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The prices shown are an estimate based on the purchase of a single item with nothing else in your basket. The prices and options do not include shipping regulations and duties which will be checked in the checkout process.
At CVP we always strive to get your order to you as quickly as possible, but in the interest of clarity please note that next day is defined as the next working day (ie: excluding weekends, UK bank holidays and public holidays).
Orders placed and security cleared before 14:00GMT where all items are in stock will normally be dispatched on the same business day for ultimate delivery according to the shipping method selected.
Where an item is not physically in stock, the actual delivery time will be extended by the lead time for the product in question. Shipping to the Channel Islands, Northern Ireland, Republic of Ireland and some remote UK postcodes are not next day but 2 working days.
All transactions are subject to CVP security checks which are for our mutual protection against identity theft and fraud. In the event that additional checks are required you will be informed and dispatch time will be extended by the time taken to resolve any queries raised. We apologise for any inconvenience this may cause.
*Due to unforseen circumstances, on some occasions same day dispatch may not be possible. In this event we will always do our utmost to keep you fully informed of any delay imposed.
PLEASE NOTE: WEAPON 8K S35 is NOT compatible with 8K VV lens mounts.
PLEASE NOTE: The WEAPON BRAIN itself does not have a DC IN power port. A port expander or power module is required to power the camera.
WEAPON now comes with the option of a HELIUM 8K S35 sensor. Capable of shooting motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Frame at 60 fps—WEAPON 8K S35 delivers unrivalled performance. WEAPON 8K S35 owners will also be eligible to upgrade to the RED DRAGON 8K VV sensor—when it becomes available.
At full 8K resolution, the HELIUM sensor captures 35.4 Megapixel motion and stills. Coupled with 60–75 fps, WEAPON 8K S35 provides the most advanced VFX solution with next-level creative flexibility. With other HELIUM sensor advancements, WEAPON 8K boasts improved low-light sensitivity and impressive dynamic range. Blazing-fast 300 MB/s data rates allow you to take advantage of the lowest possible REDCODE—and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.
As a member of the DSMC2 camera line up, WEAPON 8K S35 benefits from the advanced modularity of the RED ecosystem. Featuring cable-free peripherals, integrated mounting plate, wireless control, and compatibility with a growing number of DSMC2 modules and accessories. WEAPON also supports interchangeable OLPFs and lens mounts—empowering you to make the most of all of your S35 compatible PL, Nikon, Canon, and Leica lenses.
RESOLUTION MATTERS THE DETAIL IS IN THE PIXELS.
WEAPON® with HELIUM™ 8K S35 delivers stunning resolution and image quality—creating smooth and organic images that bring your footage to life. RED has taken the next step in exceeding the flexibility and beauty offered by film. At 35 Megapixels, 8K offers 17x more resolution than HD—and over 4x more than 4K.
SUPERIOR IMAGE QUALITY, QUALITY THAT SPEAKS FOR ITSELF.
The WEAPON 8K S35 combines advanced colour science with incredible dynamic range. The result is cinema image quality that breathes life into your footage. Showcase the depths of shadows as well as highlight roll-off to capture otherwise imperceptible details.
EXPANDED FRAME OF MIND EVEN MORE CREATIVE FLEXIBILITY
For cinematographers, 8K resolution offers more than just incredible detail. It delivers countless possibilities for reframing, VFX (visual effects), motion stabilization, super sampling footage, and more. More resolution boils down to the ability to do more with your footage in production—all without having to reshoot.
A BETTER WORKFLOW MORE CREATIVE POWER FROM SHOOT TO FINISH.
The WEAPON 8K is capable of recording REDCODE® RAW and proxy 4K Apple ProRes or Avid DNxHR/HD formats—simultaneously. More recording options and the raw power of REDCODE provide the freedom to choose the workflow that's right for you. Take advantage of RED's powerful non-linear editing application, REDCINE-X PRO, to cut dailies, make colour corrections, and augment your workflow.
INTELLIGENT DESIGN ENGINEERED FOR EXCELLENCE. DESIGNED FOR YOU.
The DSMC2™ form factor is our smallest and lightest BRAIN ever. With features like cable-free peripherals, integrated side SSD, wireless control, and more—WEAPON 8K is the most powerful and intuitive camera to date. It is also compatible with a growing arsenal of modules and accessories—from RED and other third party manufacturers. Tack on interchangeable OLPFs and lens mounts and WEAPON gives you the ultimate control over your footage.
You can also view and download sample R3D files here.
|SENSOR TYPE||HELIUM 35.4 Megapixel CMOS|
|EFFECTIVE PIXELS||8192 x 4320|
|SENSOR SIZE||29.90 mm x 15.77 mm (Diagonal: 33.80 mm)|
|DYNAMIC RANGE||16.5+ stops|
|MAX DATA RATES||Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)|
|Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)|
|MAX FRAME RATES||60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)|
|60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)|
|75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)|
|96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)|
|120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)|
|150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)|
|240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)|
|PLAYBACK FRAME RATES(PROJECT TIMEBASE)||23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions|
|REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1||5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps|
|12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps|
|2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps|
|3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps|
|REDCODE RAW ACQUISITION FORMATS||8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x|
|7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x|
|6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x|
|5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x|
|4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x|
|3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x|
|2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x|
|APPLE PRORES||422 HQ, 422 and 422 LT at 4K (4096 x 2160) up to 29.97 fps|
|4444 XQ and 4444 at 2K (2048 x 1080) up to 120 fps|
|422 HQ, 422 and 422 LT at 2K (2048 x 1080) up to 120 fps|
|AVID CODECS||DNxHR HQX at 4K (4096 x 2160) 12-bit up to 29.97 fps|
|DNxHR HQ, SQ and LB at 4K (4096 x 2160) 8-bit up to 29.97 fps|
|DNxHR 444 at 2K (2048 x 1080) 12-bit up to 120 fps|
|DNxHD 444 and HQX (1920 x 1080) 10-bit up to 120 fps|
|DNxHD HQ, SQ and LB (1920 x 1080) 8-bit up to 120 fps|
|CONSTRUCTION||Carbon Fiber, Magnesium, and Aluminum Alloy|
|WEIGHT||3.3 lbs (BRAIN with Integrated Media Bay)|
|OPERATING TEMPERATURE||0°C to 40°C (32°F to 104°F)|
|STORAGE TEMPERATURE||–20°C to 50°C (–4°F to 122°F)|
|RELATIVE HUMIDITY||0% to 85% non-condensing|
|AUDIO||Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz|
|Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz|
|REMOTE CONTROL||Integrated RED COMMAND PROTOCOL (R.C.P.) WiFi antenna|
|Ethernet, RS232, and GPI Trigger with DSMC2 expander module|
|MONITOR OUTPUTS||3G-SDI (HD-SDI) and HDMI with DSMC2 expander module|
|1080p RGB or 4:2:2, 720p RGB or 4:2:2|
|480p RGB or 4:2:2 (HDMI only)|
|SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio|
|VIDEO EDITING SOFTWARE COMPATIBILITY||Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro|