Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly.
Canon is offering a two year warranty on all EOS-1D X / EOS-1D C and Cinema EOS camera bodies.
This offer is available both online and through a member of our sales team, in order to discuss with a member of our sales team please contact us by calling or by emailing us
1. The offer concerns the EOS-1D X / EOS-1D C and Cinema EOS camera bodies. It is not transferable to other products and no cash alternative will be offered.
2. The offer consists of a one-year extension on top of the one-year Standard European Warranty System (EWS), under identical terms and conditions. This gives you a total warranty period of two years from the date of first purchase.
3 This offer is only valid on products originally distributed by Canon within the EU countries plus Liechtenstein, Norway & Switzerland. To be able to claim the additional year, you must have purchased the product in one of these countries.
4. When making a warranty claim you must provide proof of purchase and the European EWS warranty (provided in box). Canon reserves the right to refuse free-of-charge warranty service if the above documents cannot be presented or if the information contained in there is incomplete or illegible.
5. The offer does not affect any statutory rights under applicable national legislation in force.
6. The sponsor of this offer is Canon Europe N.V. Bovenkerkerweg 59-61, 1185 XB Amstelveen, Netherlands.
7. These Terms and Conditions and the offer shall be governed by and construed in accordance with English/Irish/Maltese law. Disputes arising in connection with these Terms and Conditions and/or this offer shall be subject to the exclusive jurisdiction of the English/Irish/Maltese court.
Price Pledge ensures we won't be beaten on price! We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly. We pledge to match the price on most products offered by UK based dealers that are selling officially imported or manufactured UK stock, with full manufacturer warranty and is authorised to do so by the relevant manufacturer.
Prior to the point of sale CVP will endeavour to match the price on most products subject (but not limited) to the following criteria:
For further details please call us on 02083807400.
Details of where you have found the cheaper item.
The prices shown are an estimate based on the purchase of a single item with nothing else in your basket. The prices and options do not include shipping regulations and duties which will be checked in the checkout process.
At CVP we always strive to get your order to you as quickly as possible, but in the interest of clarity please note that next day is defined as the next working day (ie: excluding weekends, UK bank holidays and public holidays).
Orders placed and security cleared before 14:00GMT where all items are in stock will normally be dispatched on the same business day for ultimate delivery according to the shipping method selected.
Where an item is not physically in stock, the actual delivery time will be extended by the lead time for the product in question. Shipping to the Channel Islands, Northern Ireland, Republic of Ireland and some remote UK postcodes are not next day but 2 working days.
All transactions are subject to CVP security checks which are for our mutual protection against identity theft and fraud. In the event that additional checks are required you will be informed and dispatch time will be extended by the time taken to resolve any queries raised. We apologise for any inconvenience this may cause.
*Due to unforseen circumstances, on some occasions same day dispatch may not be possible. In this event we will always do our utmost to keep you fully informed of any delay imposed.
The EOS C300 Mark II is a new 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.
Supreme 4K image quality and versatility
With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD,withup to 15 stops of dynamic range,the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The cameraoffers professional filmmakers and broadcasters alike the very best image quality,recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™ media, while simultaneously recording 4K RAW files to an external recorder,offering the flexibility and universal appeal for production at the highest quality available today. Additionally,the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.
The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.
To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include,enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go.
Instant integration into professional workflows
Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality.The range features XF-AVC intra for 4K, andXF-AVC Long GOP and Proxy options for 2K/Full HD recording,both of which utilise H.264 codec, offering post production flexibility and ease of use.Filmmakers can select the resolution and codec type that best suits their production,with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD. The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camerais also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly widerthan previous Cinema EOS cameras.The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16 or 24 bitand 48 kHz.
Designed for versatility
The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode.Compatibility with the RC-V100 remote control and optional Wi-Fi controlalso enables ease of use in a wider range of locations.
The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.
Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today.For further flexibility, shooters can opt to change the lens mount from the default EF Mount,to EF Mount with Cinema Lock, or tothe industry standard PL mount, as a service option.
