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Canon EOS C300 Mark II

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Canon EOS C300 Mark II Cinema EOS Camera - 4K EF Mount Video Camera with Dual DIGIC DV5 Processors a Super 35mm CMOS Sensor and 15-Stops of Dynamic Range at High Bit Rates to Internal CFast 2.0 Cards

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Purchase selected Canon Pro-Video & Cine Lens products and you have the option to buy now and pay later and then get 24 months IFC. Please Call Us. TERMS AND CONDITIONS

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Purchase selected Canon Pro-Video & Cine Lens products and you have the option to buy now and pay later and then get 24 months IFC. Please Call Us.

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2. In order to qualify for the Promotion, participants must purchase a new (not second hand) Qualifying Product in the UK, Republic of Ireland, Channel Islands or Isle of Man during the Promotion Period.  Claims relating to products purchased before or after this Promotion Period will be deemed invalid.

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6. We retain and use all information strictly under the privacy policy

7. The promoter reserves the right to amend these terms and conditions at any time and to amend or withdraw this promotion at any time.  

£9,598
€8,988.56

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Canon EOS C300 Mark II Cinema EOS Camera - 4K EF Mount Video Camera with Dual DIGIC DV5 Processors a Super 35mm CMOS Sensor and 15-Stops of Dynamic Range at High Bit Rates to Internal CFast 2.0 Cards
Canon EOS C300 Mark II
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Canon EOS C300 Mark II

At a glance
Canon EOS C300 Mark II Cinema EOS Camera - 4K EF Mount Video Camera with Dual DIGIC DV5 Processors a Super 35mm CMOS Sensor and 15-Stops of Dynamic Range at High Bit Rates to Internal CFast 2.0 Cards

£9,598
€8,988.56

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Extreme Pro CFast Card Reader

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Sandisk SDDR-299-G46 (SDDR299G46) Extreme Pro CFast 2.0 Memory Card Reader / Writer

£47.30
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Essentials

Product Details

Overview
The EOS C300 Mark II is a new 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date. 
Supreme 4K image quality and versatility
With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD,withup to 15 stops of dynamic range,the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The cameraoffers professional filmmakers and broadcasters alike the very best image quality,recording 4K...
Summary
Camera Type: Large Sensor
CODEC: XF-AVC
Form Factor: Shoulder Mount
HDMI Output: Yes
Lens/Mount: Canon EF
Maximum Video Resolution (recorded): 3840 x 2160
Recording Media: SD card
SDI Output: No
Sensor Resolution (Mega Pixels): 8.85MP
Sensor Size: S 35mm
Sensor Type: CMOS
Type: Cine
Video Resolution: 4K
XLR Audio Input: Yes
Included in box
  • Camera body
  • Grip
  • Monitor unit and cables
  • Handle and handle bracket
  • Shoulder strap
  • Battery Charger CG-A10
  • Battery Pack BP-A30
  • Thumb rest
  • Eye-cup
  • WFT attachment
  • Measure hook
  • Tripod base TB-1
  • Body cap
  • Viewfinder cap
  • Allen key and screws

About the Canon EOS C300 Mark II

The EOS C300 Mark II is a new 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date. 

Supreme 4K image quality and versatility
With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD,withup to 15 stops of dynamic range,the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The cameraoffers professional filmmakers and broadcasters alike the very best image quality,recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™  media, while simultaneously recording 4K RAW files to an external recorder,offering the flexibility and universal appeal for production at the highest quality available today. Additionally,the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process. 

The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.

To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include,enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go.  

Instant integration into professional workflows
Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality.The range features XF-AVC intra for 4K, andXF-AVC Long GOP and Proxy options for 2K/Full HD recording,both of which utilise H.264 codec, offering post production flexibility and ease of use.Filmmakers can select the resolution and codec type that best suits their production,with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD. The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camerais also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly widerthan previous Cinema EOS cameras.The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16 or 24 bitand 48 kHz.

Designed for versatility
The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode.Compatibility with the RC-V100 remote control and optional Wi-Fi controlalso enables ease of use in a wider range of locations.

