback (1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.
(2)Special Playback:
Fast Forward: 5x Speed>15x speed>60x speed>5x speed...
Fast Reverse: 5x speed>15x speed>60x speed>5x speed...
Frame Forward: 1-frame increments
Frame Reverse: In 0.5 second increments (1-GOP increments)
Skip Playback: The first image located according to the number of
times the skip button has been pressed is output, and played back. In temporary stop mode, the display moves to the start of the clip
and pauses.
Rec. Review: Rec review is executed by pressing the rec review
button while in camera mode. By selecting whether the play back from the start of the last clip on the selected media or play back the
last 4 seconds of that clip. When continuous recording has been
performed so that the recording extends from one care onto the other, only the images on the
card in the current slot are played.
Slow Playback: None
Slow and Fast Motion Recording
Available in MP4 Mode Only. This function achieves a fast or slow
motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be
selected using the camera's video quality and frame rate settings. No
sound is recorded.
59.94 Hz mode (MP4) Video Quality/playback frame rate
S&F motion
[Playback speed] Recording bit rate Speed class of memory cards
35 Mbps/59.94P 29.97P [Fast x2] 17.5 Mbps Class 4
23.98P [Fast x2.5] 14 Mbps Class 4
24 Mbps/29.97P 59.94P [Slow x0.5] 48 Mbps Class 10
23.98P [Fast x1.25] 19.2 Mbps Class 4
24 Mbps/23.98P 59.94P [Slow x0.4] 60 Mbps Class 10
29.97P [Slow x0.5] 30 Mbps Class 4
17 Mbps/29.97P 59.94P [Slow x0.5] 34 Mbps Class 6
23.98P [Fast x1.25] 13.6 Mbps Class 4
17 Mbps/23.98P 59.94P [Slow x0.4] 42.5 Mbps Class 6
29.97P [Slow x0.8] 21.3 Mbps Class 4
50.00 Hz mode (MP4) Video Quality/playback frame rate S&F motion
[Playback speed] Recording bit rate Speed class of memory cards
35 Mbps/50.00P 25.00P [Fast x2] 17.5 Mbps Class 4
24 Mbps/25.00P 50.00P [Slow x0.5] 48 Mbps Class 10
17 Mbps/25.00P 50.00P [Slow x0.5] 34 Mbps Class 6
Special Recording Functions Relay Recording; Double-Slot Recording; Continuous Recording
Photo Recording Mode Available; Images captured to SD Card; Images can be captured in Camera and Media modes.
Waveform Monitor Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr)
Gain: 1x/2x
Vectorscope Available; 2 Modes (Spot/Normal)
Gain: 1x/5x
Exposure/Focus Aids Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
Interval Record Not Available
Frame Record Not Available
Pre-Record Yes, 3 seconds cache (Audio and Video)
Scan Reverse Available (Horizontal, vertical or both can be selected)
Time code Drop Frame (DF)* or Non-Drop Frame (NDF)
*59.94(i/P>/29.97P mode in 59.94 Hz mode only
Time Code Modes Regen, Record Run, Free Run
Auto White Balance (AWB) Available (BT.709/Wide DR)
White Balance Presets AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B
Custom Functions Available, 8 total functions
Custom Display Available; Total of 33 displays including audio level and remaining battery can be turned on and off
Assign Buttons 17; Can be assigned functions as desired
Colour Bars Available; Color bars compliant with SMPTE, ARIB
(59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)
Minimum Subject Illumination 59.94 Hz Mode: 0.3
Lux (f/1.2 lens, 24 dB, PF29.27, 1/30s) 50.00 Hz Mode: 0.25
Lux (f/1.2 lens, 24 dB, PF25.00, 1/25s)
Sensitivity 59.94 Hz mode:
F9 [1920x1080/59.94i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]50.00 Hz mode:
F10 [1920x1080/50.00i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]
S/N Ratio
59.94 Hz Mode: 54db (Typical) [1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
50.00 Hz Mode: 54dB (Typical) [1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
Dynamic Range During Normal Shooting: 300%
*With Canon Log Gamma or Wide DR Gamma: 800%
*ISO 850 or above - gain 2.5dB or above
EVF
Viewing Angle Adjustment 28.2-degrees
Diopter Adjustment Range +2.0 to -5.5
EVF Adjustments Brightness, Contrast, Color, Sharpness, and Backlight
LCD Monitor
Type Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body
Display Adjustments Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Input/Output
Time code In/Out Yes; through HDMI (Output Only)
HDMI Yes (Type A); Video and Audio Output
Audio Input Terminal 2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit
3.5mm Microphone terminal on main body
Headphone Jack Available; 3.5mm stereo mini-jack
Remote Terminals Available, 2.5mm stereo mini jack
CCU Not Available
Power
Power Terminal Battery Pack: 7.4 V
DC in: 8.4V
Battery BP-9 Series (BP-955 Supplied)
Compact Power Adapter CA-940 N (Supplied)
Accessories
Tripod Adapter Canon TA-100
Tripod Adapter Base Canon TB-1
Zoom Remote Controller Canon RC-V100
Other
Dimensions C100 Mark II (Body plus Thumb Rest (without eyecup)):
Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)
C100 (Body plus Grip plus Eyecup):
Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)
C100 (Body plus Thumb Rest plus Handle Unit & Eyecup):
Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)
Main Unit Weight TBD
Total Equipped Weight TBD
(Weight includes the Grip, hook, Handle Unit, BP-955, 2x SD Cards.)