For the latest firmware updates available from Canon, please follow this link
|Sensor:||Super35mm type CMOS|
|System:||RGB primary colourfilter (Bayer array)|
|Total pixels per sensor:||9.84 megapixels|
|Effective pixels per sensor:||Approx. 8.85 megapixels when 4096 x 2160 / 2048 x 1080 resolution selected|
|Effective pixels per sensor:||Approx.8.29 megapixels when 3840 x 2160 or 1920 x 1080 resolution selected|
|Minimum illumination:||59.94 Hz Mode** Lux [F1.2 lens, 24 dB, PF59.94 mode, shutter speed 1/**]|
|Minimum illumination:||50 Hz Mode** Lux [F1.2 lens, 54 dB, PF50, shutter speed 1/**]|
|Sensitivity:||59.94 Hz Mode F*[1920 x 1080 / 59.94i, ISO*** (*dB), 2000 Lux, 89.9 % reflection]|
|Sensitivity:||50 Hz Mode: F** [1920 x 1080 / 50.00i, ISO*** (*dB), 2000 Lux, 89.9 % reflection]|
|S/N Ratio:||59.94 Hz Mode **dB (Typical) [4096 x 2160 / PF29.97, Canon Log base sensitivity ISO 850 (Dynamic range 800 %)]|
|S/N Ratio:||5 0Hz Mode: 54 dB (Typical) [1920 x 1080 / PF25, Canon Log base sensitivity ISO 850 (Dynamic range 800 %)]|
|Dynamic Range:||With Canon Log gamma: 800 %, With Canon Log2 Gamma 1600 % (ISO 850 or above / gain 2.5 dB or more)|
|Horizontal Resolution:||Up to 1800 TV lines or more depends on shooting resolution and on lens used.|
|Lens Mount:||Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade)|
|Focal length adjustment:||3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.53|
|Focal length adjustment:||4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.46 As indicated for EF-S lenses and Canon cine zoom lenses|
|Peripheral illumination correction:||YES (dependent on lens used)|
|ND filter:||6 glass filters in camera body: 2 stops; 4 stops; 6 stops,8 stops,10 stops¹. Operate via body, wireless control or via RC-V100 Remote Control Unit.|
|Focus control:||Via lens, wireless control or wired remote (dependent on lens used) One shot AF with EF Lenses including Cine Servo lens range². (Not available with Manual Focus, CINEMA Zoom or Prime lenses).|
|Iris control:||Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with CINEMA lenses) 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F- number during zoom.|
|Image stabilization system:||Depends on lens used|
|Type:||Dual DIGIC DV5|
|Video storage media:||CFast2.0™ and SD card supported. Simultaneous Recording to CFast2.0™ and External Device possible|
|Recording time:||Depending on card used and resolution/ bit rate selected|
|Recording file format:||XF-AVC (Material eXchangeFormat (MXF))|
|Recording Standard:||Video Compression: MPEG-4 AVC/H.264|
|Audio Recording:||Linear PCM (16bit/24bit-48k Hz -4ch)|
|File Format:||XF-AVC (MXF)|
|Bit rate:||Intra 410 / 225/220 / 110Mbps, LongGOP50Mbps|
|Long GOP:||35 or 24 Mbps (for proxy recording onSD cards)|
|Recording format SD Card|
|Movies:||Long GOP recording only (*)|
|Resolution:||2048 x 1080 / 1920 x 1080|
|Signal configuration:||YCC420 8bit Photo: JPEG|
|Resolution:||2048 x 1080 / 1920 x 1080 (*) Proxy recording using low bit rate|
|Recording frame rate|
|59.94 Hz:||59.94i / 59.94P / 29.97P / 23.98P (Depending on resolution selected)|
|50.00 Hz:||50.00i /50.00P / 25.00P (Depending on resolution selected|
|Slow / Fast motion|
|59.94 Hz: 59.94P|
|2K (2048 x 1080 / 1920 x 1080):||1 to 60 (1fps increments) / x60 to x1|
|2K CROP (*1)(2048 x 1080 / 1920 x 1080) & Intra:||1 -60 -120 / x60 -x0.5 (2 fps increments for rates over 60fps)|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP:||1 to 60 (1fps increments) / x60 to x1 (1fps increments)|
|4K (4096 x 2160 / 3840 x 2160) 1 -30 (1fps increments):||/x30 -x1|
|2K (2048 x 1080 / 1920 x 1080) & RGB 1 -30 (1fps increments):||/ x30 -x1|
|2K (2048 x 1080 / 1920 x 1080) & YCC 1 -30 -60 (1fps increments):||/ x30 -x0.5|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080) &Intra & YCC:||1 -30 -120 / x30 -x0.25 (2fps increments for rates over 60fps)|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080)& LongGOP&YCC:||1 -30 -60 / x30 -x1/2 (1fps increments)|