The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.

Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today.For further flexibility, shooters can opt to change the lens mount from the default EF Mount,to EF Mount with Cinema Lock, or tothe industry standard PL mount, as a service option .

IMAGE SENSOR
Sensor: Super35mm type CMOS
System: RGB primary colourfilter (Bayer array)
Total pixels per sensor: 9.84 megapixels
Effective pixels per sensor: Approx. 8.85 megapixels when 4096 x 2160 / 2048 x 1080 resolution selected
Effective pixels per sensor: Approx.8.29 megapixels when 3840 x 2160 or 1920 x 1080 resolution selected
Minimum illumination: 59.94 Hz Mode** Lux [F1.2 lens, 24 dB, PF59.94 mode, shutter speed 1/**]
Minimum illumination: 50 Hz Mode** Lux [F1.2 lens, 54 dB, PF50, shutter speed 1/**]
Sensitivity: 59.94 Hz Mode F*[1920 x 1080 / 59.94i, ISO*** (*dB), 2000 Lux, 89.9 % reflection]
Sensitivity: 50 Hz Mode: F** [1920 x 1080 / 50.00i, ISO*** (*dB), 2000 Lux, 89.9 % reflection]
S/N Ratio: 59.94 Hz Mode **dB (Typical) [4096 x 2160 / PF29.97, Canon Log base sensitivity ISO 850 (Dynamic range 800 %)]
S/N Ratio: 5 0Hz Mode: 54 dB (Typical) [1920 x 1080 / PF25, Canon Log base sensitivity ISO 850 (Dynamic range 800 %)]
Dynamic Range: With Canon Log gamma: 800 %, With Canon Log2 Gamma 1600 % (ISO 850 or above / gain 2.5 dB or more)
Horizontal Resolution: Up to 1800 TV lines or more depends on shooting resolution and on lens used.
LENS
Lens Mount: Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade)
Focal length adjustment: 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.53
Focal length adjustment: 4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.46 As indicated for EF-S lenses and Canon cine zoom lenses
Peripheral illumination correction: YES (dependent on lens used)
ND filter: 6 glass filters in camera body: 2 stops; 4 stops; 6 stops,8 stops,10 stops¹. Operate via body, wireless control or via RC-V100 Remote Control Unit.
Focus control: Via lens, wireless control or wired remote (dependent on lens used) One shot AF with EF Lenses including Cine Servo lens range². (Not available with Manual Focus, CINEMA Zoom or Prime lenses).
Iris control: Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with CINEMA lenses) 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F- number during zoom.
Image stabilization system: Depends on lens used
IMAGE PROCESSOR
Type: Dual DIGIC DV5
RECORDING
Video storage media: CFast2.0™ and SD card supported. Simultaneous Recording to CFast2.0™ and External Device possible
Recording time: Depending on card used and resolution/ bit rate selected
Recording file format: XF-AVC (Material eXchangeFormat (MXF))
Recording Standard: Video Compression: MPEG-4 AVC/H.264
Audio Recording: Linear PCM (16bit/24bit-48k Hz -4ch)
File Format: XF-AVC (MXF)
Bit rate: Intra 410 / 225/220 / 110Mbps, LongGOP50Mbps
Long GOP: 35 or 24 Mbps (for proxy recording onSD cards)
Recording format SD Card
Movies: Long GOP recording only (*)
Resolution: 2048 x 1080 / 1920 x 1080
Signal configuration: YCC420 8bit Photo: JPEG
Resolution: 2048 x 1080 / 1920 x 1080 (*) Proxy recording using low bit rate
Recording frame rate
59.94 Hz: 59.94i / 59.94P / 29.97P / 23.98P (Depending on resolution selected)
50.00 Hz: 50.00i /50.00P / 25.00P (Depending on resolution selected
24.Hz: 24.00P
Slow / Fast motion
59.94 Hz: 59.94P
