The prices and shipping options are an estimate based on the purchase of a single item with nothing else in your basket. The prices and options below do not include shipping regulations and duties which will be checked in the checkout process.
At CVP we always strive to get your order to you as quickly as possible, but in the interest of clarity please note that next day is defined as the next working day (ie: excluding weekends, UK bank holidays and public holidays).
Orders placed and security cleared* before 14:00GMT where all items are in stock will normally** be dispatched on the same business day for ultimate delivery according to the shipping method selected.
Where an item is not physically in stock, the actual delivery time will be extended by the lead time for the product in question. Shipping to the Channel Islands, Northern Ireland, Republic of Ireland and some remote UK postcodes are not next day but 2 working days.
All transactions are subject to CVP security checks which are for our mutual protection against identity theft and fraud. In the event that additional checks are required you will be informed and dispatch time will be extended by the time taken to resolve any queries raised. We apologise for any inconvenience this may cause.
*Due to unforseen circumstances, on some occasions same day dispatch may not be possible. In this event we will always do our utmost to keep you fully informed of any delay imposed.
Reinvent the Rack
Harnessing the latest recorder, monitor and playback technology with class leading Atomos usability and affordability, the Shogun Studio has everything needed for Live Event, Studio, On-set and Broadcast professionals.
IMPORTANT WARRANTY NOTE - LCD MONITORS
For LCD monitors, "dead" pixels that are within the central region of the screen are usually repaired under warranty, however if pixels are around the outer edges of the screen, this is usually classified by manufacturers as a paid repair.
3+ pixels or edge bleed may be covered under the first year warranty, In most cases dead pixels and not covered under warranty by LCD manufacturers.
|Weight||5.0kg / 11lb|
|Rack mounting||Removable rack ears|
|Dimensions (W x H x D mm)||447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)|
|490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)|
|Construction||Steel construction for durability|
|Cooling||Actively controlled fan with heat sinks|
|Operating power (including SSD)||20 - 60W|
|Input voltage (battery)||-|
|Continuous power *Patent pending||-|
|Resolution||1920 x 1200|
|Aspect ratio||16:9 native|
|Colour standard||Rec.709 HDTV|
|Look up table (LUT) support||3D LUT (.cube le format)|
|Technology||SuperAtom IPS panel (capacitive touch),|
|calibration to Rec.709 with optional X-Rite unit|
|Video analysis tools||Luma waveform, RGB parade, Vectorscope, Vectorscope zoom|
|Calibration||Calibration in factory to Rec.709, in eld|
|calibration with optional X-Rite unit|
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog2,|
|Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm|
|Supported Gamuts||Sony SGamut / SGamut3 / SGamut3.cine /|
|Canon Cinema / BT2020 / DCI P3 / DCI P3+|
|Panasonic V Gamut / Arri Alexa Wide Gamut|
|PQ in/out In = Post Out = Monitor||Yes / Yes|
|Video Input/Loop Out:|
|HDMI||1x HDMI (1.4b) per channel|
|SDI||1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel|
|Signal||Uncompressed true 10-bit or 8-bit 422 (camera dependent)|
|Video Output (Play Out):|
|HDMI||1x HDMI (1.4b) per channel|
|SDI||1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel|
|Signal||Uncompressed true 10-bit or 8-bit 422 (playback file dependent)|
|Supported Codecs & Frame Rates (Record & Playback):|
|Raw to CDNG (Record only):|
|Codecs||Cinema DNG for supported cameras|
|(Sony FS5/FS7/FS700, Canon C300MKII, C500, Panasonic Varicam RAW*)|
|Frame rates||4K DCI / 4K UHD; 24/25/30p|
|2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p|
|Raw to ProRes / DNxHR:|
|Codecs||Apple ProRes HQ, 422, LT|
|AVID DNxHR HQX. HQ, SQ, LB|
|Frame rates||4K DCI / 4K UHD; 24/25/30B|
|2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120|
|Video to ProRes / DNxHR:|
|Codecs||Apple ProRes HQ, 422, LT|
|AVID DNxHR HQX. HQ, SQ, LB|
|Frame rates||4K DCI / 4K UHD; 24/25/30|
|2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120|
|HDMI||24/25/30pSF - 24/25/30p (2:2 pulldown)|
|60i - 24p (3:2 pulldown)|
|SDI||Yes - Always on|
|Analogue Audio||On HDMI/SDI loop out (Rec & Playout)|
|Audio In/Out (48kHz PCM Audio):|
|HDMI||2 or 8ch 24-bit, camera dependent|
|SDI||12ch 48kHz 24-bit|
|Analogue audio||2x XLR in & 2 x XLR out on rear per record channel.|
|Mic or line level with phantom 48V|
|Processing||Gain control on line in & headphone output|
|Maximum audio quality||24-bit, 48kHz|
|Audio delay||Delay setting +1 to 99 frames|
|HDMI||Auto HDMI Trigger|
|Supported Protocols - Canon, Sony, Atomos Open Standard|
|SDI||SDI trigger camera selectable|
|RS422||RS422 machine control|
|AMP||via Ethernet RJ45 10/100|
|HDMI||Embedded timecode from camera or video device|
|SDI||Embedded timecode from camera or video device|
|LTC In||Yes (LTC loop back)|
|GenLock In||Yes (GenLock loop back)|
