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Blackmagic DaVinci Resolve 12
Blackmagic Design DaVinci Resolve 12 Editing & Colour Correction Software with Advanced Editing, Multicam &
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Cat no:blackmagic_davinci_resolve_12 / BMD-DV/RESSTUD
Blackmagic DaVinci Resolve 12
Blackmagic Design DaVinci Resolve 12 Editing & Colour Correction Software with Advanced Editing, Multicam & Audio Finishing
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£780.00
£936.00 inc VAT
936.00
List Price: £942.00 inc VAT
UNITED STATES $974.87 No VAT
eu €902.15 + VAT
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DaVinci Resolve Version 12.5.4

Now available following this link.

• Added support for the Touch Bar on the new MacBook Pro
• Improved EXR decode and playback performance 
• Added support for decoding MP3 files on Windows
• Added support for Grass Valley HQ and HQX codecs
• Added support for decoding MXF ProRes files
• Added support for preserving super-white and sub-black data in ProRes 4444 codecs
• Improved grading and playback performance when working with large node graphs
• Improved support for CR2 files from Canon 5D Mark IV
• Added support for Rec. 2100 in RCM 
• Added support for sliders to control Dolby Vision analysis data
• Added support for image orientation flag in DPX files
• Added P3-D65 IDTs and ODTs in ACES
• Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES
• Increased maximum bitrate for JPEG2000 renders
• General performance and stability improvements 

DaVinci Resolve 12 combines professional non-linear video editing with the world’s most advanced colour corrector so now you can edit, colour correct, finish and deliver all from one system. DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline. From creative editing and multi camera television production to high end finishing and colour correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

The world’s most advanced colour grading tools
DaVinci colour correctors have been the standard in post production since 1984. There are thousands of colourists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colourists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system.

Professional editing from rough cut to finished edit
DaVinci Resolve 12 includes sophisticated professional editing tools designed to handle a wide range of projects from scripted prime time dramas to fast paced stylized commercials and even multi camera productions. Editing tools are context sensitive, which means that DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don’t have to waste time switching tools. You also get customisable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 12 has the most advanced collaborative tools that let multiple people work together on the same timeline at the same time so you can finish faster and focus on your edit.

Scalable power and real time performance
DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. You can even offload output and rendering tasks to other Resolve systems on your network using the remote rendering tools. That’s important when you are working on high pressure projects that you need to deliver fast. Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients.

Work faster with absolute control
When you have a client looking over your shoulder you need to work fast. The DaVinci Resolve control surface lets you adjust multiple parameters simultaneously, making grading faster. The control surface features dedicated buttons, knobs and perfectly weighted trackballs that give you the subtle control you need for creating the most amazing looks. You get 32 soft knobs with automatic LCD labels so you’ll never have to page through multiple menus to find common adjustments. Save and recall grades to memory, load gallery stills and more at the push of a button while you keep grading at full speed.

Ensure complex jobs are well organised
Saving and managing media is a critical part of every project. DaVinci Resolve features powerful media management tools specifically designed for editorial and colour workflows. You can easily move, copy, consolidate, relink, and archive media, timelines or entire projects. DaVinci Resolve’s clone tool will back up your valuable camera files on location so you can copy camera files to multiple destinations with checksum validation for safekeeping while you’re still on set. DaVinci Resolve can also edit metadata, sync sound and prep footage for editing, colour grading or visual effects. DaVinci Resolve helps you on local drives or over your network and, because it works with virtually every camera and video format, you don’t need to convert files to begin editing or grading.

Finish and deliver to virtually any format
Whether you’re creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. Exporting can take advantage of remote rendering, using another Resolve on the network to render the job. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files.

Unique YRGB 32 bit float processing
DaVinci’s high quality image processing is so revolutionary it won an Emmy™ award for contributions to the television industry. All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB colour space for grading. This allows you to adjust the luminance gain of your video without rebalancing the colour of your whites, mids, or blacks. That means you won’t have to chase the correction you’re aiming for. 32 bit processing combined with YRGB colour science gives you a dramatically wider colour correction range, so you can generate looks that other systems simply cannot match.

