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Panasonic GH5S DC-GH5S Camera Body

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Panasonic GH5S Lumix DC-GH5S 10.2MP Digital Single Mirrorless Compact System Camera Body Only (Panasonic GH5S)

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panasonic_gh5s_body / DC-GH5SE-K

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£1,832.50
€2,049.61

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Panasonic GH5S Lumix DC-GH5S 10.2MP Digital Single Mirrorless Compact System Camera Body Only (Panasonic GH5S)
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Panasonic GH5S DC-GH5S Camera Body

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Panasonic GH5S Lumix DC-GH5S 10.2MP Digital Single Mirrorless Compact System Camera Body Only (Panasonic GH5S)

£1,832.50
€2,049.61

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Lumix 12-35mm F2.8 - MFT

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Panasonic H-HSA12035E (HHSA12035E) Lumix G X Vario 12-35mm F2.8 Lens II - Micro Four Thirds Mount

£732.50
€819.29

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Product Details

Overview
Panasonic GH5S Lumix DC-GH5S 10.2MP Digital Single Mirrorless Compact System Camera Body Only (Panasonic GH5S). The LUMIX has reached extraordinary new heights in recording low-light, high-quality images that greatly expand the possibilities for video creators.
European Union R.118 Camera Tests - Passed
The Panasonic GH5S has been tested and can be approved by the European Broadcasting Union (EBU) for high definition content acquisition. This is confirmation that the GH5 produces images of the highest quality suitable for HD broadcast applications.
With 10.2MP Digital Live MOs Sensor with newly developed Dual Native ISO technologies combined with high-performance Venus Engine, the high sensitivity enhanced GH5S reveals subjects hidden in the dark.
Cinema 4K 60p/50p*, 4:2:2 10-bit video recording** and greater choice with multiple aspect ratios bring further enhancements to creative expression. The GH5S has been tuned specially to maximise post-production workflow efficiencies, including time code synchronisation to facilitate multi-camera shooting.
10.2MP High-sensitivity Dual Native ISO Technology (ISO160-51200)
...
Summary
Format: Micro Four Thirds
Memory Card Type: SD
Resolution: 10 Megapixels
Sensor Type: MOS
Type: Photo
Video Resolution: 4K
Weight: 500-1kg
Included in box
  • 1x Battery Charger (AC Adaptor)
  • 1x Battery Pack
  • 1x Body Cap
  • 1x Hot Shoe Cover
  • 1x Eye Cup
  • 1x Flash Synchro Socket Cap
  • 1x Cover for the Battery Grip Connector
  • 1x USB Connection Cable
  • 1x Shoulder Strap
  • 1x Cable Holder
  • 1x BNC Converter Cable

About the Panasonic GH5S DC-GH5S Camera Body

The LUMIX has reached extraordinary new heights in recording low-light, high-quality images that greatly expand the possibilities for video creators.

European Union R.118 Camera Tests - Passed

The Panasonic GH5S has been tested and can be approved by the European Broadcasting Union (EBU) for high definition content acquisition. This is confirmation that the GH5 produces images of the highest quality suitable for HD broadcast applications.

With 10.2MP Digital Live MOs Sensor with newly developed Dual Native ISO technologies combined with high-performance Venus Engine, the high sensitivity enhanced GH5S reveals subjects hidden in the dark.

Cinema 4K 60p/50p*, 4:2:2 10-bit video recording** and greater choice with multiple aspect ratios bring further enhancements to creative expression. The GH5S has been tuned specially to maximise post-production workflow efficiencies, including time code synchronisation to facilitate multi-camera shooting.

10.2MP High-sensitivity Dual Native ISO Technology (ISO160-51200)
The LUMIX GH5S achieves the highest-ever sensitivity and best image quality in LUMIX history. This is realised by combining the newly developed high sensitivity sensor with Dual Native ISO technology and the latest Venus Engine. Dual Native ISO is a revolutionary technology featured on Panasonic’s professional video cameras and offers the advantages of very high sensitivity while keeping noise levels low. Usually, with a conventional single native ISO, noise levels rise when sensitivity is increased. However, the newly developed image sensor implements dual circuits able to switch to high native sensitivity before gain processing. This means you can achieve beautiful footage with suppressed noise in low-lit situations.

Multi Aspect Ratio
The LUMIX GH5S sensor handles multiple aspect ratios; 4:3, 17:9, 16:9 and 3:2. Thanks to broad margins of effective pixels, focal length does not change in these aspect ratios.

Suppressed Rolling Shutter
Rolling shutter distortion, compared to the GH5, is suppressed by approx. 1.3x with high readout speeds when recording video or using an electronic shutter.

Upgraded for Pro Video Creators

Cinema 4K 60p/50p with Unlimited Recording Time
The original LUMIX GH5 made it possible to record 4K/60p and 4K/50p video on a DLSM camera. Now, to greatly expand your creative possibilities, the LUMIX GH5S takes this even further and, for the first time ever**, includes 4,096x2,160 Cinema 4K 60p/50p* video recording.  Moreover, there is no limit*** to the recording time, not even when shooting FHD or 4K video.

*Cinema 4K (C4K: 4096x2160) resolution defined by Digital Cinema Initiatives (DCI)

** As of Jan 8 2018 as a Digital Single Lens Mirrorless camera that complies with Cinema 4K (C4K: 4096x2160) resolution defined by Digital Cinema Initiatives (DCI). According to a Panasonic study.

***Subject to SD card capacity and battery life.

4:2:2 10bit* and 400Mbps All-Intra Recording
With internal recording of video in 4:2:2 10-bit* and an impressive 10.2 megapixel Digital Live MOS Sensor backed by a Venus Engine that handles digital signals at ultra-high speed, this camera’s image quality per frame is dramatically improved with faithful colour reproduction and grading. High bit-rate recording at 400Mbps, optimal for nonlinear editing, is also made possible.

