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At CVP we always strive to get your order to you as quickly as possible, but in the interest of clarity please note that next day is defined as the next working day (ie: excluding weekends, UK bank holidays and public holidays).
Orders placed and security cleared* before 14:00GMT where all items are in stock will normally** be dispatched on the same business day for ultimate delivery according to the shipping method selected.
Where an item is not physically in stock, the actual delivery time will be extended by the lead time for the product in question. Shipping to the Channel Islands, Northern Ireland, Republic of Ireland and some remote UK postcodes are not next day but 2 working days.
All transactions are subject to CVP security checks which are for our mutual protection against identity theft and fraud. In the event that additional checks are required you will be informed and dispatch time will be extended by the time taken to resolve any queries raised. We apologise for any inconvenience this may cause.
*Due to unforseen circumstances, on some occasions same day dispatch may not be possible. In this event we will always do our utmost to keep you fully informed of any delay imposed.
The Stereo VideoMic X is the ultimate broadcast-grade stereo microphone for on-camera use. Utilising an all-metal construction, it is incredibly robust making it ideal for regular professional use, while also providing high levels of resistance to RF interference.
The mic features a matched pair of ½” true-condenser capsules, configured in a stacked X-Y configuration, providing a highly-immersive soundscape. Each capsule is supported by the Rycote® Lyre® shock-mounting system, providing isolation from vibration as well as knocks and bumps.
Digital switching on the rear of the SVMX allows the user to control the level adjustment (-10dB or +20dB), high-pass filter (0/75/150Hz) and an innovative high-frequency boost (+6dB @ XHz) designed to boost the intelligibility of dialogue.
In a first for the VideoMic range, professional-grade balanced outputs are available on the side of the body, in addition to the RF shielded 3.5mm stereo output cable.
An outer dome structure provides physical protection for the sensitive capsules, while reducing wind noise in the same manner as RØDE’s RedDot-winning Blimp.
|Acoustic Principle||Pressure Gradient|
|Frequency Rate||40Hz ~ 20kHz|
|Frequency Range (High Pass Filter)||0, 75, 150Hz|
|Variable Level||-10, 0, +20dB|
|Signal to Noise Ratio||82 dBA SPL (as per IEC651)|
|Equivalent Noise||12 dBA SPL (as per IEC651)|
|Maximum SPL||143dB SPL|
|Sensitivity||-32 dB re 1V/Pa (25mV @ 94dB SPL) ± 2dB @ 1kHz|
|Dynamic Range||131 dB SPL|
|Power Requirements||9V alkaline battery or P48 (via miniXLR)|
|Output Connection (Unbalanced)||3.5 Stereo mini jack plug (dual mono), Tip – left channel, Ring – right channel|
|Output Connection (Balanced) †||Mini XLR (TA3F style connector) Pin 1 (Ground), Pin 2 (+), Pin 3 (-).|
|Battery Life||30 hours|
|Weight (No Battery)||300g|