|4K (4096 x 2160 / 3840 x 2160) 1 -24 -30 (1fps increments):||/ x24 -x0.8|
|2K (2048 x 1080 / 1920 x 1080)&RGB 1 -24 -30 (1fps increments):||/ x24 -x0.8|
|2K (2048 x 1080 / 1920 x 1080)&YCC 1 -24 -60 (1fps increments):||/ x24 -x0.4|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080)&Intra&YCC:||1 -24 -120 / x24 -x0.2 (2fps increments for rates over 60fps)|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080)&LongGOP&YC:||1 -24 -60 / x24 -x0.4 (1fps increments)|
|2K (2048 x 1080 / 1920 x 1080) 1 -50 (1fps increments):||/ x50 -x1|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra:||1 -50 -120 / x50-x0.42 (2 fps increments for rates over 50fps)|
|2K CROP (*1)(2048 x 1080 / 1920 x 1080) & LongGOP:||1 -50 (1fps increments) / x50 -x1|
|4K (4096 x 2160 / 3840 x 2160) 1 -25 (1fps increments):||/ x25 -x1|
|2K (2048 x 1080 / 1920 x 1080) & RGB 1 -25 (1fps increments):||/x25 -x1|
|2K (2048 x 1080 / 1920 x 1080) & YCC 1 -25 –50(1fps increments):||/ x25 -x0.5|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra & YCC:||1 -25 -120 / x25 -x0.21 (2fps increments for rates over 50fps)|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP& YCC:||1 -25 -50 / 250 -50 % (1fps increments)|
|4K (4096 x 2160 / 3840 x 2160) 1 -24 -30 (1fps increments):||/ x24 -x0.8|
|2K (2048 x 1080 / 1920 x 1080) & RGB 1 -24 -30 (1fps increments):||/ x24 -x80|
|2K (2048 x 1080 / 1920 x 1080) & YCC 1 -24 -60 (1fps increments):||/ x24 -x0.4|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra & YCC:||1 -24 -120 / x24 -x0.2 (2fps increments for rates over 60fps)|
|2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP& YCC:||1 -24 -60 (1fps increments) / x24 -x0.4 (*1) The 2K area at the center of the 4K area is cropped and recorded. The size of the image is doubled (the view|
|Pre Record (cache record):||Yes|
|Double Slot (simultaneous) Recording:||YES|
|Scan Reverse:||YES: Both / Vertical/ Horizontal /Off|
|Internal Data Transfer:||YES. Clips can be copied from CFast2.0™ to CFast2.0™ card internally in Media Mode.|
|Photo storage media:||SD Card|
|Still quality:||2048 x 1080 / 1920 x 1080|
|Size:||4” (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio|
|Dots:||Approx. 1.23 million dots (854 x RGB x 480), 100 % field of viewcoverage|
|Image quality adjustments:||Super High, High or Normal can be selected as the luminance adjustment. Others aresame as for the viewfinder.|
|Size:||0.46” (1.18 cm on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio|
|Dots:||Approx. 1770,000 dots (1024 x RGB x 576)|
|Image quality adjustments:||Adjustment of the viewfinder brightness, contrast, color, sharpness and luminanceboosting (on/off) can be performed (using menu settings).|
|Correction lens:||+2.0 to -5.5 diopter|
|INPUTS / OUTPUTS|
|Audio in:||YES: 2x XLR input on monitor unit, 3.5 mm input on Camera Body|
|Headphone output:||YES Output impedance 50Ω or less, Reference signal output level 50Ω or less|
|Reference signal output level:||-∞ to -12 dBV(with 16Ω load, volume from MIN to MAX)|
|Video/Audio output:||MON., REC OUT terminals: BNC Jack|
|Video[HD]:||SMPTE 292, SMPTE 274 [3G]: SMPTE 424, SMPTE 425|
|Audio[HD]:||SMPTE ST 299-1 [3G]: SMPTE ST 299-2 Output impedance 75Ω, Output signal level 0.8Vp-p|
|HDMI:||HDMI terminal (type A) Complies with HDMI specifications. Video / Audio output|
|IEEE 1394 (Firewire):||NO|
|Time code:||BNC jack (input / output)|
|Genlock:||BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ|
|Synch:||BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ|
|LCD Monitor Input/Output:||VIDEO terminal Canon’s proprietary specifications (special 13-pin jack)|
|LCD Monitor Input/Output:||AUDIO terminal Canon’s proprietary specifications (special 13-pin jack)|
|Remote Control Terminal:||2.5 mm mini jack|
|Wireless Control Terminal:||Via optional Wi-Fi adaptor|
|ColourBars:||EBU, SMPTE, ARIB|
|Accessory shoe:||YES (cold shoe, 3 locations: top of body, top of handle, front of handle)|