*4:2:0 8-bit in C4K 60p/50p and 4K 60p/50p recording on an SD memory card.

4K HDR
The LUMIX GH5S complies with 4K HDR video. The HDR (High Dynamic Range) is a mode to reproduce both bright parts and dark parts of an image, making the subject appear just as the human eye perceives it. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in Photo Style. A low bit-rate recording mode 4K HEVC for HLG is also available, which enables playback on AV equipment compatible with HEVC compression format, such as Panasonic 4K HDR TVs.

Pre-installed V-LogL
The V-LogL is pre-installed in LUMIX GH5S. Log recording offers exceptional flexibility as well as a wider dynamic range for colour grading in the post-production process, and V-LogL features log characteristics with 12 stops of dynamic range. By default, the Look Up Table (LUT) data is Rec.709 standard.

LUT Display function assist
LUT can also be custom set for VLT format in camera. Then, with the V-LogL View Assist function, you can preview what your footage may look like after it’s been post-processing.

Anamorphic Mode
Shooting with an anamorphic lens and using the fullest extent of the 4:3 sensor the camera’s built-in 4:3 anamorphic mode makes it possible to create video in the cinemascope format. Stunning cinemascope videos are created in post production using dedicated software but the de-squeezed cinemascope images can also be previewed while recording, or in playback, on the camera display.

VFR with FHD 240fps*
To elevate video expressivity even further, a variety of effects are available on the LUMIX GH5S. The VFR (Variable Frame Rate) lets users record overcranked/undercranked video in C4K/4K (60fps, maximum 2.5x slower**) and FHB (240fps, maximum 10x slower**). The minimum frame rate for quick motion effects video is 2fps.

*The degree of effect varies depending on the recording format and frequency, and angle of view narrows if you select a frame rate with a number of frames 204 or more

**In 24p playback.

Added Efficiencies for Professional Workflow

Time Code IN/OUT and Line Input with 3.5mm MIC Jack
The LUMIX GH5S is now fitted with a TC IN/OUT terminal. By setting up TC synchronisation (through the flash synchro terminal and bundles BNC converter cable with optional BNC cable), it is easy to carry out non-linear timeline editing of footage shot with multiple cameras. For more flexible video production, LINE input is supported by a 3.5mm mic jack to enable sound input from an external audio device.

XLR Microphone Adapter (Optional)
When shooting video, this adaptor allows you to record high-grade stereo sound to the camera directly through a high-spec XLR microphone. High-res recording* (at 96kHz/24-bit) is also possible when shooting 4K video. Selecting between separate MIC/LINE/CONDENSER MICROPHONES is also possible using the input switches on the control panel.

*In MOV only.

Battery Grip (Optional)
By using two batteries, one in the camera and the other in the grip, the DMW-BGGH5 extends battery life for longer shooting times. Robust as well as spash-*/dust- and freeze-proof the grip is easy to grasp even when shooting vertically, complementing the LUMIX GH5S design.

*’Splash-proof’ is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash-proof protection does not guarantee that damage will not occur if the camera is subjected to direct contact with water.

Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)*/2.4GHz (IEEE802.11b/g/n)
The LUMIX GH5S integrates Bluetooth 4.2 (Bluetooth low energy) and Wi-Fi connectivity for more flexible shooting, smoother remote control and faster image sharing with minimal power consumption. Connected to a smartphone or tablet, you can shoot, browse and share images remotely, as well as adding a GPS geotag. Furthermore, on a multiple GH5S camera shoot, your main camera settings can be transmitted wirelessly to other GH5S units. In addition to standard 2.4GHz Wi-Fi, this camera connects to tablets and other devices by the more secure, more stable and faster 5GHz (IEEE802.11ac)*.

*5GHz Wi-Fi is not available in some countries

Exceptional Expression and Preciseness

14bit RAW
The superior sensor saves super-detailed RAW files in 14bit RAW data to give photographers a wider range of expressive options.

-5EV AF
The LUMIX GH5S realises -5EV luminance detection performance with Low Light AF. The Live View Boost function is also added so you can clearly monitor and compose your subject when shooting in dark situations. 20x Manual Focus Assist is also useful for night-sky photographer, making it possible to focus on a single star by enlarging it.

Reliability with Superior Usability

0.76x 3,680k-dot OLED LVF
The LUMIX GH5S has a large LVF (Live View Finder) with a stunningly high magnification ratio of approx.. 1.52x/0.76x (35mm camera equivalent) and providing a smooth display at 120fps. The high-precision, high-speed OLED (Organic Light-Emitting Diode) display features 3,680k-dot high resolution and a 100% field of view. With an eyepoint of approx. 21mm, the LVF offers high visibility with comfort for users wearing glasses. It is always sharp and clear from the centre all the way to the corners.

3.2” Free-angle Tough Monitor
Adopting a static-type touch control system, the 3.2-inch free-angle rear monitor in 3:2 aspect with 1,620k-dot high resolution features an approx. 100% field of view. It uses a pixel structure of RGB and White to feature even higher visibility in sunny outdoor scenes. It tilts up and down by approx. 270-degrees to make shooting at either high or low angles even easier.

Splash-*/Dust- and Freeze-proof Mg Body
Tough enough to withstand even heavy field use, the main structure is composed of a magnesium alloy die-cast front and rear frame. Secure construction and a sealing for every joint, dial, and button make the LUMIX GH5S not only splash-* and dust-proof but also freeze-proof down to -10C (14F).

*’Splash-proof’ is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash-proof protection does not guarantee that damage will not occur if the camera is subjected to direct contact with water.