End to End Colour Management
DaVinci Resolve 12 simplifies the colour management of multiple clips with different colour spaces, allowing you to define individual source, timeline and output colour spaces with incredible speed and accuracy. Now you have a complete end to end colour managed pipeline that can use DaVinci Resolve’s colour managed timelines and ACES 1.0 (Academy Colour Encoding Specification) colour for high end digital cinema workflows.

The world’s most compatible post production solution
Exchange projects with your favorite NLE software, send clips to VFX and motion graphics, and export projects directly to ProTools for professional mixing and sound design. DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Premiere Pro and more. That means you can edit your project on any system, then using XML, AAF or EDL’s, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also use AAF export to send a project to ProTools with discreet audio clips and a single layer video mix down for audio finishing. DaVinci Resolve lets you work with and integrates with dozens of other software tools so you can focus on getting your job done.

DaVinci Resolve 12.3.2 Studio Software Update

What's new in DaVinci Resolve 12.3.2

Support for Blackmagic 4.6K Film colour science

Blackmagic camera RAW clips now default to BMD Film for colour space and gamma

Additional BMD Video gamma option in the camera raw controls for 4.6K DNG clips

New Blackmagic 4.6K Film to video and Rec.709 LUTs

Ability to optionally add source clip frame count to individual clip renders

General performance and stability improvements

Minimum system requirements for Mac

 

  • Mac OS X 10.10.3 Yosemite
  • 16 GB of system memory is recommended and 8 GB is the minimum supported
  • Blackmagic Design Desktop Video version 10.4.1 or later
  • CUDA Driver version 7.0.36
  • NVIDIA Driver version – As required by your GPU
  • RED Rocket-X Driver 2.1.31.0 and Firmware 1.4.1.16 or later
  • RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
  •  

    Minimum system requirements for Windows

     

  • Windows 8.1 Pro 64 bit with SP1
  • 16 GB of system memory is recommended and 8 GB is the minimum supported
  • Blackmagic Design Desktop Video version 10.4.1 or later
  • NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
  • RED Rocket-X Driver 2.1.31.0 and Firmware 1.4.1.16 or later
  • RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
  •  

    Minimum system requirements for Linux

  • CentOS 6.4
  • 32 GB of system memory is recommended and 16 GB is the minimum supported
  • Blackmagic Design Desktop Video version 10.4.1 or later
  • NVIDIA/AMD Driver version – As required by your GPU
  • RED Rocket-X Driver 2.1.31.0 and Firmware 1.4.1.16 or later
  • RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
  •  

    DaVinci Resolve 12.3.2 Studio Update is available here: https://www.blackmagicdesign.com/support/family/davinci-resolve-and-fusion

    Grading Live On Set
    Now post production can begin during production. Cinematographers and colourists on set can use Resolve Live to grade real time video direct from the camera. You get the full creative power of primaries, secondaries, power windows and more. Resolve Live can help you confirm lighting and camera angles on set and lets you save looks that can be applied to you camera RAW files during grading. That means you save time in production and in post because you can see exactly how your shots are going to look when finished.

    Feature Film and Post Production
    When you have the world’s most demanding clients you need to be able to work quickly and handle any challenge they present you with. Only DaVinci Resolve has the image quality, scalable power, performance and incredible award winning control panel that can keep up with you when clients are in the room working with you. DaVinci Resolve handles more native camera files and video formats than any other real time system, that means you can edit and grade virtually any type of footage in real time. That’s why DaVinci Resolve has been used on more high end feature films, television commercials, music videos and episodic productions than any other system.

    Collaborative Editing and Grading
    Now you can have an editor and multiple colourists working on the same timeline simultaneously. DaVinci Resolve 12 lets an editor and multiple colourists on different workstations share the same timeline and work in tandem as they complete shots. A colourist could be pulling a key or tracking windows while another colourist fine tunes grades that are immediately updated as the editor edits. The DaVinci Resolve collaborative workflow lets your creative team break down a large job into parts they can each work on separately.

