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Zoom TAC-2R Audio Interface
Zoom TAC-2R (TAC2R) Thunderbolt Audio Interface
£207.50
£249.00 inc VAT
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Cat no:zoom_zrctac2r_tac-2r / TAC2R
Zoom TAC-2R Audio Interface
Zoom TAC-2R (TAC2R) Thunderbolt Audio Interface
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£207.50
£249.00 inc VAT
249.00
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List Price: £299.00 inc VAT
UNITED STATES $265.35 No VAT
eu €244.47 + VAT
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The compact, rugged TAC-2R audio interface uses the latest Thunderbolt™ technology  for blazingly fast speed, near zero latency and the ultimate in high-quality audio, up to 24-bit/192kHz. With its easy-to-use design and advanced converters, the TAC-2R is perfect for studio and field recording of mics and instruments, onstage playback, and pristine audio streaming. It can even serve as an ultra-stable MIDI interface.

Onstage
Take your performance to the next level. Use the TAC-2R onstage to get the best sound quality from your laptop.  With its Thunderbolt speed, high quality converters, and rugged chassis, you can trust the TAC-2R to deliver superior audio night after night.

In your home and office
Enhance the audio you enjoy everyday. Plug your headphones or speakers into the TAC-2R instead of your computer's audio outputs and enjoy streamed high-resolution audio—all the way up to 24-bit/192kHz—in full fidelity.

In the studio
The TAC-2R gives you all the tools you need to create great audio. Flexible routing options allow you to use a variety of microphones and instruments, with high-quality preamps to ensure crystal clear sound. There's even Direct Monitoring for zero latency overdubbing.

MIDI
The TAC-2R serves as an ultra-stable MIDI interface too, allowing you to use your electronic keyboards and controllers as well as sound generating devices such as synthesizers and drum machines. The extreme speed and low latency of Thunderbolt ensure that your audio and MIDI tracks line up perfectly, every time.

Thunderbolt Fast. Creator Driven.
More than twice as fast as USB 3.0—not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800—Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency.* Thunderbolt interfaces such as the TAC-2R are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source.

In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0)—enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2R.

The TAC-2R performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2R processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity.

* Latency time in the TAC-2R is just 4.17 msec round trip when operating at a 44.1kHz sampling rate with a 64 sample buffer size.

The Hardware
The Thunderbolt port on the rear panel carries digital signal to and from your computer in addition to providing power to the TAC-2R—no external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electronic keyboards and music players—even passive instruments such as electric guitars and basses. Dual balanced TRS output jacks enable you to connect the TAC-2R to amplifiers or self-powered speakers, and there's an independent ¼" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal. In addition, MIDI In and Out is provided to allow precise synchronization with devices such as electronic keyboards and drum machines.

Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control over overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the TAC-2R with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo.

Extend your capabilities with software
TAC-2 MixEfx is a free Macintosh application designed specially by Zoom for the TAC-2R. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. TAC-2 MixEfx even has three memory slots for saving user settings with quick recall.