TBD
(Weight includes the Grip, hook, BP-955, 2x SD cards.)
Temperature and Humidity Performance requirements: 0°C to 40°C, 85% (relative humidity)
Operating requirements: -5°C to 45°C, 60% (relative humidity)
Language Support German, English, Spanish, French, Italian,
Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese
Time and Date Automatic Calendar range January 1st, 2014
through December 31, 2030 selectable in American, Japanese and European Date formats.
World Clock World Clock support - UTC time setting: Setting range
from -12:00 to +14:00
Weight
Without batteries & media311g / 11oz
With batteries & media662g / 23oz
Dimensions (W x H x D mm)136 x 87 x 48mm, 5.4 x 3.4 x 1.9”
ConstructionAircraft-grade Aluminium for durability & portability
Power
Operating power3.3W (monitoring only) / 6.8W (Rec, Mon, Play)
Compatible batteriesNP-F series, D-Tap and supporting accessories
Input voltage (battery)6.2V to 16.8V
Battery time (based on 7.4V)2600mAh - up to 4hrs
5200mAh - up to 8hrs
7800mAh - up to 12hrs
DC In-
Continuous powerPrimary-secondary battery system
* Patent pendingChange batteries without losing power
Loop batteries continuously
Touchscreen
Size5”
Resolution1280 x 720
PPI325
Aspect ratio16:9 native / 4:3 Letterbox
Colour standardREC709 HDTV
Look up table (LUT) support1D LUT
Anamorphic de-squeeze-
TechnologySuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
HDR
AtomHDRYes
Supported Log formatsSony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilmSupported GamutsNative gamut (no conversion)
Bit depth8-bit
Brightness400nit
PQ in/outNo / No
In = Post   Out = Monitor
Video Input/Loop Out
HDMI1 x HDMI (1.4)
SDI-
SignalUncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI1 x HDMI (1.4)
SDI-
SignalUncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMISD 480i, 576i
1280 x 720p 50/60
1920 x 1080i 50/60
1920 x 1080p 24/25/30
SDI to SDI-
Video Signal Conversion
HDMI to SDI-
SDI to HDMI-
Supported Codecs & Frame Rates (Record & Playback)
Raw to CDNG (Record only)*N/A
Raw to ProRes / DNxHRN/A
Video to ProRes / DNxHRCodecs Apple ProRes HQ, 422, LT
AVID DNxHD 220x, 220, 145, 36
Frame rates 1080p; 24/SF24/25/SF25/30/SF30
1080i; 50/60i
720p; 50/60p
SD 480i, 576i
Onboard Processing
Pulldown removal24/25/30pSF Greater than 24/25/30p (2:2 pulldown)
60i Greater than 24p (3:2 pulldown)
4K UHD downscale for HD monitoring-
Audio In/Out (48kHz PCM Audio)
HDMI2ch 48kHz 16-bit
SDI-
AudioLine in / Headphone out 2ch 48kHz 16-bit
Remote Start/Stop
HDMIAuto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI-
OtherLANC control - Slave
Playback
Playlist-
Genlock / LTC-
Recording
Pre-roll record-
Custom timelapse-
Meta data taggingYes (Favorite, Reject)
Supported mediaSSD 2.5”
(Approved List at atomos.com/drives)HDD (5,400 to 7,200rpm)
Master caddy caseMaster Caddy 1 (included)
75mm x 105mm x 12mm
Master caddy dock2.5” SATA to USB 2.0/3.0
Supported applicationsSupported Applications FCPX/FCP7+ 
Media Composer 5.0+ 
Premiere 5.5+ 
EDIUS 6.0+ 
Vegas Pro 10+ 
Lightworks 
Autodesk Smoke 2015
XML supportFCPX XML native, FCP7 supported with conversion
(Adobe compatible)
Accessories includedNinja Blade unit, Universal battery charger 110-240V,
AC adapter & car charger, docking station & leads,
2 x master caddy cases, 1 x Atomos 2600mAh battery,
Rugged carry case, Canon & Nikon adapter plates,
2.5mm “Y” adapter cable for LANC
Optional extras5 x Master caddy cases, Sunhood,
D-Tap adapter, Carry cases,
Connect H2S converter, Connect S2H converter,
Power Station
  • 8.3MP Super35mm CMOS sensor; Full HD
  • Dual Pixel CMOS Autofocus; Face Detection AF*
  • ISO 102,400; low noise
  • Dual Format AVCHD/MP4 recording up to 1080/60p
  • OLED display; improved EVF
  • Built-in WiFi and remote control options
  • HDMI output
  • EF lens mount
  • Professional audio
  • CPS video support
  • Shutter priority mode maintaings shutter angle when the frame rate changes
  • Peripheral illumination data for the EF 24-105 f/4L Lens
  • 10-Bit 4:2:2 Quality
  • Powerful Monitor and Test Suite
  • Aircraft Grade Aluminium Construction
  • Completely Custom
  • Extremely Low Power Consumption
  • Atom OS5 Operating System
  • Record Direct from the Sensor
  • Synced Rec Trigger and Timecode
  • Easy to Encode for CPU
  • The Longest Recording  Time Around
  • Hot Swap Drives
  • File Recovery On-Location
  • Edit, Dock and Produce
  • Mac and PC Review
  • Play Apple Prores or DNXHD files from Anywhere
  • Director’s Cut and Tag
  • Instant Shot Review Anytime, Anywhere
  • Shot Setup and Signal Test Tools
  • Audio Monitoring
  • NLE Compatibility

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