    Editing and Grading for Photographers
    If you’re a photographer turned cinematographer shooting video with your DSLR or a Blackmagic Cinema Camera, DaVinci Resolve has new RAW image and colour grading controls that are familiar to photographers. Now you can adjust images quickly and precisely or even use a colour chart to automatically balance your footage. You get the highest possible quality editing and grading because you're working from your camera original files without conversion. DaVinci Resolve solves the single frame limitations of photo enhancement systems and gives photographers advanced real time editing and colour correction features that are quick to learn and easy to use.

    Remote Grading
    The unique remote grading features of DaVinci Resolve mean that clients can choose their favorite colorist for the job, no matter where they are in the world. Using a regular internet connection, a colourist on one side of the world can remotely control and grade on another system containing the same media. With remote grading, a colourist in London or LA can collaborate and show his work to a Director in New York, Tokyo or anywhere else at full quality, all in real time.

    Multi Camera Productions
    Multi camera productions like situation comedies, reality TV and soap operas have a unique and fast pace workflow that require multiple source cameras to playback simultaneously so the editor can cut on the fly. DaVinci Resolve’s new multi-cam tool makes it easy to sync multiple cameras manually using marked points or automatically using timecode or audio waveforms. You can then switch cameras just as if it is being cut live with the added benefit of being able to go back and refine the cut with b-roll, alternate takes from a dress rehearsal or intercut with other multi-cam timelines.

    Episodic Television
    Episodic television schedules are some of the fastest and most gruelling in the industry. Imagine having to grade over 900 shots for a show every day. DaVinci Resolve’s compatibility with editing systems lets colourists start grading before the final edit is complete. Every time changes are made in editorial they can be sent to DaVinci Resolve and the timeline will update automatically. Colourists don’t have to rebuild the project every time the edit changes. That means you can work right up to the on air deadline and deliver the final master as soon as you have completed your grade.

    Supporting Freelance Editors
    DaVinci Resolve 12 makes creating files and round tripping projects with editorial faster and easier than ever. Manage media, sync audio and convert high resolution RAW footage into ProRes or DNxHD proxy files for use in Final Cut Pro X, Media Composer or Premiere Pro CC. The advanced media management tools in DaVinci Resolve can track the relationship between proxies and your original footage for finishing. After editing DaVinci Resolve will automatically reconnect the edited sequence to the original camera RAW files. Now you can finish your project at the highest possible quality using the extended dynamic range and advanced controls in DaVinci Resolve.