Type
Type Digital Single Lens Mirrorless camera
Recording media "SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 60 standard SDXC Memory Cards)"
Image sensor size 17.3 x 13.0 mm (in 4:3 aspect ratio)
Lens mount Micro Four Thirds mount
Image sensor size
Type Live MOS Sensor
Total pixels 11.93 Megapixels
Camera effective pixels 10.28 Megapixels
Color filter Primary color filter
Dust reduction system Supersonic wave filter
Recording System
Recording file format
Still image JPEG (DCF, Exif 2.31), RAW (14-bit / 12-bit)
4K PHOTO MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
Motion picture "MOV: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately).
MP4 H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch))
AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch)"
System frequency 59.94Hz, 50.00Hz, 24.00Hz
Aspect ratio 4:3, 3:2, 16:9, 1:1
Image quality RAW, RAW+Fine, RAW+Standard, Fine, Standard *RAW bit size is selectable from 14-bit or 12-bit.
Color space sRGB, AdobeRGB
File size (Pixels)
Still image
4:3 3680x2760(L) / 2592x1944(M) / 1824x1368(S) / 3328x2496(4K PHOTO)
3:2 3840x2560(L) / 2736x1824(M) / 1920x1280(S) / 3504x2336(4K PHOTO)
16:9 4016x2256(L) / 2816x1584(M) / 1920x1080(S) / 3840x2160(4K PHOTO)
1:1 2752x2752(L) / 1936x1936(M) / 1360x1360(S) / 2880x2880(4K PHOTO)
"Motion Picture " MOV** High-res audio is selectable only when using the DMW-XLR1 (sold separately).
59.94Hz
[C4K] 4096x2160 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
[4K] 3840x2160 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
[Full HD] 1920x1080 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
50.00Hz
[C4K] 4096x2160 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
[4K] 3840x2160 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
[Full HD] 1920x1080 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
24.00Hz
[C4K] 4096x2160 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
[4K] 3840x2160 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
[Full HD] 1920x1080 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
MP4**
59.94Hz
[C4K] 4096x2160 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
[4K] 3840x2160 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)
29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)
29.97p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording)
23.98p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording)
[Full HD] 1920x1080 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (AAC)
50.00Hz
[C4K] 4096x2160 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
[4K] 3840x2160 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)
25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)
25.00p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording)
[Full HD] 1920x1080 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (AAC)
24.00Hz
[C4K] 4096x2160 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
[4K] 3840x2160 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
[Full HD] 1920x1080 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
24.00p, 24Mbps (4:2:0 8-bit LongGOP) (AAC)
AVCHD Progressive**
AVCHD**
59.94Hz
[Full HD] 1920x1080 59.94p, 28Mbps (LongGOP) (Dolby)
59.94i, 24Mbps (LongGOP) (Dolby) (Sensor output is 29.97fps)
59.94i, 17Mbps (LongGOP) (Dolby) (Sensor output is 59.94fps)
23.98p, 24Mbps (LongGOP) (Dolby)
50.00Hz
[Full HD] 1920x1080 50.00p, 28Mbps (LongGOP) (Dolby)
50.00i, 24Mbps (LongGOP) (Dolby) (Sensor output is 25.00fps)
50.00i, 17Mbps (LongGOP) (Dolby) (Sensor output is 50.00fps)
Continuous recordable time (Motion picture)** AVCHD [FHD/60p]: Approx. 130 min (rear monitor), 130 min (LVF) with H-FS12060
AVCHD [FHD/60i]: Approx. 130 min (rear monitor), 130 min (LVF) with H-FS12060
MP4 [4K/60p]: Approx. 120 min (rear monitor), 120 min (LVF) with H-FS12060
MP4 [4K/30p]: Approx. 120 min (rear monitor), 110 min (LVF) with H-FS12060
Actual recordable time (Motion picture)** AVCHD [FHD/60p]: Approx. 65 min (rear monitor), 65 min (LVF) with H-FS12060
AVCHD [FHD/60i]: Approx. 65 min (rear monitor), 65 min (LVF) with H-FS12060
MP4 [4K/60p]: Approx. 60 min (rear monitor), 60 min (LVF) with H-FS12060
MP4 [4K/30p]: Approx. 60 min (rear monitor), 55 min (LVF) with H-FS12060
Wireless
Wi-Fi "Wi-Fi2.4GHz (STA/AP) (IEEE802.11b/g/n) Wi-Fi5GHz (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi is not available in some countries. Please refer to ""Wi-Fi"" Sheet"
Bluetooth Bluetooth® v4.2 (Bluetooth Low Energy (BLE))
QR code connection / Password-less connection Yes / Yes (ON / OFF selectable)
Viewfinder
Type OLED Live View Finder (3,680k dots)
Field of view Approx. 100%
Magnification Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1
Eye point Approx. 21 mm from eyepiece lens
Diopter adjustment -4.0 - +3.0 (dpt)
Eye sensor Yes
Display speed 120fps / 60fps
Focus
Type Contrast AF system
DFD technology Yes
Post Focus Yes
Focus Stacking Yes
Focus mode AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF
AF mode "Face/Eye Detection / Tracking / 225-Area / Custom Multi / 1-Area / Pinpoint (Full area touch is available) (Scalable AF frame size and flexible AF position)"
AF detective range EV -5 - 18 (ISO100 equivalent)
AF assist lamp Yes
AF lock Yes (AF/AE LOCK button)
AF custom setting AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
Others "One Shot AF, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter
Exposure Control
Light metering system 1,728-zone multi-pattern sensing system
Light metering mode Multiple / Center Weighted / Spot
Metering range EV0-18 (F2.0 lens, ISO100 equivalent)
Exposure mode Program AE, Aperture Priority AE, Shutter Priority AE, Manual
ISO sensitivity (Standard output sensitivity) "Still image: Auto / Intelligent ISO / 80* / 100* / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO
Creative Video ModeAuto / 80* / 100* / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO"
Dual Native ISO [Normal]
Native ISO: 400, 2500
Auto: Auto / 80* / 100* / 160-51200 / 102400* / 204800* (VFR: Auto / 80* / 100* / 160-51200 / 102400* / 204800*) *Extended ISO
Low: Auto / 80* / 100* / 160-800 (VFR: Auto / 80* / 100* / 160-1250) *Extended ISO
High: Auto / 800-51200 / 102400* / 204800* (VFR: Auto / 1250-51200 / 102400* / 204800*) *Extended ISO
[V-LogL]
Native ISO: 800, 5000
Auto: Auto / 320-25600 (VFR: Auto / 320-25600)
Low: Auto / 320-1600 (VFR: Auto / 320-2500)
High: Auto / 1600-25600 (VFR: Auto / 2500-25600)
[HLG]
Native ISO: 800, 5000