|Playlist||Yes (run down or reverse order) for selected, favorite or all clips|
|Playback options||Loop in & out markets|
|Dual channel||Record 4K master with HD proxies.|
|Record both ProRes & DNxHR versions, indepen- dent dual channel record.|
|Continuous record||Single channel 4K / HD recording|
|automatically switches between drive when at capacity|
|Pre-roll record||Yes (HD 8s, 4K 2s)|
|Custom timelapse||Yes (Key frameable up to 10 video and|
|single frame Intervals, can be triggered from internal clock).|
|Meta data tagging||Yes (10 tags available)|
|Drive slots||2 (1 per record channel)|
|Drive connection types||SATA|
|Supported media (Approved List Only)||4K / HD (50/60/120p*)|
|SSD 2.5”, HDD (7,200 up to 1080p60)|
|SSD 2.5”, HDD (5,400 up to 1080p30)|
|Master caddy case||Master Caddy II (included)|
|75mm x 105mm x 12mm|
|Master caddy dock||2.5” SATA to USB 2.0/3.0|
|Supported applications||Supported Applications FCPX/FCP7+|
|Media Composer 5.0+|
|Vegas Pro 10+|
|Autodesk Smoke 2015|
|XML support||FCPX XML native, FCP7 supported with conversion|
|Accessories included||Shogun Studio unit, 2x Rack ears with screws,|
|5x Master II Caddies, 4x Rubber feet, 2x Large rubber feet,|
|2x IEC power cable, 1x Screen cleaning cloth|
|Warranty||1 year. Extended to 3 years on product registration|
With play list functionality & control via RS422, Ethernet or on screen, the Shogun Studio is an affordable 4K & HD play out engine for video walls, signage and projection. Additionally, with dual channel play out capability over HDMI or 1.5/3/6/12G SDI, Genlock and 4K to HD down scaling the Shogun Studio can be used to provide scheduled, synchronized 4K, 2K and HD simultaneous play out to high resolution projector, jumbotron or signage systems.
Shogun Studio solves many of the problems faced by multi camera events with long run times. Our Master Caddy delivers affordable & reliable media while features like time lapse, pre-roll cache & 4K/HD simultaneous recording make this the perfect choice for Event professionals. Atomos's open approach with media means you record up to 2.5 hours of 4K 30p or 5 hours of 1080p60 onto a single 1TB SSD, keeping media costs less than $150 per hour. The Shogun Studio has the ability to then monitor the input, view waveforms/scopes, setup complex time lapses and simultaneously record a proxy - under pinned with the safe guard of pre-roll cache recording (8 sec for HD / 2 sec for 4K) to ensure you never miss the action.
With rack space at a premium and resolution on the rise, Mobile Production professionals will welcome the ability to record, monitor, test, measure, convert and play out from a single 3RU device. Dual codec, dual resolution recording maximises the flexibility in mobile situations. Combine the ability to record 4K resolution ISO feeds with a hardware down converted HD proxy version, record ProRes on one channel and DNxHR on the other or even playback and convert from one codec/resolution combination to another. Connecting to infrastructure is simple as well with built-in HDMI and SDI conversion that is bi-directional. Shogun Studio is ready for the 4K future, but 4K acquisition doesn’t have to mean 4K delivery – when 4K can be achieved on a HD budget and you have the capability to downscale or record codec to suit you have the perfect product now and for the future in the tight space of Mobile production.
ON Set / DIT
Shogun Studio in the rack of a DIT cart arms the set with the fastest path from acquisition to editing by recording direct to 10-bit 422 ProRes, DNxHR and RAW all housed within a world class monitor with test measurement for the highest quality 4K/2K/HD viewing and setup. For colour analysis, the RGB and Vector scopes provide real time feedback and can be overlaid in several positions on the colour accurate 7.1” 325ppi Full HD monitor. You can double check focus pulls with 2:1 zoom, focus peaking and edges only view and with 8 LUT slots on board and an infinite number on disk previewing the final result is easy. These decisions can be made with the confidence you are using a 100% sRGB factory calibrated monitor that can be calibrated over time using the optional Spyder unit. Outside of monitoring, DIT’s can start the editing process on set with favourite and reject tagging to start the formation of a play list and XML.
In security applications a wide angle lens on a 4K camera can mean a single camera replaces the equivalent of 4 x HD cameras. The Studio Shogun, with its long record time, time lapse, record scheduling and monitor zoom capability makes it the perfect weapon for 4K security applications. In ProRes LT at 25 FPS the Shogun Studio can record 6 hours of Ultra High Definition 4K per channel, this not only provides superior resolution but also an increase in the number of frames captured per second providing a more finite approach to high resolution security recording. In applications where the additional frames aren’t important, the timelapse functionality can be set up to record specific frames at specific points over a specified duration. All of this can be reviewed on the dual 7.1” Full HD monitors and easily zoomed in for closer inspection of areas of interest.