    Available Operating SystemMac OS X, Linux, Windows (XP / Vista / 7)
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    Blackmagic Design Trackball for DaVinci Resolve Control System (BMD-DV/TRACKBALL)
    Trackball for DaVinci Resolve
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    £197.00
    £236.40 inc VAT
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    Trackball for DaVinci Resolve
    Blackmagic Design Trackball for DaVinci Resolve Control System (BMD-DV/TRACKBALL)
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    Estimated < 7 working days*
    £197.00
    £236.40 inc VAT
    Trackballs provide RGB balance adjustments and gain for lift, gamma and gain.Please Note that this product is a replacement item and is the Trackball only. ...
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    Blackmagic Design Jog Shuttle for DaVinci Resolve Control System (BMD-DV/JOG)
    Jog Shuttle for DaVinci Resolve
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    Estimated < 7 working days*
    £226.67
    £272.00 inc VAT
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    Jog Shuttle for DaVinci Resolve
    Blackmagic Design Jog Shuttle for DaVinci Resolve Control System (BMD-DV/JOG)
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    Estimated < 7 working days*
    £226.67
    £272.00 inc VAT
    Replacement Jog Shuttle for the DaVinci Resolve System....
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    Teradek TER-COLR-Lite (TERCOLRLITE) COLR Lite Real-Time colour grading system
    Teradek COLR Lite
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    Teradek COLR Lite
    Teradek TER-COLR-Lite (TERCOLRLITE) COLR Lite Real-Time colour grading system
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    Coming Soon
    COLR Lite is a real-time colour grading with 3D LUTs and a CDL or 1D LU which is perfect for GoPros and/or DSLRs/Mirrorless cameras, ...
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    Blackmagic Design T-Bar for DaVinci Resolve Control System (BMD-DV/TBAR)
    T-Bar for DaVinci Resolve
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    Estimated < 7 working days*
    £706.00
    £847.20 inc VAT
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    T-Bar for DaVinci Resolve
    Blackmagic Design T-Bar for DaVinci Resolve Control System (BMD-DV/TBAR)
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    Estimated < 7 working days*
    £706.00
    £847.20 inc VAT
    Replacement T-Bar for the DaVinvi Resolve Control System...
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    Sony BZS-8420/01 (BZS-8420/01) Colour Corrector Software for MVS-8000G (Field upgrade)
    Sony BZS-8420/01 Software
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    £3,378.00
    £4,053.60 inc VAT
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    Sony BZS-8420/01 Software
    Sony BZS-8420/01 (BZS-8420/01) Colour Corrector Software for MVS-8000G (Field upgrade)
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    £3,378.00
    £4,053.60 inc VAT
    Sony BZS-8420/01 (BZS-8420/01) Colour Corrector Software for MVS-8000G (Field upgrade) ...
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    Blackmagic Design Davinci Resolve Turnkey System (BMD-DVRTK)
    Blackmagic Resolve Turnkey
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    Estimated < 7 working days*
    £3,244.44
    £3,893.33 inc VAT
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    Blackmagic Resolve Turnkey
    Blackmagic Design Davinci Resolve Turnkey System (BMD-DVRTK)
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    £3,244.44
    £3,893.33 inc VAT
    Trusted by Hollywood and installed in post houses worldwide, DaVinci Resolve's grading capabilities far outstrip any NLE. Resolve is a comprehensive 16-bit colouring system that supports the latest raw HD and 4K formats. Installed in a powerhouse HP workstation, Resolve is ready to attack any project. HP Z420B Workstation HP P221 21.5" Display BlackMagic Design DeckLink HD Extreme 4K Card Blackmagic Design DaVinci...
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    Blackmagic Design URSA Mini Super 35 4.6K Camcorder with 15 Stops Dynamic Range - EF Mount (p/n BMD-CINECAMURSAM46K/EF)
    Blackmagic URSA Mini 4.6K EF
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    £3,652.44
    £4,382.93 inc VAT
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    Blackmagic URSA Mini 4.6K EF
    Blackmagic Design URSA Mini Super 35 4.6K Camcorder with 15 Stops Dynamic Range - EF Mount (p/n BMD-CINECAMURSAM46K/EF)
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    £3,652.44
    £4,382.93 inc VAT
    Blackmagic Ursa Mini Camera 4.2 Update What's new: Adds black shading calibration for URSA Mini 4.6K in Setup menu. Minimum system requirements for Mac OS X Mac OS X 10.12 Sierra or better Mac OS X 10.11 El Capitan or better A suitable USB 2.0 port Thunderbolt port for UltraScope and Media Express when using Blackmagic Cinema Camera or Blackmagic Production Camera 4K Minimum system requirements for...
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    Blackmagic Design BMD-DV/RES/AADPNL (BMDDVRESAADPNL) DaVinci Resolve 12 - Full Version with Advanced Panel
    DaVinci Resolve 12 + Panel
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    Estimated < 7 working days*
    £21,417.78
