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Open Box Atomos Sumo 4K Monitor & Recorder

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Open Box Atomos Sumo On-Set & In-Studio 1200nit 4Kp60 HDR 19inch Monitor & Recorder
193976
Catalogue:
open_box_atomos_sumo_k1a94sum50o07 / AO-ATOMSUMO19
THIS IS A USED OR EX-DEMO ITEM
Open Box - Goods in as new condition. Original box might be damaged or missing.
Unfortunately we no longer sell this product
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Product Details

Overview
Open Box Atomos Sumo On-Set & In-Studio 1200nit 4Kp60 HDR 19inch Monitor & Recorder . Please note - images for illustration purposes only, product might be supplied different than illustrated.
Important: For the list of tested media compatible with Atomos recording devices please check the official Atomos site at https://www.atomos.com/drives.
The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording.
For the first time your on-set production monitors can be HDR capable and have recording capacity. Now every monitor is not only for high quality shot preview, it can record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19in 1200nit 10-bit HDR screen.
Take Sumo into the studio to use as a HDR grading monitor. Simply connect with your grading software to take Log, PQ or HLG signals from your Mac/PC and instantly see colour...
Summary
Aspect Ratio: 16:9
Inputs: HDMI, SDI
Monitor Location: Field, Studio
Outputs: HDMI, SDI
Panel Type: LCD
Resolution: 1920 x 1200
Screen Size: 19 Inch
Video Resolution: 4K
Included in box
  • 1x Atomos Sumo 4K Monitor & Recorder
  • 1x Master Caddy II 
  • 1x AC Power Supply
  • 2x Feet

About the Open Box Atomos Sumo 4K Monitor & Recorder

Please note - images for illustration purposes only, product might be supplied different than illustrated.

Important: For the list of tested media compatible with Atomos recording devices please check the official Atomos site at https://www.atomos.com/drives.

The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording.

For the first time your on-set production monitors can be HDR capable and have recording capacity. Now every monitor is not only for high quality shot preview, it can record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19in 1200nit 10-bit HDR screen.

Take Sumo into the studio to use as a HDR grading monitor. Simply connect with your grading software to take Log, PQ or HLG signals from your Mac/PC and instantly see colour accurate HDR in 10-bit quality with 10 stops of dynamic range.

DIT Cart

Get HDR on set in realtime with on the fly Log to HDR and PQ/HLG playback complete with mission critical scopes such as waveform, focus peaking, false colour and vectorscope on the calibrated screen. Beyond monitoring, with up to 4Kp60 and 2Kp240 recording you can generate instant dailies and proxies direct to affordable and available SSD media.

Focus Puller

The combined monitor-recorder in the larger 19" size gives focus pullers instant on set access to footage with focus peaking, 2:1/1:1 zoom and the ability to tag footage as XML files. The high bright 1200nit monitor, sturdy built-in armor aluminium alloy design and variety of mounting options makes it a go-anywhere, do-it-all monitor-recorder for focus pullers.

Client/Director Monitor

Clients and directors can see the amazing true-to-life nature of HDR in realtime away from the camera crew with precision mapping of Log from every camera maker and playback of PQ/HLG signals.

Full playback controls and XML tagging means that they can also review footage and even create an instant client lightweight ProResLT copy with baked in LUTs and audio onto affordable SSD media. You can also choose to view both Log and standard gamma images with or without LUTs applied. Toggle between different looks with ease in seconds.

Studio Monitor

In the studio the 19" Sumo becomes an affordable yet incredibly powerful HDR monitor. With 10 stops dynamic range, 10-bit processing and X-Rite calibration it will accept Log, PQ or HLG signals from your grading software and display HDR in all its glory.

