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Panasonic Varicam 35

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Panasonic Varicam Super 35 (AU-V35C1) 4K PL Mount Video Camera with a Super 35mm MOS Sensor and AVC-ULTRA 4K Codec

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46807
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panasonic_varicam_35_video_camera / AU-V35C1G

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Product Details

Overview
Panasonic Varicam Super 35 (AU-V35C1) 4K PL Mount Video Camera with a Super 35mm MOS Sensor and AVC-ULTRA 4K Codec. With its innovative design, the 4K camera module unit  (AU-V35C1) is separate but dockable to the recording module unit (AU-VREC1), which is also interchangeable with Panasonic’s new 2/3” camera module unit (AU-V23HS1) (see separate news release). This system flexibility can be expanded with an umbilical cable between the s35mm 4K camera and the AVC-ULTRA recorder, providing “box” camera functionality for jibs, cranes and other “remote” camera needs.  This common recorder module is also interchangeable with Panasonic’s new 2/3” 1080p camera, enabling professionals to switch between s35mm and 2/3” camera heads to best suit their creative needs. 
“Evoking the VariCam heritage of gorgeous, cinematic image rendition, this VariCam 35 establishes new standards for 4K production,” said Steve Cooperman, Product Manager, Panasonic System Communications Company of North America. “With its expanse of formats ranging...
Summary
Camera Type: Large Sensor
CODEC: Apple ProRes 422 / 444, AVC - Intra
Form Factor: Modular
HDMI Output: No
Lens/Mount: PL Mount
Maximum Video Resolution (recorded): 4096x2160
Recording Media: Express Card, Micro P2, P2 Cards
SDI Output: Yes
Sensor Size: S 35mm
Sensor Type: MOS
Video Resolution: 4K
Weight: 2-5kg
XLR Audio Input: Yes

About the Panasonic Varicam 35

With its innovative design, the 4K camera module unit  (AU-V35C1) is separate but dockable to the recording module unit (AU-VREC1), which is also interchangeable with Panasonic’s new 2/3” camera module unit (AU-V23HS1) (see separate news release). This system flexibility can be expanded with an umbilical cable between the s35mm 4K camera and the AVC-ULTRA recorder, providing “box” camera functionality for jibs, cranes and other “remote” camera needs.  This common recorder module is also interchangeable with Panasonic’s new 2/3” 1080p camera, enabling professionals to switch between s35mm and 2/3” camera heads to best suit their creative needs. 

“Evoking the VariCam heritage of gorgeous, cinematic image rendition, this VariCam 35 establishes new standards for 4K production,” said Steve Cooperman, Product Manager, Panasonic System Communications Company of North America. “With its expanse of formats ranging from flawless 4K RAW output to more practical 4K, UHD, 2K and HD capture, the  VariCam 35 represents a matchless option for premier digital capture.” 

The VariCam 35 utilizes a new Panasonic super 35mm MOS sensor for 4096 x 2160 (17:9) 4K image capture; this imager when combined with the AVC-ULTRA codecs for 4K enables very manageable and practical 4K production file sizes. The new imager boasts an impressive 14+ stops of latitude, and faithfully captures high-contrast, wide dynamic range imagery without compromise. Powerful color management capabilities provide a much extended color gamut for impeccable image fidelity, and permit support for an Academy Color Encoding System (ACES) workflow for full fidelity mastering of original source material. 

Among the camera/recorder’s top-level production features are real-time, high frame rate, variable speed 4K recording up to 120fps, proving the capability for master level 2K/FHD recording; and advanced workflows with parallel simultaneous 4K/ UHD, reference 2K/HD and proxy recordings for in-camera on-set color grading and monitoring / editing ease.  The camera also features a newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality. Lastly, 24-bit LPCM audio is added for in-camera audio master recording. 
The VariCam 35 will deliver an unprecedented breadth of recording formats, including 4K and UHD in AVC-ULTRA 4K, and 2K and FHD in AVC-Intra 100/200.* Addressing the need for high-speed file exchange, the camera encodes high-resolution proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing, at bit rates from 6 Mbps down to 1.5Mbps. Wireless workflows for proxy streaming and metadata management will also be available. 

The VariCam 35 will use Panasonic’s new expressP2 card for high frame rate and 4K recording (see separate news release).  The camera is equipped with a total of four memory card slots, two for expressP2 cards and two for microP2 cards. The new expressP2 card can record up to 130 minutes of 4K/24p content.  The microP2 card is designed for recording HD or 2K at more typical production frame rates.