    £25,701.34 inc VAT
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    DaVinci Resolve 12 + Panel
    Blackmagic Design BMD-DV/RES/AADPNL (BMDDVRESAADPNL) DaVinci Resolve 12 - Full Version with Advanced Panel
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    Estimated < 7 working days*
    £21,417.78
    £25,701.34 inc VAT
    Hollywood's most powerful colour corrector is now also the world's most amazing editorDaVinci Resolve 12 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio...
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    Sennheiser EW 112P G3 (EW 112-P G3, EW112PG3, EW, 112P) Tie Clip (lavalier) Radio Microphone System (2012 Ch38 Compliant)
    EW 112P G3 Microphone System
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    78 in stock
    £415.83
    £499.00 inc VAT
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    EW 112P G3 Microphone System
    Sennheiser EW 112P G3 (EW 112-P G3, EW112PG3, EW, 112P) Tie Clip (lavalier) Radio Microphone System (2012 Ch38 Compliant)
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    78 in stock
    £415.83
    £499.00 inc VAT
    Fast, flexible and professional: these characteristics make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged...
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    Blackmagic Design URSA VLock Battery Plate for Attaching Third Party Batteries to URSA Cameras
    URSA VLock Battery Plate
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    5 in stock
    £75.56
    £90.67 inc VAT
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    URSA VLock Battery Plate
    Blackmagic Design URSA VLock Battery Plate for Attaching Third Party Batteries to URSA Cameras
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    5 in stock
    £75.56
    £90.67 inc VAT
    VLock compatible battery plate for attaching third party batteries to URSA cameras....
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    Blackmagic Design Full HD OLED Viewfinder for the URSA 4K Video Camera
    Blackmagic OLED URSA Viewfinder
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    Extended lead time
    £1,195.56
    £1,434.67 inc VAT
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    Blackmagic OLED URSA Viewfinder
    Blackmagic Design Full HD OLED Viewfinder for the URSA 4K Video Camera
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    £1,195.56
    £1,434.67 inc VAT
    High Resolution Viewfinder, Full HD display and glass optics makes precise focus easyThe optional Blackmagic URSA Viewfinder has been designed to be the perfect match for Blackmagic URSA digital film cameras. The Blackmagic URSA Viewfinder has the specifications demanded by high end cinematographers. You get a high resolution 1920 x 1080 color OLED display matched with precision glass optics, adjustable...
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    Tangent Wave USB Colour Grading Control Surface  - supports Apple Color 1.5
    Tangent Wave Control Surface
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    Estimated 2-3 working days*
    £995.00
    £1,194.00 inc VAT
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    Tangent Wave Control Surface
    Tangent Wave USB Colour Grading Control Surface - supports Apple Color 1.5
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    Estimated 2-3 working days*
    £995.00
    £1,194.00 inc VAT
    Wave from Tangent offers a new level of affordability and quality to control surfaces. Where mice and tablets let you down for fast, responsive grading; Wave offers a tactile, intuitive work surface for all Video professionals.The Wave features crisp, easy to read, ice-white OLED displays and custom trackerball units with non-contacting optical pickup. Its design is influenced by Tangent's Pro...
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    Blackmagic Design Jog Shuttle for DaVinci Resolve Control System (BMD-DV/JOG)
    Jog Shuttle for DaVinci Resolve
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    Estimated < 7 working days*
    £226.67
    £272.00 inc VAT
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    Jog Shuttle for DaVinci Resolve
    Blackmagic Design Jog Shuttle for DaVinci Resolve Control System (BMD-DV/JOG)
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    Estimated < 7 working days*
    £226.67
    £272.00 inc VAT
    Replacement Jog Shuttle for the DaVinci Resolve System....
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    Tangent ELM-BDL (ELM-BDL) Bundle of Element Tk, Mf, Kb and Bt Control Panels
    Tangent Control Panels
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    Estimated 2-3 working days*
    £2,295.00
    £2,754.00 inc VAT
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    Tangent Control Panels
    Tangent ELM-BDL (ELM-BDL) Bundle of Element Tk, Mf, Kb and Bt Control Panels
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    Estimated 2-3 working days*
    £2,295.00
    £2,754.00 inc VAT
    With today’s multi-purposing work stations, where desk space is at a premium, having a fully featured panel that is compact, fully featured and stylish enough to match its surroundings is a must. But, you’d expect that having a compact design means having to compromise ergonomics, features and control size. With the Element range, there is no compromise! Despite their small desk...