2K (2048 x 1080 / 1920 x 1080): 1 to 60 (1fps increments) / x60 to x1
2K CROP (*1)(2048 x 1080 / 1920 x 1080) & Intra: 1 -60 -120 / x60 -x0.5 (2 fps increments for rates over 60fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP: 1 to 60 (1fps increments) / x60 to x1 (1fps increments)
29.97P
4K (4096 x 2160 / 3840 x 2160) 1 -30 (1fps increments): /x30 -x1
2K (2048 x 1080 / 1920 x 1080) & RGB 1 -30 (1fps increments): / x30 -x1
2K (2048 x 1080 / 1920 x 1080) & YCC 1 -30 -60 (1fps increments): / x30 -x0.5
2K CROP (*1) (2048 x 1080 / 1920 x 1080) &Intra & YCC: 1 -30 -120 / x30 -x0.25 (2fps increments for rates over 60fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080)& LongGOP&YCC: 1 -30 -60 / x30 -x1/2 (1fps increments)
23.98P
4K (4096 x 2160 / 3840 x 2160) 1 -24 -30 (1fps increments): / x24 -x0.8
2K (2048 x 1080 / 1920 x 1080)&RGB 1 -24 -30 (1fps increments): / x24 -x0.8
2K (2048 x 1080 / 1920 x 1080)&YCC 1 -24 -60 (1fps increments): / x24 -x0.4
2K CROP (*1) (2048 x 1080 / 1920 x 1080)&Intra&YCC: 1 -24 -120 / x24 -x0.2 (2fps increments for rates over 60fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080)&LongGOP&YC: 1 -24 -60 / x24 -x0.4 (1fps increments)
50.00 Hz
50.00P
2K (2048 x 1080 / 1920 x 1080) 1 -50 (1fps increments): / x50 -x1
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra: 1 -50 -120 / x50-x0.42 (2 fps increments for rates over 50fps)
2K CROP (*1)(2048 x 1080 / 1920 x 1080) & LongGOP: 1 -50 (1fps increments) / x50 -x1
25.00P
4K (4096 x 2160 / 3840 x 2160) 1 -25 (1fps increments): / x25 -x1
2K (2048 x 1080 / 1920 x 1080) & RGB 1 -25 (1fps increments): /x25 -x1
2K (2048 x 1080 / 1920 x 1080) & YCC 1 -25 –50(1fps increments): / x25 -x0.5
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra & YCC: 1 -25 -120 / x25 -x0.21 (2fps increments for rates over 50fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP& YCC: 1 -25 -50 / 250 -50 % (1fps increments)
24.00 Hz
4K (4096 x 2160 / 3840 x 2160) 1 -24 -30 (1fps increments): / x24 -x0.8
2K (2048 x 1080 / 1920 x 1080) & RGB 1 -24 -30 (1fps increments): / x24 -x80
2K (2048 x 1080 / 1920 x 1080) & YCC 1 -24 -60 (1fps increments): / x24 -x0.4
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra & YCC: 1 -24 -120 / x24 -x0.2 (2fps increments for rates over 60fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP& YCC: 1 -24 -60 (1fps increments) / x24 -x0.4 (*1) The 2K area at the center of the 4K area is cropped and recorded. The size of the image is doubled (the view
angle changes).
Interval Record:Yes
Frame Record:YES
Pre Record (cache record):Yes
Relay Recording:YES
Double Slot (simultaneous) Recording:YES
Scan Reverse:YES: Both / Vertical/ Horizontal /Off
HD->SD conversion: NO
Internal Data Transfer: YES. Clips can be copied from CFast2.0™ to CFast2.0™ card internally in Media Mode.
Photo storage media: SD Card
Still quality: 2048 x 1080 / 1920 x 1080
SYSTEM
LCD
Size: 4” (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio
Dots: Approx. 1.23 million dots (854 x RGB x 480), 100 % field of viewcoverage
Image quality adjustments: Super High, High or Normal can be selected as the luminance adjustment. Others aresame as for the viewfinder.
Adjustable: YES
Waveform Monitor: YES
Focus Assist: YES
Peaking: YES
Zebra: YES
Markers: YES
EVF
Size: 0.46” (1.18 cm on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio
Type: Organic LED
Dots: Approx. 1770,000 dots (1024 x RGB x 576)
