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ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms.Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price.The Alura Zooms’ color characteristics, as well as their handling, are matched to existing prime lenses in ARRI’soutstanding repertoire. With two new extenders (1.4x and 2x) developed specifically for FUJINON PL mount zooms, ARRI now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes,standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.
|Focal Length Wide||18|
|Focal Length Long||80|
|Focal Length Ratio||4,4|
|Aperture||T2.6 - T22|
|Close Focus||0.7m / 2' 4"|
|Length||285mm / 11.2"|
|Front Diameter||134mm / 5.3"|
|Maximum Housing Diameter||134mm / 5.3"|
|Entrance Pupil||at 18mm - 264.0mm / 10.4"|
|at 50mm - 231.6mm / 9.1"|
|at 80mm - 213.9mm / 8.4"|
|Angle of View. Normal 35. ID=27.20mm||at 18mm - 62.8-48.0-74.1 degrees|
|at 50mm - 24.8-18.2-30.4 degrees|
|at 80mm - 15.6-11.4-19.3 degrees|
|Angle of View. ALEXA/D-21 HD. ID=27.26mm||at 18mm - 66.8-40.7-74.3 degrees|
|at 50mm - 26.7-15.2-30.5 degrees|
|at 80mm - 16.9-9.5-19.3 degrees|
|Angle of View. ALEXA 2K. ID=29.08mm||at 18mm - 70.3-43.2-77.9 degrees|
|at 50mm - 28.4-16.2-32.4 degrees|
|at 80mm - 18.0-10.2-20.6 degrees|
|Angle of View. DIN Super 35. ID=30.00mm||at 18mm - 67.4-53.1-79.6 degrees|
|at 50mm - 27.0-20.4-33.4 degrees|
|at 80mm - 17.1-12.8-21.2 degrees|
Matched wide and long PL mount zooms for an efficient shooting pace, Small size and low weight for quick and easy handling on the set
Fast and Steady
T2.6 Consistent aperture over entire zoom range
Outstanding Optical Performance
High resolution, high contrast
Even field illumination
Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating
Greatly reduced chromatic aberration through the useof extraordinary dispersion glass
Minimized breathing, especially at the wide end where it counts
9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh
Optimized for ALEXA 2K 16:9 image format, covers up to DIN Super 35 4:3
Consistent Optical Performance
Consistent contrast, resolution and field illumination across the whole focus and zoom range
Film Style Ergonomics
Compatible with film and digital ARRI cameras and accessories
Large, easy-to-read precision focus scales on both sides
Matched to existing prime lenses
Feet/meter focus scales can be exchanged
Front and rear elements can be exchanged
Zoom centering mechanism