Auto: Auto / 320-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 320-1600
High: Auto / 1600-51200 / 102400* / 204800* *Extended ISO
Exposure compensation 1/3 EV step ±5EV (±3EV for motion picture)
AE lock Yes (AF/AE LOCK button)
White Balance
White balance AWB / AWBc / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
White balance adjustment Blue/Amber bias, Magenta/Green bias
Color temperature setting 2500-10000K in 100K
Shutter
Type Focal-plane shutter
Shutter speed "Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
Electronic shutter 1/16,000 - 1
Motion picture 59.94Hz: 1/16,000 - 1/30, 50.00Hz: 1/16,000 - 1/25, 23.98Hz: 1/16,000 - 1/24 (When using Synchro Scan)
Shutter life Approx. 200,000 images
Self timer 10sec, 3 images / 2sec / 10sec
Remote control Remote control with Bulb function by DMW-RSL1 (sold separately)
Bracket
AE bracket 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket 3, 5 or all positions in 1 EV step
Focus bracket 1 to 999 images, focus steps can be set in 10 levels
White balance bracket 3 exposures in blue/amber axis or in magenta/green axis, color temperature setting
Burst Shooting
Burst speed [14-bit]
AFS/MF: H: 11 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used.
AFF/AFC: H: 7 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used.
[12-bit]
AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used.
AFF/AFC: H: 8 frames/sec (with Live View), M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used.
Number of recordable images More than approx. 80 images (when there are RAW files with the particular speed.)
More than approx. 600 images (when there are no RAW files and using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".)
(depending on memory card size, battery power, picture size, and compression)
4K Photo**
Burst speed 60 frames/sec, 30 frames/sec
Exif information Yes (Each JPEG image cropped out of the 4K burst file complies with EXIF.)
Marking function Yes (in 4K Burst (S/S) mode)
Loop rec function Yes (in 4K Burst (S/S) mode)
Flash
Flash type TTL External Flash (sold separately)
Flash mode Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ only.
Synchronization speed Less than 1/250 second
Flash output adjustment 1/3EV step ±3EV
Flash synchronization 1st Curtain Sync, 2nd Curtain Sync.
Synchronization for flash dimming and exposure compensation Yes
Wireless control Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
Flash sync socket Yes
Rear Monitor
Type TFT LCD monitor with static touch control
Monitor size Free-angle 3.2-inch (8.0cm) / 3:2 aspect
Pixels Approx. 1,620k dots
Field of view Approx. 100%
Monitor adjustment Brightness, Contrast, Saturation, Red-Green, Blue-Yellow
Live View
Digital zoom 2x, 4x
Extra Tele Conversion "Still image: Max. 2x
Motion picture: 2.1x (FHD)"
Other functions Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Video Guide Line, Center Marker, Highlight display (Still image / motion picture), Zebra pattern (Still image / motion picture)
Duration Detection Function Yes
Function Button
REC Wi-Fi / Q.MENU / Video Record / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot RAW+JPG / 1 Shot Spot Metering /
1 Shot 4K PHOTO / Operation Lock / Dial Operation Switch / Destination Slot / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / RAW Bit Size / AFS/AFF / Metering Mode / Burst Rate / 4K PHOTO / Self Timer / Bracket /
Highlight Shadow / i. Dynamic / i. Resolution / Min. Shtr Speed / HDR / Shutter Type / Flash Mode / Flash Adjust. / Wireless Flash Setup / Ex. Tele Conv. / Digital Zoom / Stabilizer / 4K Live Cropping / Motion Pic. Rec Format /
Motion Pic. Rec Quality / Variable Frame Rate / Picture Mode in Rec. / Synchro Scan / Time Code Display / Sound Rec Level Adj. / Mic. Directivity Adjust / HLG View Assist (HDMI) / Color Bars / WFM/Vector Scope /
Anamorphic Desqueeze Display / HLG View Assist / LUT Monitor Display / LUT HDMI Display / Focus Transition / Silent Mode / Peaking / Histogram / Guide Line / Video Guide Line / Zebra Pattern / Monochrome Live View / Constant Preview /
Live View Boost / Rec Area / Video-Priority Display / Step Zoom / Zoom Speed / Night Mode / Exposure Comp. / Sensitivity / White Balance / ON/OFF of each item in White Balance / ON/OFF of each item in Photo Style / AF Mode/MF / Rec/
Playback Switch / Off / Restore to Default
PLAY Wi-Fi / LVF/Monitor Switch / Rec/Playback Switch / Slot Change / 4K PHOTO Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / RAW Processing / 4K PHOTO Bulk Saving / Copy / Anamorphic Desqueeze Display / HLG View Assist /
HLG View Assist (HDMI) / LUT Monitor Display / LUT HDMI Display / Night Mode / Off / Restore to Default
Variable Frame Rate
59.94Hz "MOV/MP4(LPCM)/FHD/59.94p
2, 30, 56, 58, 60, 62, 64, 90, 120, 150, 180, 210, 240 fps"
"MOV/MP4(LPCM)/4K/29.97p, MOV/MP4(LPCM)/C4K/29.97p, AVCHD/FHD/29.97p
2, 15, 26, 28, 30, 32, 34, 45, 60 fps"
"MOV/MP4(LPCM)/FHD/29.97p
2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, 105, 120, 135, 150, 165, 180, 195, 210, 225, 240 fps
"MOV/MP4(LPCM)/4K/23.98p, MOV/MP4(LPCM)/C4K/23.98p, AVCHD/FHD/23.98p
2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps"
"MOV/MP4(LPCM)/FHD/23.98p
2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180, 192, 204, 216, 228, 240 fps"
50.00Hz"MOV/MP4(LPCM)/FHD/50.00p
2, 25, 46, 48, 50, 52, 54, 75, 100, 125, 150, 200, 240 fps"
"MOV/MP4(LPCM)/4K/25.00p, MOV/MP4(LPCM)/C4K/25.00p, AVCHD/FHD/25.00p
2, 12, 21, 23, 25, 27, 30, 37, 60 fps"
"MOV/MP4(LPCM)/FHD/25.00p
2, 12, 21, 23, 25, 27, 30, 37, 50, 62, 75, 87, 100, 112, 125, 137, 150, 175, 200, 225, 240 fps"
24.00Hz "MOV/MP4(LPCM)/C4K/24.00p, MOV/MP4(LPCM)/4K/24.00p
2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps"
"MOV/MP4(LPCM)/FHD/24.00p
2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180, 192, 204, 216, 228, 240 fps"
Anamorphic Mode
Anamorphic 4k mode (4:3)
MOV**
59.94Hz
3328x2496 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
50.00Hz
3328x2496 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
24.00Hz
3328x2496 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)
MP4**
59.94Hz
3328x2496 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)
29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
50.00Hz
3328x2496 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)
25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
24.00Hz
3328x2496 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)
Motion Picture Function
Master pedestal level 31 steps