Power DC 12 V(11.0 V – 17.0 V)
Power Consumption 69 W (Body only)
99 W(with all optional accessories connected and maximum power supplied from each output terminal)
Operating Temperature 0°C to 40°C
Operating Humidity 10% to 85% (relative humidity)
Storage Temperature −20°C to 60°C
Weight: Approx. 5.0kg(Excluding protrusion)
Dimensions (W x H x D) 179 mm×230.5 mm×347 mm
(7-1/16inches x 9-1/16inches x 13 -21/32inches) (Body only, excluding protrusion)
Camera Module (AU-V35C1G)
Pickup Device super35 mm MOS 8.9 million pixels
Picture Elements Total picture elements : Approx.10.3 million pixels
Effective picture elements: Approx. 8.9 million pixels
Lens Mount 35 mm PL mount
Optical Filter ND filter: 1: CLEAR, 2: 0.6 ND 3: 1.2 ND, 4: 1.8 ND
Gain Settings [ISO] mode: ISO 800 to 12800
[dB] mode: 0 to 24 dB (3dB step)
Shutter speed [deg] mode: 1.0 to 358 deg (0.5deg step)
[sec] mode: 1/24 to 1/250 (When 24p mode)
Memory Card Recorder
Recording Media expressP2 card, P2 card, microP2 card
Recording Resolution4096×2160, 3840×2160, 2048×1080, 1920×1080
Recording FramerateMaximum 4K/UHD 100p/120p, HD 100p/120p
System Frequency59.94p, 50p, 29.97p, 25p, 24p, 23.98p
Recording FormatMain Recorder: AVC-Intra4K444/AVC-Intra4K422/AVC-Intra4K-LT/AVC-Intra2K444/
AVC-Intra2K422/AVC-Intra444/AVC-Intra200/AVC-Intra100/ProRes422HQ/ProRes4444
Sub Recorder: AVC-Intra 2K422, AVC Intra 100, AVC LongG 50,
AVC LongG 25
Recording Video Signal 4096×2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p
3840×2160 / 59.94p, 50p, 29.97p, 25p, 23.98p
2048×1080 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p
1920×1080 / 59.94p, 50p, 29.97p, 25p, 23.98p
Recording/Playback Time (Main Codec)
(When expressP2 card 256GB is used)*2 Approx. 45 min. (AVC-Intra 4K444, 24p)
Approx. 90 min. (AVC-Intra4K 422, VFR OFF, 24p)
Approx. 36 min. (AVC-Intra4K 4:2:2, VFR ON, 50p/59.94p)
Approx. 32 min. (AVC-Intra 4K-LT VFR:ON, 100fps/120fps)
Approx. 64 min. (AVC-Intra 100, VFR ON, 100fps/120fps)
Approx. 60 min. (ProRes 422 HQ, VFR:ON, 60fps)
Approx. 110min. (ProRes4444, VFR:OFF, 24p)
Recording/Playback Time (Sub Codec)
(When microP2 card 64GB is used)*2 Approx. 64 min. (AVC-Intra 2K422, 25.00p/29.97p)
Approx. 64 min. (AVC-Intra100, 25p/29.97p)
Approx. 128 min. (AVC-LongG50, 25p/29.97p)
Approx. 256 min. (AVC-LongG25, 25p/29.97p
Digital Video
Quantizing 12bit(AVC-Intra 4K444), 10 bit (Other than AVC-Intra 4K444)
Video Compression FormatAVC Intra 4K444, AVC Intra 4K422, AVC-Intra 4K-LT, AVC-Intra 2K422, AVC-Intra100:MPEG-4 AVC/H.264
Intra Profile AVC LongG50, AVC LongG25:MPEG-4 AVC/H.264
ProRes 422 HQ、ProRes4444
Digital Audio
Recording Audio Signal 48 kHz/24 bit, 4ch
Head room 18 dB/20 dB menu switchable
Proxy
File Format MOV
Video Compression Format H.264/AVC High Profile
Audio Compression Format LPCM
Recording Time (1 GB)*2 Approx.25 min.
Video Input/Output
SDI OUT HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω (1 set, 4 pieces)
MON OUT1 HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ohms
MON OUT2 HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ohms
VF SDI HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ohms
Audio Input/Output
AUDIO IN(CH1/CH2) XLR x 2, 3 pin, LINE/MIC/MIC+48V/AES switchable
MIC IN XLR x 1, 5 pin
PHONES Stereo mini jack
Speaker 20 mm diameter, round x 1
Other Input/Output
GENLOCK IN HD (1.5G)/3G SDI, 0.8 V[p-p], 75 Ω
TC IN/OUT BNC×1, IN/OUT switch selection
IN: 0.5 V[p-p] to 8 V[p-p], 10 kΩ
OUT: 2.0 ± 0.5 V[p-p], Low impedance
DC IN XLR 4 pin, DC 12 V (DC 11.0 V to 17.0 V)
DC OUT/RS 4 pin, DC12 V (DC11.0 V to 17.0 V),
maximum output current 1.0 A
DC OUT 2 pin, DC12 V (DC11.0 V to 17.0 V),
maximum output current 1.0 A
LENS 12pinx1, 4pinx2
VF 14 pin
LAN 100BASE-TX/10BASE-T
USB2.0: (device) Type B connector, 4 pin
USB2.0: (host) Type A connector, 4 pin
EXT 50 pin (for external recording only)
Control Panel (LCD) 3.5-type QHD color monitor (Approx. 1.56 million dots)
Electronic HD Color View Finder (AU-VCVF1G)
Display Panel OLED, 0.7-type, 2.76 million dots
Signal Input 1080/59.94p, 1080/50p, 1080/60p
  • Professional interfaces include:  3G-HD-SDI x4 for 4K QUAD output
  • 3G-HD-SDI x2 for RAW output
  • HD-SDI out for monitoring (down-converting from 4K)
  • Two XLR inputs to record four channels of 24-bit, 48KHz audio.
  • A multi-connector facilitates docking the camera head to the recording module.
  • In another striking design innovation, the VariCam 35 boasts a removable control panel to facilitate real-time control and easy access when the camera is in a fixed position.
  • The VariCam 35 features a standard 35mm PL mount.
Documentation

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