|Exposure Control and Metering:||Manual, Push Auto Iris, Auto Iris (with compatible lenses).|
|Metering Options:||(a) Standard (center-weighted metering),(b) Spotlight,(c) Backlight compensation|
|Exposure compensation:||0.25 increments from ±0 to ±2.0.|
|Push Auto Iris:||YES (EF and EF-S lenses. Not available with EF Cinema Lenses.)|
|Exposure Lock:||Via Push AI Function|
|Auto Gain Control setting:||YES|
|1 Stop increments:||, 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.|
|1/3 stop increments:||[100, 125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500,3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600,|
|[32000, 40000, 51200, 64000, 80000, 102400]|
|Normal:||[-6dB, -3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB,30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB 54dB] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.|
|Fine:||Any value from -2dB to 24dB in 0.5dB increments can be set.|
|Control Modes:||Off, Speed, Angle, Clear Scan, Slow|
|Shutter speed:||59.94 Hz|
|Off:||59.94(i/P) : 1/60/29.98P: 1/30 24.00P 1/24|
|Clear Scan:||59.94 Hz mode: 23.98 Hz (lowest) to 250.37 Hz 24.00 Hz mode: 24.00 Hz (lowest) to 250.37 Hz|
|Note:||The frequency will differ depending on the frame rate setting.|
|Slow:||59.94(i/P) 1/4, 1/8, 1/15, 1/30; 29.98P 1/4, 1/8, 1/15: 24.00P 1/3, 1/6, 1/12|
|Off:||50.00(i/P) 1/50; 25.00P 1/25|
|Clear Scan:||24.00 Hz (lowest) to 250.40 Hz Note: The frequency will differ depending on the frame rate setting.|
|Slow:||50.00(i/P) 1/3, 1/6, 1/12, 1/25; 25.00P 1/3, 1/6, 1/12|
|Shutter Angle 59.94 Hz / 50.00 Hz:||360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25|
|AF Options:||Dependent on the interchangeable lens used and User Selected Mode. Dual Pixel CMOS AF (CMOS AF), Contrast AF|
|AF Modes:||One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting|
|Face Detection AF:||Yes; Face Priority or Face Only|
|Dual Pixel CMOS AF:||Yes. Compatible with all EF Mount Lenses (Except Manual Focus Only models)|
|Stored Configurations 7 presets|
|Canon Log 2:||C.Gamut(Cinema Gamut) Canon Log 2 : BT.2020 / Canon Log 2 : DCI-P3|
|Canon Log 2:||BT.709|
|Canon Log:||BT.2020 Gamut BT.709|
|Storage Medium:||Internal or SD card|
|Gamma Setting Options:||Canon Log 2 / Canon Log / Wide DR / EOS Std.Normal1 (STANDARD )/ Normal 2 (4.0x) / Normal 3 (BT.709)|
|Normal 4 (5.0x)ColourSpace Settings|
|Cinema Gamut / BT.2020 Gamut / DCI-P3 Gamut / BT.709 Gamut|
|Colour Matrix Settings:||Neutral / Production Camera / Cinema EOS Original / Video / EOS Std. / OFF|
|Customisable and protected settings:||YES|
|Low Key Saturation:||YES|
|Selective Noise Reduction:||YES|
|Clip 100 % IRE:||YES|
|Kelvin Range:||2000K to 15000K, 100K intervals, Default 5500K|
|Preset:||Daylight / Tungsten|
|White Balance Shift:||Yes, -9 to +9 (Daylight or Tungsten Preset selected)|
|Black balance adjustment:||YES|
|Countup system:||Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode)|
|Start value setting:||“00:00:00:00”, Set / Reset selectable|
|Recording:||16-bit 2ch (48 kHz) linear PCM|
|Control:||Independent limiters and auto / manual settings|
|Microphone level meter:||YES|
|Battery Type:||BP-A30 (included),BP-A60 (optional)|
|Input Power Supply:||14.4 V DC (battery pack), 16.7 V DC (DC IN)|
|Continuous Recording Time:||Supplied BP-A30: Up to **** minutes, Optional BP-A60: Up to *** minutes|
|Approx. 149 x 183 x 183 mm (5.9 x 7.2 x 7.2 in):||[EOS C300 MarkII+ thumb rest]|
|Approx. 190 x 183 x 187 mm (7.5 x 7.2 x 7.4 in):||[EOS C300 MarkII+ grip]|
|Approx. 190 x 265 x 226 mm (7.5 x 10.4 x 8.9 in):||[EOS C300 MarkII+grip+bracket+handleunit]|
|Approx. 190 x 307 x 362 mm (7.5 x 12.1 x 12.8 in):||[EOS C300 MarkII+grip+bracket+handleunit+monitorunit]|
|Weight (camera only):||TBC|
|Weight (fully equipped):||TBC|
|Operating Temperature range|
|Approx.:||0°C to 40°C, 85 % (relative humidity)|
|Approx.:||-5°C to 45°C, 60 % (relative humidity)|