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At CVP we always strive to get your order to you as quickly as possible, but in the interest of clarity please note that next day is defined as the next working day (ie: excluding weekends, UK bank holidays and public holidays).
Orders placed and security cleared* before 14:00GMT where all items are in stock will normally** be dispatched on the same business day for ultimate delivery according to the shipping method selected.
Where an item is not physically in stock, the actual delivery time will be extended by the lead time for the product in question. Shipping to the Channel Islands, Northern Ireland, Republic of Ireland and some remote UK postcodes are not next day but 2 working days.
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*Due to unforseen circumstances, on some occasions same day dispatch may not be possible. In this event we will always do our utmost to keep you fully informed of any delay imposed.
A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.
For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.
|Lens Mount||PL LDS|
|Aperture||T1.9 - T22|
|Close Focus||0.75 m / 2'6"|
|Magnification Ratio||H: 1:22.2, V: 1: 11.1.|
|Length||183 mm / 7.2".|
|Length including flange focal distance||235 mm / 9.3"|
|Front Diameter||95 mm / 3.7"|
|Maximum Housing Diameter||114 mm / 4.5"|
|Entrance Pupil (7) (mm)||-171|
|Entrance Pupil (7) (inch)||-6.75|
|Angle of view H - V Super 35 Cinemascope||48° - 21°|
|Image Diameter||29.26 mm|
Low distortion for uncompromised cinemascope
Cinematic bokeh with high contrast and nice focus fall-off
Beautiful skin tones and precise color rendition
Characteristic out-of-focus highlights
Large image field for full freedom in composition