Image quality adjustments: Adjustment of the viewfinder brightness, contrast, color, sharpness and luminanceboosting (on/off) can be performed (using menu settings).
Adjustable: YES
Correction lens: +2.0 to -5.5 diopter
INPUTS / OUTPUTS
Audio in: YES: 2x XLR input on monitor unit, 3.5 mm input on Camera Body
Headphone output: YES Output impedance 50Ω or less, Reference signal output level 50Ω or less
Reference signal output level: -∞ to -12 dBV(with 16Ω load, volume from MIN to MAX)
Video/Audio output: MON., REC OUT terminals: BNC Jack
Video[HD]: SMPTE 292, SMPTE 274 [3G]: SMPTE 424, SMPTE 425
Audio[HD]: SMPTE ST 299-1 [3G]: SMPTE ST 299-2 Output impedance 75Ω, Output signal level 0.8Vp-p
HDMI: HDMI terminal (type A) Complies with HDMI specifications. Video / Audio output
IEEE 1394 (Firewire): NO
USB: NO
Time code: BNC jack (input / output)
Genlock: BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ
Synch: BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ
LCD Monitor Input/Output: VIDEO terminal Canon’s proprietary specifications (special 13-pin jack)
LCD Monitor Input/Output: AUDIO terminal Canon’s proprietary specifications (special 13-pin jack)
Component out: NO
AV terminal: NO
DC input: YES
Remote Control Terminal: 2.5 mm mini jack
Wireless Control Terminal: Via optional Wi-Fi adaptor
ColourBars: EBU, SMPTE, ARIB
Tally lamp: YES
Accessory shoe: YES (cold shoe, 3 locations: top of body, top of handle, front of handle)
SHOOTING FUNCTIONS
EXPOSURE
Exposure Control and Metering: Manual, Push Auto Iris, Auto Iris (with compatible lenses).
Metering Options: (a) Standard (center-weighted metering),(b) Spotlight,(c) Backlight compensation
Exposure compensation: 0.25 increments from ±0 to ±2.0.
Push Auto Iris: YES (EF and EF-S lenses. Not available with EF Cinema Lenses.)
Exposure Lock: Via Push AI Function
Auto Gain Control setting: YES
ISO Sensitivity
1 Stop increments: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
1/3 stop increments: [100, 125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500,3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600,
[32000, 40000, 51200, 64000, 80000, 102400]
Gain setting
Normal: [-6dB, -3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB,30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB 54dB] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
Fine: Any value from -2dB to 24dB in 0.5dB increments can be set.
SHUTTER SPEED
Control Modes: Off, Speed, Angle, Clear Scan, Slow
Shutter speed: 59.94 Hz
Off: 59.94(i/P) : 1/60/29.98P: 1/30 24.00P 1/24
Speed: 1/1 -1/2000
Clear Scan: 59.94 Hz mode: 23.98 Hz (lowest) to 250.37 Hz 24.00 Hz mode: 24.00 Hz (lowest) to 250.37 Hz
Note: The frequency will differ depending on the frame rate setting.
Slow: 59.94(i/P) 1/4, 1/8, 1/15, 1/30; 29.98P 1/4, 1/8, 1/15: 24.00P 1/3, 1/6, 1/12
50.00 Hz
Off: 50.00(i/P) 1/50; 25.00P 1/25
Speed: 1/1 -1/2000
Clear Scan: 24.00 Hz (lowest) to 250.40 Hz Note: The frequency will differ depending on the frame rate setting.
Slow: 50.00(i/P) 1/3, 1/6, 1/12, 1/25; 25.00P 1/3, 1/6, 1/12
Shutter Angle 59.94 Hz / 50.00 Hz: 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25
Focus Systems
AF Options: Dependent on the interchangeable lens used and User Selected Mode. Dual Pixel CMOS AF (CMOS AF), Contrast AF
AF Modes: One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting
Face Detection AF: Yes; Face Priority or Face Only