Luminance level "8-bit: 0-255 / 16-235 / 16-255
10-bit: 0‒1023 / 64‒940 / 64‒1023"
Wave form monitor / Vectorscope Selectable
LUT display LUT Monitor Display / LUT HDMI Display
Synchro scan Yes
Time code Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When system frequency [59.94Hz] is selected.)
SS/Gain operation Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Color bars / 1kHz test tone Yes (SMPTE / EBU / ARIB) / Yes
Knee control Yes (in Like709 mode)
Playback
Playback mode 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (All / Picture Only / Video Only, duration & effect is selectable), Playback Mode (Normal / Picture Only / Video Only), Protect, Rating, Title Edit,
Face Recognition Edit, RAW Processing, 4K PHOTO Bulk Saving, 4K PHOTO Noise Reduction, Light Composition, Clear Retouch, Text Stamp, Copy, Resize, Cropping, Rotate, Video Divide, Time Lapse Video, Stop Motion Video, Rotation Display,
Anamorphic Desqueeze Display, HLG View Assist, LUT Monitor Display, Picture Sort, Delete Confirmation, Creating Still Pictures from a Motion Picture
Image Protection/Delete
Protection Single / Multi or Cancel
Delete Single / Multi / All / Except Rating
Print PictBridge compatible
Interface
USB USB Type-C, SuperSpeed USB 3.1 Gen1
HDMI***
Monitor-through 4:2:2 10-bit (When [Rec Quality] is set to [4:2:2 10bit] or when [Rec Quality] is set to [C4K/60p]/[C4K/50p]/[4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:2 10bit]. When [C4K/60p]/[C4K/50p]/[4K/60p]/[4K/50p] mode is selected in [Rec Quality], it is not possible to record motion picture or still picture on the SD memory card in the camera unit.)
4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit], except for [C4K/60p]/[C4K/50p]/[4K 60p]/[4K/50p])
4:2:0 8bit (When [Rec Quality] is set to [C4K/60p]/[C4K/50p]/[4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:0 8bit].)
Auto / 4K/30p/25p / 1080p / 1080i / OFF
Information display ON/OFF (selectable)
HLG View Assist (HDMI) AUTO / MODE1 / MODE2 / OFF (selectable)
Automatic down-conversion
Playback HDMI TypeA / VIERA Link, Audio: Stereo
59.94Hz: Auto / C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p
50.00Hz: Auto / C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p
24.00Hz: Auto / C4K/24p / 4K/24p / 1080p
Audio video output No
Remote input φ2.5mm for remote
External microphone / external audio device input "φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE is selectable.
Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately)."
Headphone output φ3.5mm for headphone
Microphone Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately).
High-res audio recording Yes with DMW-XLR1 (sold separately)
Speaker Monaural
SD card slot Slot 1, Slot 2
TC IN/OUT Yes with BNC Converter Cable (bundled)
Power
Battery Li-ion Battery Pack (7.2V, 1860mAh, 14Wh) (bundled)
Battery life (CIPA standard) "Approx. 440 images (rear monitor), 410 images (LVF), 1,300 images (Power Save LVF mode*) with H-FS12060
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec."
Battery grip DMW-BGGH5 (sold separately)
Dimensions/Weight
Dimensions (W x H x D) 138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions)
Weight "Approx. 660g / 1.46 lb (SD card x 1, Battery, Body)
Approx. 580g / 1.28 lb (Body only)"
Operating Environment
Operating temperature**** -10oC to 40oC (14oF to 104oF)
Operating humidity 10%RH to 80%RH
Standard Accessories
Software
Recording LUMIX Tether
・ This software is used to control a Panasonic digital camera from a PC. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
Playback / Editing ・ The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.0XE is available for download at Panasonic website using computer connected to the Internet.
http://panasonic.jp/support/global/cs/soft/download/d_pfs99pe.html (For Windows)
・ The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet.
http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)
Standard Accessories Battery Charger (AC Adaptor), Battery Pack, Body Cap, Hot Shoe Cover, Eye Cup, Flash Synchro Socket Cap, Cover for the Battery Grip Connector, USB Connection Cable, Shoulder Strap, Cable Holder, BNC Converter Cable
・ The DC-GH5S Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.
** About motion picture recording / 4K PHOTO recording
- Use a card with SD Speed Class with "Class 4" or higher when recording motion pictures in [AVCHD] or [MP4(under 28Mbps)].
- Use a card with SD Speed Class with "UHS-I / UHS-II UHS Speed Class 3 (U3)" when recording motion pictures with [MP4] in [C4K] [4K], [MOV] or [4K PHOTO].
(SD speed class is the speed standard regarding continuous writing.)
- Video Speed Class 60 or higher is required for ALL-Intra 400Mbps recording. Use of SD Memory Card with Video Speed Class 60 or higher is recommended for C4K/4K ALL-Intra video recording.
- MP4 motion pictures with [MP4] in [C4K] [4K]:
- When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately.
- When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately.
- MP4 motion pictures with [MP4] in [FHD]:
- You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately.
- 4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC.
The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player.
It may cause problems such as freezing when played on these devices.
*** For [C4K/60p] [C4K/50p] [4K/60p] [4K/50p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as"4K compatible".
**** The camera may stop recording when used in lower or higher than recommended operating temperature: -10 to 40 degrees.
  • 10.2MP high-sensitivity MOS sensor with multi-aspect and dual native ISO (400 & 2,500) with a range from 160 – 51,200; extendable to 80 – 204,800.
  • Unlimited in-camera recording of C4K: 60p50p 8-bit, 30p25p24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p25p24p 4:2:2 10-bit. 1080p up to 240fps and C4K 60p VFR.
  • 4K Anamorphic professional video production interchangeable lens camera system with high performance, durability, and mobility.
  • TC In/Out / Synchro Terminal (via included BNC cable), 3.5mm Mic Jack with Line Input, 3.5mm headphone jack 2.5mm remote socket, HDMI Type A Socket, USB-C 3.1 Socket.
  • Dual SD Card slots (UHS-II U3 Compatible), V-LogL pre-installed, and 4K HDR hybrid log gamma support.
  • LUT Display function assist
  • Multi Aspect Sensor
  • Dual Native ISO technology
  • Cinema 4K 50p/60p
  • V Log L installed
  • FHD up to 240fps
  • 14 BIT RAW
  • 4:2:2 10 bit internal
  • 4k 60p