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    Blackmagic Micro Full HD 1080p Cinema Camera with an Active MFT Lens Mount - Body Only (p/n BMD-CINECAMMICHDMFT)
    Blackmagic Micro HD Cinema Camera
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    In stock 1-2 days
    £728.00
    £873.60 inc VAT
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    Blackmagic Micro HD Cinema Camera
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    In stock 1-2 days
    £728.00
    £873.60 inc VAT
    Blackmagic Micro Cinema Camera, The world’s smallest digital film camera with innovative remote control! Introducing the Blackmagic Micro Cinema Camera, a miniaturized Super 16mm, professional digital film camera that is designed to be operated remotely and capture action anywhere! A revolutionary built in expansion port has PWM and S.Bus inputs so you can use a model airplane remote control to...
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    Blackmagic Design URSA Mini Super 35 4K Camcorder with 12 Stops Dynamic Range - EF Mount (p/n BMD-CINECAMURSAM40K/EF)
    Blackmagic URSA Mini 4K EF
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    £2,182.22
    £2,618.66 inc VAT
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    Blackmagic URSA Mini 4K EF
    Blackmagic Design URSA Mini Super 35 4K Camcorder with 12 Stops Dynamic Range - EF Mount (p/n BMD-CINECAMURSAM40K/EF)
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    £2,182.22
    £2,618.66 inc VAT
    Introducing URSA Mini, a lightweight miniaturized URSA featuring an incredible 4.6K Super 35 image sensor with a massive 15 stops of dynamic range! The super compact and lightweight design is perfectly balanced for handheld use and comfortable enough for all day shooting. That means you get a handheld camera with higher resolution and better dynamic range than most Super 35mm...
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    Swit Electronics S-8082S (S8082S) V-Mount Camera Battery (95Wh) with D-TAP Connection (14.4V / 95Wh)
    Swit V-Lock Battery (95Wh)
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    7 in stock
    £185.00
    £222.00 inc VAT
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    Swit V-Lock Battery (95Wh)
    Swit Electronics S-8082S (S8082S) V-Mount Camera Battery (95Wh) with D-TAP Connection (14.4V / 95Wh)
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    7 in stock
    £185.00
    £222.00 inc VAT
    The S-8082S is a lightweight 95Wh V-mount camera battery, with a D-tap socket for camera lights or other equipment. It has a 4-level LED power indicator to give you a view of remaining power before mounting to camera, and a connecting shoe for the S-7002 wireless receiver.  A built in intelligent circuit has multiple protections of abnormal current, voltage and...
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    Blackmagic Design URSA Mini Shoulder Kit
    URSA Mini Shoulder Kit
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    Extended lead time
    £292.44
    £350.93 inc VAT
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    URSA Mini Shoulder Kit
    Blackmagic Design URSA Mini Shoulder Kit
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    Extended lead time
    £292.44
    £350.93 inc VAT
    Be ready to shoot anywhere! Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle....
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    Schneider Xenon 100mm T2.1 FF Prime Lens - PL (FT) Mount (SKFF100PLF)
    Schneider Xenon 100mm T2 - PL
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    Estimated 4-6 weeks*
    £2,557.50
    £3,069.00 inc VAT
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    Schneider Xenon 100mm T2 - PL
    Schneider Xenon 100mm T2.1 FF Prime Lens - PL (FT) Mount (SKFF100PLF)
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    Estimated 4-6 weeks*
    £2,557.50
    £3,069.00 inc VAT
    NB. Lens mount apperance will differ from that shown above. The new Schneider FF primes are a unique set of lenses. All of the focal lengths in the set feature a maximum aperture of T2.1, utilize a 35mm Full Frame image circle (24x36mm), and are offered in PL, Nikon F, and Canon EF mount. At approximately 3.5 lbs each, these primes...
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    Sennheiser EW-100-ENG G3 (EW100ENGG3) Portable System Including Bodypack Transmitter, ME 2 Omni Lapel Mic. Plug-on Transmitter and Camera-Mount Diversity Receiver
    Sennheiser EW-100-ENG G3
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    Estimated 2-3 working days*
    £557.50
    £669.00 inc VAT
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    Sennheiser EW-100-ENG G3
    Sennheiser EW-100-ENG G3 (EW100ENGG3) Portable System Including Bodypack Transmitter, ME 2 Omni Lapel Mic. Plug-on Transmitter and Camera-Mount Diversity Receiver
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    Estimated 2-3 working days*
    £557.50
    £669.00 inc VAT
    This ENG set offers a great amount of flexibility for portable recording indoors or outdoors. Its SKP 100 G3 plug-on transmitter transforms XLR equipped devices (such as microphones and mixing consoles) into wireless devices by simply plugging the unit in. The bodypack transmitter, as well as the plug on, can by synced up to the receiver with the simple push...
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