Dual Pixel CMOS AF: Yes. Compatible with all EF Mount Lenses (Except Manual Focus Only models)
CUSTOM PICTURE
Stored Configurations 7 presets
Canon Log 2: C.Gamut(Cinema Gamut) Canon Log 2 : BT.2020 / Canon Log 2 : DCI-P3
Canon Log 2: BT.709
Canon Log: BT.2020 Gamut BT.709
Storage Medium: Internal or SD card
Gamma Setting Options: Canon Log 2 / Canon Log / Wide DR / EOS Std.Normal1 (STANDARD )/ Normal 2 (4.0x) / Normal 3 (BT.709)
Normal 4 (5.0x)ColourSpace Settings
Cinema Gamut / BT.2020 Gamut / DCI-P3 Gamut / BT.709 Gamut
Colour Matrix Settings: Neutral / Production Camera / Cinema EOS Original / Video / EOS Std. / OFF
Customisable and protected settings: YES
Black Gamma: YES
Low Key Saturation: YES
Knee: YES
Sharpness: YES
Noise reduction: YES
Skin detail: YES
Selective Noise Reduction: YES
Colour matrix: YES
White balance: YES
Colour correction: YES
Setup level: YES
Press: YES
Clip 100 % IRE: YES
WHITE BALANCE
Auto: YES
Kelvin Range: 2000K to 15000K, 100K intervals, Default 5500K
Preset: Daylight / Tungsten
White Balance Shift: Yes, -9 to +9 (Daylight or Tungsten Preset selected)
BLACK BALANCE
Black balance adjustment: YES
Time code
Countup system: Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode)
Start value setting: “00:00:00:00”, Set / Reset selectable
AUDIO
Recording: 16-bit 2ch (48 kHz) linear PCM
Control: Independent limiters and auto / manual settings
Microphone attenuation: YES
Microphone level meter: YES
BATTERY
Battery Type: BP-A30 (included),BP-A60 (optional)
Input Power Supply: 14.4 V DC (battery pack), 16.7 V DC (DC IN)
Power Consumption: TBC
Continuous Recording Time: Supplied BP-A30: Up to **** minutes, Optional BP-A60: Up to *** minutes
MISCELLANEOUS
Dimensions
Approx. 149 x 183 x 183 mm (5.9 x 7.2 x 7.2 in): [EOS C300 MarkII+ thumb rest]
Approx. 190 x 183 x 187 mm (7.5 x 7.2 x 7.4 in): [EOS C300 MarkII+ grip]
Approx. 190 x 265 x 226 mm (7.5 x 10.4 x 8.9 in): [EOS C300 MarkII+grip+bracket+handleunit]
Approx. 190 x 307 x 362 mm (7.5 x 12.1 x 12.8 in): [EOS C300 MarkII+grip+bracket+handleunit+monitorunit]
Detachable handle: YES
Weight (camera only): TBC
Weight (fully equipped): TBC
Operating Temperature range
Approx.: 0°C to 40°C, 85 % (relative humidity)
Approx.: -5°C to 45°C, 60 % (relative humidity)
  • 8.85 MP Super 35 mm Canon CMOS sensor
  • Shoot 4k at up to 410Mbps/10-bit with the Canon XF-AVC H.264 codec for easy 4K integration into existing workflows
  • 15 stops of dynamic range with Canon Log2
  • Simultaneously record 4K to dual internal CFast2.0™* cards, 2K/FHD proxy files to SD card and output 4K RAW to external devices
  • Concentrate on the action with improvements in Dual Pixel CMOS AF, Face Detection AF and Auto white balance
  • High sensitivity, low noise imagesupto ISO 102,400
  • Sensor readout speed is improved, producing even lower rolling shutter distortion
  • Support for BT.2020, Canon Cinema Gamut and DCI-P3 colour space
  • 4 channel 16/24-bit audio
  • Huge range of compatible lenses, servo zoom support and service changeable PL mount option
  • High bitrate internal 4K recording with external RAW
  • High dynamic range files, ideal for post production
  • Seamlessly integrate with professional workflows
  • Automatic features make independent shooting easy
  • Shoot with confidence in low light with low noise
[[faq_list]]
[[faq_question]]

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