Weight
Without batteries, media & stand 5.6kg / 12.3lb
With stand 6.2kg / 13.7lb
Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
Construction Aluminium alloy chassis with built in armor protection
Mounting Points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 
3/8-16 screw; 2 x top, 2 x bottom, 1 x side 
 VESA mount rear
Power
Operating power 75W
Compatible batteries V-Lock / Anton Bauer via XLR terminal 
(optional mounting plates available)
Input voltage (battery) 14.4V nominal
Battery time (based on 7.4V) Depends on Watt Hours speci cation of battery used
DC In 1 x DC in (6.2 - 16.8V)
Continuous power Primary-secondary battery system. 
* Patent pending Change batteries without losing power 
Loop batteries continuously
Touchscreen
Size 19”
Resolution 1920 x 1200
PPI 120
Aspect ratio 16:9 native
Colour Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1200nit (+/- 10%)
HDR input (PQ/HLG) Yes / Yes
HDR output (PQ/HLG) Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (2.0)
SDI Quad link 4 x 3G SDI* or up to 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (2.0)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
SDI to SDI 720p 50/60, 1080i 50/60 
1080pSF 24/25/30 
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
Video Signal Conversion
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & Frame Rates (Record & Playback)
Raw Record Sony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p 
4K UHD; 
2K; 24/25/30/50/60/100/120p 
1080; 
Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080;
Panasonic VaricamLT / Varicam35* CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 
Arri Alexa Mini .ARI*
2880x1620; 24/25/30/50/60p 
2880x2160; 24/25/30/50/60p 
Raw to ProRes / DNxHR Sony FS5/FS7/FS700 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50/60p 
4K UHD; 
2K; 24/25/30/50/60/100/120/200/240p 
1080; 
Canon C300MKII/C500 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 
Panasonic VaricamLT / Varicam35* 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50*/60p* 
4K UHD; 24/25/30/50*/60p* 
2K; not supported in camera 
1080; not supported in camera
Video to ProRes / DNxHR  Codecs 
(DNx utilizes a .MOV wrapper) Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates 
4K DCI; 24/25/30/50/60p 
4K UHD; 24/25/30/50/60p 
2K; N/A 
1080p; 24/25/30/50/60/100^/120^/200/240p 
1080i; 50/60i 
720p; 50/60p
Onboard Processing
Pulldown removal 24/25/30pSF 24/25/30p (2:2 pulldown)
60i 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analogue in/out (direct XLR connection)
Dynamic range 90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Headphone Out 3.5mm
Built-in Speakers Yes
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control - Slave
Playback
Playlist / Genlock / LTC Yes / Yes / Yes
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback. Playback in slow motion = 100fps
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion = 100fps
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of
tested and approved drives
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories included Sumo unit, Master Caddy II x 1, AC power supply
Optional extras Sunhood, VESA battery adapter plate, Atomos HDMI 
cable, X-Rite i1DisplayPro calibration
Warranty 1 year. Extended to 3 years on product registration
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.

Built For Production

Rugged construction. Flexible mounting

The Aluminium alloy chassis with built-in armour houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers.

The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.

Quad SDI & HDMI 2.0 In/Out

Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.

Professional Recording

12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60

Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.

Monitor. Switch. Record

Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback

Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.

Xlr Monitor & Record

Balanced XLR Monitor & Record with 48V Phantom

Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.

Go HDR Today.

In the field & the studio

Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colours of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.

High Bright For Rec709 Outdoor Shooting

1200nit 19” calibrated 1920x1080 monitor

The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Colour, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.

Trust What You See

Calibrate for accurate colour

Like all high-end monitor’s, Sumo also has optional calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.

Continuous Power

Never go without power

The optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field.

Choose The SSD To Suit Your Workflow

Media solutions that are affordable, time saving and convenient

Sumo records using our patented Master Caddy system. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times. We've tested and approved over 20 drives for Sumo (atomos.com/drives) that neatly slot into the provided Master Caddy or use the custom Atomos caddy from G-Technology to integrate directly into their EV series of Raid and desktop solutions for the ultimate in workflow efficiency.

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