INPUTS
Input 1/2 connectorsXLR/TRS combo jacks
(XLR: 2 hot / TRS: TIP hot)
Input gain0 to 60dB in 1dB steps
Input impedance5k (1 M (when Hi-Z ON)
Maximum input level+12 dBu (@0dBFs)
Phantom power+48V
L/R OUTPUT
Type1/4" TRS phone jack (Balanced)
Maximum output level+14 dBu (@0dBFs)
Output impedance100
PHONES OUTPUT
Type1/4" stereo phone jack
20mW + 20mW (into 32 load)
Maximum output level+8 dBu (@0dBFs)
Output impedance33
AD/DA CONVERSION
Type4x upsampling ( at 44.1kHz or 48kHz)
ChipsetBurr Brown PCM4202 (A/D)
AKM AK4396 (D/A)
Frequency response-1.0 dB: 20 Hz - 60 kHz @ 192kHz
-1.0 dB: 20 Hz - 40 kHz @ 96kHz
-1.0 dB: 20 Hz - 20 kHz @ 44.1kHz
A/D dynamic range118dB typical (IHF-A)
D/A dynamic range120dB typical (IHF-A)
OTHER
Audio channels (recording)2
Audio channels (playback)2
S/N ratio EIN-125dBu (IHF-A) @ 60dB, 150 input
Sampling frequency192kHz, 176.4kHz, 96kHz, 88.2kHz, 48kHz, 44.1kHz
Bit depth24-bit
Latency (typical)4.17 msec round trip
(@ 44.1kHz sampling / 64 sample buffer size)
InterfaceThunderbolt
PowerThunderbolt Bus Power
Power consumption10 W maximum
Dimensions113.9mm(D) x 176.0mm(W) x 46.2mm (H)
Weight714g
*0dBu0.775Vrms
MIDI
MIDI Input5-pin DIN jack
MIDI Output5-pin DIN jack
  • 1 x TAC-2R Thunderbolt Audio Interface
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    £8,079.60 inc VAT
    Yamaha QL5 Digital Mixing Console 32 + 2 fader configuration adapts to a wide range of channel layouts. The QL5 is a compact console with large-scale capabilities. The Quintessential CompactThe acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha...
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    Tilta T-BOX Audio Converter and Persistent Power Supply System - V-Lock Fitting (TT-0501-U)
    Tilta T-BOX for V-Lock
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    Estimated 4-6 weeks*
    £581.03
    £697.24 inc VAT
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    Tilta T-BOX for V-Lock
    Tilta T-BOX Audio Converter and Persistent Power Supply System - V-Lock Fitting (TT-0501-U)
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    Estimated 4-6 weeks*
    £581.03
    £697.24 inc VAT
    The Tilta T-BOX is a persistent power supply system with a built-in audio converter. It can supply over 10 minutes of persistent power through its 14.8V, 12V, 8.4V or 5V outputs. This version is compatible with V-Lock battery systems and has one SDI input and two SDI outputs. Please Note: Image for illustration purposes only, kit image will differ depending on...
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    SLR Magic APO-HyperPrime CINE 3-Lens Set - PL Mount (SLR-APO2555085SET)
    SLR Magic HyperPrime 3-Lens Set - PL
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    In stock 1-2 days
    £6,235.00
    £7,482.00 inc VAT
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    SLR Magic HyperPrime 3-Lens Set - PL
    SLR Magic APO-HyperPrime CINE 3-Lens Set - PL Mount (SLR-APO2555085SET)
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    In stock 1-2 days
    £6,235.00
    £7,482.00 inc VAT
    SLR Magic (SLR-APO2555085SET) APO-HyperPrime CINE 3-Lens Set - PL Mount...
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    Angenieux Type EZ-2 S35-3perf. 15-40mm T2.0 PL Mount 2.7x Zoom Lens with IRO Technology - Wide (p/n EZ-2-S35 )
    Angenieux EZ-2 15-40mm T2 - PL
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    £8,575.22
    £10,290.26 inc VAT
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    Angenieux EZ-2 15-40mm T2 - PL
    Angenieux Type EZ-2 S35-3perf. 15-40mm T2.0 PL Mount 2.7x Zoom Lens with IRO Technology - Wide (p/n EZ-2-S35 )
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    £8,575.22
    £10,290.26 inc VAT
    The Angénieux Type EZ-2 for S35mm cameras is a wide zoom lens with a zoom factor of 2.7x. Its focal range and aperture are set to 15-40mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 22-60mm F2.8/T3 covering an image circle up to 46mm diagonal. The EZ-2 S35-3perf. has been designed using the same concept as the Optimo...
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    Datavideo DATA-AD200 (DATAAD200) AD-200 1RU Audio Mixer / Delay Box
    1RU Audio Mixer / Delay Box
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    In stock 1-2 days
    £655.00
    £786.00 inc VAT
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    1RU Audio Mixer / Delay Box
    Datavideo DATA-AD200 (DATAAD200) AD-200 1RU Audio Mixer / Delay Box
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    In stock 1-2 days
    £655.00
    £786.00 inc VAT
    Datavideo AD–200 is an integration of 6-Channel audio delay with a matrix mapping function of 4-Channel outputs Audio Mixer, a combination design with front panel and main unit, 2 separate parts by 1RU rack mount design which can be easily installed to OB Van or customized rack....
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    ARRI L2.76184KH (L276184KH) 1000hz Electronic High Speed Ballast
    ARRI L2.76184KH 1000hz Ballast
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    Estimated 2-3 working days*
    £2,690.27
    £3,228.32 inc VAT
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    ARRI L2.76184KH 1000hz Ballast
    ARRI L2.76184KH (L276184KH) 1000hz Electronic High Speed Ballast
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    Estimated 2-3 working days*
    £2,690.27
    £3,228.32 inc VAT
    Specially designed for the M8 is ARRI’s new small and lightweight EB 575/800 ballast, which can also be used with 575 W lampheads. In common with other new-generation ballasts from ARRI, it features CCL (Compensation for Cable Loss) technology and the power-saving ALF (Active Line Filter). The DMX-compatible EB 575/800 o!ers continuous dimming from 50 to 100% and a choice of four frequency modes for low noise (50 /...
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    Cooke Optics S4/i 25mm T2 35mm/Super 35mm Prime Lens with Arriflex PL Mount
    Cooke S4/i 25mm T2 - PL
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    Cooke S4/i 25mm T2 - PL
    Cooke Optics S4/i 25mm T2 35mm/Super 35mm Prime Lens with Arriflex PL Mount
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    Award winning Cooke S4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with Cooke's, 18-100mm T3.0 and 25-250mm T3.7, 15-40mm, T2.0 CXX zoom lenses and the SK4 16mm lenses. Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The...
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