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ARRI 35mm T1.9 - PL

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ARRI K2.47942.0 (K247942) Carl Zeiss 35mm / T1.9 MASTER ANAMORPHIC Lens with PL mount / 95 mm Front OD

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50470
Catalogue:
arri_k2.47957.0 / K2.47957.0

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Product Details

Overview
ARRI K2.47942.0 (K247942) Carl Zeiss 35mm / T1.9 MASTER ANAMORPHIC Lens with PL mount / 95 mm Front OD. A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. 
For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.
Summary
Focal Length: 35mm
Lens Mount: PL
Lens Type: Wide
Max Aperture: T/1.9
Scale: Metric
Type: Cine

About the ARRI 35mm T1.9 - PL

A range of seven high-performance prime lenses, the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. 

For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

Lens Mount (1) PL LDS
Aperture T1.9 - T22
Close Focus 0.75 m / 2'6"
Magnification Ratio H: 1:32.3, V: 1: 16.1
Length 183 mm / 7.2"
Length including flange focal distance 235 mm / 9.3"
Front Diameter 95 mm / 3.7"
Maximum Housing Diameter 114 mm / 4.5"
Weight (kg) 2.6
Weight (lbs) 5.7
Entrance Pupil (7) (mm) -179
Entrance Pupil (7) (inch) -7.04
Angle of view H - V Super 35 Cinemascope 65° - 30°
Image Diameter 29.26 mm

Low distortion for uncompromised cinemascope

  • Straight lines stay straight
  • No distortion compensation in post necessary
  • Low distortion even at close focus


Cinematic bokeh with high contrast and nice focus fall-off

  • Very smooth out-of-focus image
  • Immersive look


Beautiful skin tones and precise color rendition

  • Smooth and pleasant skin tones
  • Natural crispy color rendition


Characteristic out-of-focus highlights

  • Oval and uniform illuminated out-of-focus highlights
  • Smooth iris shape because of 15 aperture blades


Large image field for full freedom in composition

  • Full 2.39:1 format is useable for image composition
  • No visible image drop at the corners

Large aperture of T1.9 for shallow depth of focus
  • T1.9 useable with any focal length at any distance
  • Overcomes the old rule: “anamorphics need to be stopped down to T4.5”
  • Virtually no image breathing
  • No anamorphic mumps (fat face effect)
  • Super color matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
  • ARRI Lens Data System (LDS) for lens metadata
Documentation
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