 

Unlimited recording in C4K/4K 60p/50p. Breathtaking low-light image quality driven by an advanced new image sensor. And a focal length that’s always perfect, thanks to a multiple aspect ratio recording. The highest video performance in LUMIX history gives you the power to capture the world — and change it.

The Ultimate Sensitivity Newly Developed Sensor  
The LUMIX GH5S achieves the highest-ever sensitivity and best image quality in LUMIX history. This is realized by combining the newly developed high sensitivity sensor with Dual Native ISO technology and the latest Venus Engine. Dual Native ISO is a revolutionary technology featured on Panasonic’s professional video cameras and offers the advantages of very high sensitivity while keeping noise levels low. Usually, with a conventional single native ISO, noise levels rise when sensitivity is increased. However, the newly developed image sensor implements dual circuits able to switch to high native sensitivity before gain processing. This means you can achieve beautiful footage with suppressed noise in low-lit situations.

Cinema 4K 60p/50p* with Unlimited Recording Time
The original LUMIX GH5 made it possible to record 4K 60p/50p video on a DLSM camera. Now, to greatly extend your creative possibilities, the LUMIX GH5S takes this even further and, for the first time ever**, includes Cinema 4K (C4K: 4096 x 2160) 60p/50p* video recording . Moreover, there is no limit*** to the recording time, not even when shooting FHD or 4K video. Cinema 4K (C4K: 4096 x 2160) resolution defined by Digital Cinema Initiatives (DCI).** As of January 8, 2018 as a Digital Single Lens Mirrorless camera that complies with Cinema 4K (C4K: 4096 x 2160) resolution defined by Digital Cinema Initiatives (DCI). According to a Panasonic study.*** Subject to SD card capacity and battery life.

4:2:2 10-bit Internal Recording
The LUMIX GH5S brings game changing internal 4:2:2 10-bit C4K/4K video recording. For example, 10-bit will render all the subtleties of graduated skies and sunsets without the banding so prone to 8-bit. The power of having film creation capabilities inside the camera sets a new precedent in guerilla style filmmaking. And you can record 4:2:2 10-bit to SD card whilst simultaneously feeding the live signal thru a full-size HDMI port* connected to an external monitor or recorder. 4:2:2 10-bit recording enables faithful color and grading fidelity with over a billion colors and four times the tonality of 8-bit to match professional intent. 

* C4K/4K 4:2:2 10-bit 60p/50p video is output only. 

Pre-installed V-LogL Video Recording Function
A neutral or flat logarithmic ("log") gamma curve captures wide dynamic range pictures ideal for color grading. Plus, a LUT Display function assists your exposure and helps to show directorial intent (e.g., use V-logL to Rec.709 LUT for an HDTV look). 

Hybrid Log Gamma for 4K HDR Video
HDR (High Dynamic Range) is a mode to reproduce both the bright parts and dark parts of an image, making it look just as the human eyes see it. You can choose Hybrid Log Gamma (HLG) in Photo Style. 

Multiple Aspect Ratios — LUMIX GH5S Exclusive!
The LUMIX GH5S sensor handles multiple aspect ratios; 4:3, 17:9, 16:9 and 3:2. Thanks to broad margins of effective pixels, focal length does not change in these aspect ratios. Available for still photography, 4K and C4K video, and in Anamorphic mode, this function allows you to fully leverage the angle of view of the lens for truly stunning image expression!
Also, even while using a larger sensor, high readout speeds are achieved. Rolling shutter distortion, compared to the LUMIX GH5, is suppressed by approximately 1.3x with high readout speeds when recording video or using an electronic shutter. 

Max. 10x Slow Motion Video — VFR (Variable Frame Rate)
To elevate video expressivity even further, a variety of effects are available on the LUMIX GH5S. The VFR lets you record overcranked / undercranked videos in C4K/4K (60-fps maximum 2.5x slower*) or FHD (240-fps maximum 10x slower*) quality. The minimum frame rate for quick motion effects video is 2-fps. 

* In 24p playback. The degree of effect varies depending on the recording format and frequency, and angle of view narrows if you select a frame rate with a number of frames 204 or more. 4:2:2

10-bit HDMI Live Output and Simultaneous Internal Recording
The LUMIX GH5S is capable of 4:2:2 10-bit real-time image output to an external monitor or recorder via an optional HDMI cable (full size TypeA), while simultaneously providing an internal 4:2:2 10-bit recording*. It is suitable for professional video making that requires accurate monitoring of the imagery or high quality recording to external codec devices (such as ProRes).A cable lock holder for the HDMI cable is bundled with the LUMIX GH5S to prevent unplugging problems on location. 

* C4K/4K 60p/50p is output only. 

TC IN/OUT Terminal
The time code can be synchronized with an external device by using the bundled BNC conversion cable. This enables easier non-linear timeline editing of footage shot with multiple cameras. 


LINE Input Supported
LINE input is supported by a 3.5mm mic jack. This makes it possible to input sounds from an external audio device, for more efficient video production.

Bluetooth 4.2 and Wi-Fi® 5GHz
Panasonic's LUMIX Image App for Android / iOS through Bluetooth 4.2 (Low Energy) enables remote shutter release, and video record Start / Stop. Plus this full-time connection between the camera and mobile device consumes less energy. After shooting, it automatically switches to a fast Wi-Fi 5GHz (IEEE802.11ac) connection to transfer data to your mobile device of JPEG and RAW files.

"LUMIX Tether" Camera Control PC Software
The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. It enables camera control and shooting while checking the image on a large PC screen. Plus it supports both video and 4K PHOTO, to greatly assists professional workflows in commercial photoshoots.

Precise Focusing Even in -5EV Situations
Renowned LUMIX low-light AF performance has evolved to enable shooting down to the level of -5EV. This allows you to focus precisely even under the lighting of a starlit sky, ideal for shooting nighttime nature scenes and documentaries.

Professional Worldwide Versatility
The LUMIX GH5s supports a wide range of professional applications, such as web, TV, DVD/Blu-ray and digital cinema production. It features a plethora of video formats and bitrates to record at up to 400Mbps (ALL-Intra) or 150Mbps (LongGOP (IPB Compression)).

The system frequency can be selected from 59.94Hz (NTSC), 50.00Hz (PAL), or 24.00Hz (CINEMA).

Operation is also enhanced by three video control panels — Shutter Duration/ISO, Angle/ISO, or Shutter Duration/dB. This provides solid support for professional worldwide video production.

*In MOV only.

Splash/Dust/Freezeproof Rugged Design
The LUMIX GH5s is built like a tank to withstand heavy use. It is freezeproof down to -10F degrees in addition to splash / dustproof construction thanks to weather sealing on every joint, dial, and button. A magnesium alloy full-diecast armour frame makes the body lightweight yet durable while bringing ruggedness to the compact size. This camera can go everywhere you can

Ultrahigh-speed Focusing and 14-bit RAW Burst
Capture even the fastest moving action thanks to DFD (Depth From Defocus) technology. It instantly calculates the distance to the subject by evaluating two images with different sharpness levels, and achieves ultrahigh-speed AF and 8-fps burst shooting with AFC. 12-fps burst shooting with AFS is also available.

The LUMIX GH5s also lets you select the 14-bit RAW file format. Equipped with rich color and smooth gradation from approximately 64 times the color information of 12-bit RAW, maximum 7-fps (AFC) / 11-fps (AFS) burst shooting greatly expands your range of creativity.

A Large High-Resolution Rear Monitor
A large 3.2-inch LCD monitor (1,620k-dot approx..) provides a crisp live view and high visibility even in sunny shooting conditions. It adopts RGBW (Red, Green, Blue, White) pixel structure to feature even higher visibility in bright sun.

The tilt/swivel capability gives you the freedom to change perspective while maintaining easy operation and full image control. The monitor has Touch Focus control to allow instant focus by simply touching the subject on the screen. Plus, with Touch Shutter control you can point your finger at where you want the focus to be and it will release the shutter automatically.

Venus Engine Beauty
The marriage of a new Digital Live MOS sensor with the beautiful Venus Engine reproduces extraordinary color detail and natural texture expression.

Multipixel Luminance Generation and Intelligent Detail Processing render intense brightness and contrast. The Three-Dimensional Color Control zings with rich colors from dark to bright shades and high-precision Multi-Process NR makes your images pop even at high ISO sensitivity settings.

The new 10.2-megapixel Digital Live MOS Sensor and Venus Engine reproduce the darkest areas of the image with increased clarity thanks to the maximum ISO 51200. When shooting in dark environments, videographers can now focus on capturing the perfect shot without worrying about background noise thanks to the newly applied Dual Native ISO Technology.

The LUMIX GH5S is compatible with Timecode IN/OUT which is easy to set using the flash sync terminal and bundled coaxial cable for a BNC terminal. The camera can be used as a Timecode generator for other GH5S models and professional camcorders and the functionality makes multi-camera productions pain-free by instantly synchronizing recordings to other cameras or audio devices.

Both videographers and photographers can now enjoy the same diagonal field of view across all aspect ratios with the True “Multi-Aspect Ratio” function. The newly developed multi-aspect sensor provides sufficient margin to get the same angle of view in 4:3, 17:9, 16:9 and 3:2 aspect ratios.

This feature means you can easily switch between different aspect ratios making the process easier while producing and editing in post-production. The GH5S now also provides the photographer with 14-bit RAW recording, providing greater flexibility within professional RAW development workflows.

The LUMIX GH5 was the world’s first mirrorless camera to achieve 4K 60p / 50p video recording1 and the new LUMIX GH5S again establishes a milestone by realising the world’s first 4K 60p / 50p video recording in Cinema 4K (4096x2160).2 The GH5S is capable of internal 4:2:2 10-bit recording3 for even stronger colour reproduction, while V-Log comes pre-installed on the camera.

There is no time limit4 for both Full-HD and 4K video recording and the LUMIX GH5S complies with 4K HDR video with Hybrid Log Gamma (HLG) mode in Photo Style. A low-bit-rate recording mode 4K HEVC for HLG is available, which enables playback on AV equipment compatible with the HEVC compression format, such as Panasonic 4K HDR TVs.

The LUMIX GH5S also records 4:2:2 10-bit 400-Mbps All-Intra in 4K 30p/25p/24p and C4K 24p and 200-Mbps All-Intra in Full-HD. The VFR lets users record overcranked / undercranked video in C4K/4K (60 fps, maximum 2.5x slower in 24p) and FHD (240 fps5, maximum 10x slower).

DFD (Depth From Defocus) technology and ultra-high-speed digital signal processing achieve fast auto focusing of approximately 0.07 sec6 and 12 (AFS) 7 / 8 (AFC) fps in 12-bit RAW and 11 (AFS) / 7 (AFC) fps in 14-bit RAW high-speed burst shooting. The 4K PHOTO mode enables 60 fps high-speed capture in approximately 8-megapixel equivalent resolution.

Comfortable operation especially in low light
As a camera that excels at shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the increased sensitivity and optimised tuning of the sensor. Live View Boost is another practical feature that makes it possible to check the composition - even in total darkness - by boosting the sensitivity just for Live View. The magnification ratio in MF assist is increased from conventional 10x to 20x, which is convenient for astronomical photography.

For night mode the red interface provides mild backlighting, letting users see the subject comfortably in dark surroundings.

In order to make the GH5S tough enough to withstand even heavy field use, it is composed of a magnesium alloy full die-cast front/rear frame and is not only splashproof8 and dustproof but also freezeproof down to -10 degrees. The GH5S is equipped with a dual SD memory card slot, compatible with the high-speed, high-capacity UHS-II and Video Speed Class 60. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording. The HDMI Type A terminal is provided.

Exceptional image capture without concern
The GH5S has a large LVF (Live View Finder) with a stunningly high magnification ratio of approximately 1.52x/0.76x (35mm camera equivalent) providing smooth display at 120 fps. A high-precision, high-speed OLED display features 3,680K-dot resolution and 100% field of view. In addition to dual dials, an omni-directional joystick enables more intuitive and flexible operation.

The model includes Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. For Wi-Fi, 5 GHz (IEEE802.11ac)9 can be selected in addition to the conventional 2.4 GHz (IEEE 802.11b/g/n) for an even more secure and stable connection.

Panasonic will be partnering with VICE UK in 2018 on the development of a new creative platform to support the next generation of young UK filmmakers through the lens of the Lumix GH5 and the new Lumix GH5S. Further details of the partnership will be announced early 2018.

The Panasonic LUMIX GH5S will be available from end of January 2018 and will retail for £2199 / €2549.99 (body only).

For the latest news and information, follow @LumixUK on Twitter, Facebook & Instagram.

– ENDS –

*1 4K 60p/50p(for a Digital Single Lens Mirrorless Camera), 4:2:2 10-bit (for a digital interchangeable lens camera) as of 4 January, 2017

*2 As of January 8, 2018 as a Digital Single Lens Mirrorless camera that complies with Cinema 4K (C4K:4096x2160) resolution defined by Digital Cinema Initiatives(DCI). According to a Panasonic study.

*3 4:2:0 8-bit in C4K 60p/50p and 4K 60p/50p recording on an SD Memory Card.

*4Until the SD Memory Card becomes full or the battery runs out.

*5The angle of view narrows if you select a frame rate with a number of frames 240 or more.

*6 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.

*7 In AFS, at wide-end with H-ES12060 (CIPA) when LVF display speed is set to 120fps.

*8 Splash Proof is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Proof does not guarantee that damage will not occur if this camera is subjected to direct contact with water.

*9 5GHz Wi-Fi is not available in some countries.

About motion picture recording/4K PHOTO recording

- Use a card with SD Speed Class with "Class 4" or higher when recording motion pictures in [AVCHD] or [MP4(under 28Mbps)].

- Use a card with SD Speed Class with "UHS-I / UHS-II UHS Speed Class 3 (U3)" when recording motion pictures with [MP4] in [4K], [MOV] or [4K PHOTO]. (SD speed class is the speed standard regarding continuous writing.)

- MP4 motion pictures with [MP4] in [C4K/4K]:

- When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately.

- When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately.

- MP4 motion pictures with [MP4] in [FHD]:

- You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately.

For [C4K/4K 60p][C4K/4K 50p] video output, use an HDMI 2.0 cable that has the HDMI logo on it, and that is described as"4K compatible".

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Wednesday 21st of March 2018
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